Product Info
Limited LP : Clear With Black Smoke Vinyl
More Info
Emilie Levienaise-Farrouch's dark, throbbing score to Prano Bailey-Bond's horror debut "Censor" is out now on vinyl, after previously being released on digital platforms.
The vinyl is pressed on clear vinyl with black smoke effect, and comes housed in a deluxe spined sleeve with double sided printed insert featuring beautiful imagery from the film.
Emilie Levienaise-Farrouch manages to inhabit a space between Ennio Morricone, Goblin and John Carpenter in her stunning score to Censor.
“I wanted the original score to focus on two different elements of the film's storytelling which slowly intertwine as the movie progresses”, Emilie tells Booklyn Vegan.
"One sound palette represents the trauma of our lead character Enid, with a use of manipulated vocals and synthesisers, slow moving, almost suspended, and at times disorientating cues, with short melodic motives, little lullabies Enid might softly sing to herself to sooth her anxiety and guilt of having lost her sister. The other palette is much more anchored in the time period (1980s) and genre the film explores.” She calls that second sound palette a "love letter to classic Carpenter and Goblin soundtracks, using vintage synths, rare Japanese instruments and choirs to bring us deep into the fun, surreal, and meta elements of the film.”
The vinyl is pressed on clear vinyl with black smoke effect, and comes housed in a deluxe spined sleeve with double sided printed insert featuring beautiful imagery from the film.
Emilie Levienaise-Farrouch manages to inhabit a space between Ennio Morricone, Goblin and John Carpenter in her stunning score to Censor.
“I wanted the original score to focus on two different elements of the film's storytelling which slowly intertwine as the movie progresses”, Emilie tells Booklyn Vegan.
"One sound palette represents the trauma of our lead character Enid, with a use of manipulated vocals and synthesisers, slow moving, almost suspended, and at times disorientating cues, with short melodic motives, little lullabies Enid might softly sing to herself to sooth her anxiety and guilt of having lost her sister. The other palette is much more anchored in the time period (1980s) and genre the film explores.” She calls that second sound palette a "love letter to classic Carpenter and Goblin soundtracks, using vintage synths, rare Japanese instruments and choirs to bring us deep into the fun, surreal, and meta elements of the film.”
Tracklist
Running From Death
Censor
First Subway
Deranged Meeting
Why Aren't You Banning These Films?
Don't Go In The Church
Mum's Neck Dream
List Of His Films
Watching Asunder
Driving To Parents
Enid Drives Home
Dream Of Nina
Night Visit
What's Going To Happen To Alice?
You Sick B
What We're Doing Here Is Pointless
I'll Be Doing Your Makeup
Blood Splattering
The Cabin
Beastman's Lair
Frederick's Demise
You Have Her Eyes
Soundwave
https://youtu.be/FjW5UzhJl3U