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The most exquisite moments in music are when you connect with the other players, when you fly, when you touch the spirit and the audience is there with you.
Andy Summers, One Train Later
Having crossed paths briefly in the ’60s in Bournemouth where Fripp took over Andy’s guitar chair in the band at Bournemouth’s Majestic Hotel, it wasn’t until 1981 - when Summers wrote to Fripp - that the two guitarists would work together.
With King Crimson fresh from recording the now classic album ‘Discipline’ after a considerable break, Fripp was immediate in his response to Summers’s suggestion of working together. And though The Police were busy with the recording and touring of ‘Ghost in the Machine’, the two guitarists somehow managed to find time to experiment, develop and record the first of their two albums.
Whilst ‘I Advance Masked’ showcased the skill and differing guitar techniques of the two players with heavy influence of Fripp’s multi-rhythmic playing evident, their second 1984 album ‘Bewitched’ was a more melodic affair with the inclusion of additional personnel including bassist Chris Childs and Sara Lee, and as Fripp put it, “the album is a lot more Andrew than it is me”.
Almost 40 years later - during plans to reissue the original albums and searching for the original tapes - Summers came across four new tapes in a Los Angeles vault. Not only was most of the original material on those tapes, but a treasure trove of previously unreleased material, early versions, alternative versions of tracks were unearthed.
From that, eleven unreleased tracks were arranged/edited and newly mixed and, along with an alternative take of “Maquillage” and an early slower version of “Parade”, a third mini album titled ‘Mother Hold the Candle Steady’ was created. More previously unreleased tracks such as Balinese and Brainstorm and delights such as an early mix of New Marimba were also discovered by David Singleton in the process of collating and mixing this collection.
In addition, this package includes an audio documentary titled ‘Can We Record Tony?’ which is from a series of cassettes Fripp kept containing their original exploratory improvisations.
Tracklist
CD 1 - I ADVANCE MASKED
I ADVANCE MASKED
UNDER BRIDGES OF SILENCE
CHINA - YELLOW LEADER
IN THE CLOUD FOREST
NEW MARIMBA
GIRL ON A SWING
HARDY COUNTRY
THE TRUTH OF SKIES
PAINTING AND DANCE
STILL POINT
LAKELAND / AQUARELLE
SEVEN ON SEVEN
STULTIFIED
ADDITIONAL MATERIAL:
BRAINSTORM
NEW MARIMBA (EARLY MIX)
BALINESE
SEVEN ON SEVEN (REPRISE)
CD 2 - BEWITCHED
PARADE
WHAT KIND OF MAN READS PLAYBOY
BEGIN THE DAY
TRAIN
BEWITCHED
TRIBE
MAQUILLAGE
GUIDE
FORGOTTEN STEPS
IMAGE AND LIKENESS
ADDITIONAL MATERIAL:
TRIBE (ORIGINAL VERSION)
MAQUILLAGE (ALT ORIGINAL MIX)
CD 3 - MOTHER HOLD THE CANDLE STEADY (Previously Unreleased) :
IMPUDENT PRELUDE
BRAINSTORM
TREMORS
TURKISH KITCHEN
SKYLINE
FOI UM OPTIMO DIA
SAN ANTONIO BLUES
MOTHER HOLD THE CANDLE STEADY
ENTROPY PULSE
NINJA ACID DANCE
STEP N’ FETCHIT
MAQUILLAGE II
PARADE II
CAN WE RECORD TONY (EDIT)
BLU-RAY – All content in 24/96 Hi-Res
I ADVANCE MASKED
As CD including
NEW MIXES STEREO
NEW MIXES SURROUND (Also in DTS-HD MA 5.1 Surround)
ORIGINAL MIXES
BEWITCHED
AS CD plus:
NEW MIXES STEREO
NEW MIXES SURROUND (also in DTS-HD MA 5.1 Surround)
ORIGINAL MIXES
MOTHER HOLD THE CANDLE STEADY
STEREO
SURROUND (also in DTS-HD MA 5.1 Surround)
CAN WE RECORD TONY (COMPLETE)