Through The Looking Glass

Considered a Holy Grail of Japanese music by many, Through The Looking Glass is Midori Takada's first solo endeavour, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience.

The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP.

Midori Takada is a composer, multi percussionist, and theatre artist renowned in Japanese vanguard circles. She will tour Europe this year. Midori released two solo albums: Through The Looking Glass and Tree Of Life and wrote music for Tadashi Suzuki's theatre plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body. She performs solo on
marimba and other percussion instruments. She debuted on the scene of Berlin Philharmonic, performing with the RIAS Symphonie-Orchester Berlin just after graduating from Tokyo University of the Arts in 1974.

She continued her career with solo concerts in Japan and abroad. In the 1980s Midori began to explore the traditional music of Asia and Africa. Her fascination resulted
in joint projects with Kakraba Lobi from Ghana, Lamine Konte from Senegal, Farafina Band from Burkina Faso, and Korean musicians: zither player Chi Seong-Ja, flute player Won-Il, and saxophone player Kang Tae-Hwan. She also led Mkwaju Ensemble's innovative percussion project and still performs with free-jazz band Ton-Klami with Kang Tae-Hwan and jazz pianist Masahiko Satoh.

In the past 20 years, Midori Takada spent more time in theatres than in concert halls - composing and performing live music for theatre. She regularly works with Tadashi Suzuki and his Suzuki Company of Toga on their adaptations of Electra and King Lear.

Takada's compositions have a remarkable way of affecting the imagination. Her minimalist, contemplative music is filled with the concept of infinity and reminds us of a moon voyage, falling stars, a journey into the ocean, or a walk in the garden. The trans melodies, initially simple, begin to loop and splinter, their rhythm breaking and thickening, slowly drawing the listener into another reality.

Every live performance Midori Takada gives is unique and prepared especially for that occasion.

1. Mr. Henri Rousseau's Dream

2. Crossing

3. Trompe-l'œil

4. Catastrophe