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Encouraged by his friend percussionist Airto Moreira and his wife, singer Flora Purim, Raul left Brazil for the USA in the early 70s. In 1976, he contributed to an album by a US-based Latin fusion group called Caldera, which was released on Capitol Records and put him in the orbit of its executive producer Larkin Arnold.
For Raul’s debut LP, ‘Sweet Lucy’, Arnold paired him with the capable George Duke, a jazz musician with a deep appreciation of Brazilian music who was just beginning to branch out as a record producer. Raul also worked with George Duke in 1978 on the follow-up album, ‘Don’t Ask My Neighbors’, although Duke is credited under the alias Dawilli Gonga.
George Duke vacated the producer’s chair for the third Capitol Album ’Til Tomorrow Comes’ to be replaced by Arthur G. Wright, a prolific guitarist, songwriter, arranger and producer from Los Angeles whose credits ranged from Diana Ross to Linda Ronstadt. He surrounded Raul with some of LA’s best session musicians including keyboardist Greg Phillinganes, saxophonist Ernie Fields, guitarist David T. Walker and drummers Ed Greene and James Gadson – and concocted a different musical backdrop for the trombonist; one that tapped more heavily into disco and R&B rather than jazz.
Tracklist
DISC ONE
Sweet Lucy & Don’t Ask My Neighbors
1 Sweet Lucy
2 Wires
3 Wild And Shy
4 At Will
5 Banana Tree
6 A Song Of Love
7 New Love (Cancao Do Nosso Amori)
8 Bottom Heat
9 Don’t Ask My Neighbors
10 La La Song
11 Daisy Mae
12 Beauty And The Beast
13 Fortune
14 Overture
15 At The Concert
16 I Believe You
DISC TWO
Don’t Ask My Neighbours (Continued) ‘Til Tomorrow Comes & Bonus Tracks
1 Jump Street
2 Raul De Souza & Arthur Wright – ‘Til Tomorrow Comes
3 Only When You Can
4 Fe-No-Me-Nol
5 Pleasurize
6 Up And At It
7 Everybody’s Got To Dance To The Music
8 Self Sealing
9 Boogie Shoes
Bonus Tracks
10 Sweet Lucy – Single Version
11 Daisy Mae – Single Version
12 Raul De Souza & Arthur Wright – ‘Til Tomorrow Comes – Single Version