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‘There’s just a handful of living composers who can legitimately claim to have altered the direction of musical history and Steve Reich is one of them.’ – Guardian
Nonesuch Records releases Steve Reich Collected Works, a 27-disc box set featuring music recorded during his 40 years on the label. The collection represents six decades of Reich’s compositions, ranging from It’s Gonna Rain (1965) to first recordings of his two latest works: Jacob’s Ladder (2023) and Traveler’s Prayer (2020). Two extensive booklets contain new essays by longtime Nonesuch President Robert Hurwitz, conductor Michael Tilson Thomas, Steve Reich and Musicians percussionist Russell Hartenberger, producer Judith Sherman, and composer Nico Muhly, as well as a comprehensive listener’s guide by pianist and composer Timo Andres.
Nonesuch made its first record with Steve Reich in 1985. He was signed exclusively to the label that year, and since then the company has released 22 all-Reich albums, two retrospectives, and two remix releases. Among his many honours, two of Reich’s Nonesuch records, Different Trains and Music for 18 Musicians, won Grammy Awards and his Double Sextet recording for the label won a Pulitzer Prize.
“I first heard Music for 18 Musicians when I was in my mid-twenties, at a moment when I was still in the process of figuring out my own taste in contemporary music. I wasn’t yet certain what modern classical music really meant, nor was I sure how it stacked up against work from the past.” Hurwitz says in his liner note. “Music for 18 Musicians was an event of such immense importance that it changed how I felt not only about Steve, but about minimalism, modernism and, in some respects, classical music. Music for 18 was a piece that could sweep listeners up with its non-stop kinetic activity, its opulent sound, its rhythmic invention, its stunning architecture. But only years later did I recognize what drew me in to such an intense degree: it was harmony.
“Here were the kinds of colors and voicings I loved in the earlier twentieth-century music of Stravinsky and Bartók and others, but had found missing in practically all of the new music I had been hearing for years. It was the key that unlocked the music of modern times for me,” Hurwitz continues. “It now seemed possible to love contemporary music. With Music for 18 Musicians, Steve suddenly flung open a door to the possibilities of what a modern composer could be in our time.”
Reich also has become a significant mentor of the younger generation of American composers. “This music is as part of my artistic ecosystem as air is to my respiratory system, and I can’t imagine saying anything about it which wouldn’t somehow get its importance wrong,” composer Nico Muhly says in his liner note. “Steve once told me that the trick is to ‘find your band’, the group of instruments that form the core of your musical language, and this is advice I pass on to all younger composers who cross my path.”
Composer and pianist Timo Andres adds, “It is Steve Reich, perhaps more than any other musician, who prefigured our ideas of a twenty-first-century composer... For audiences, too, Reich has proven that contemporary music can thrive outside the insular world of its own practitioners.
“On initial approach, Reich’s music appears both friendly and a little forbidding, its surfaces immaculate, polished, yet also playful and viscerally beautiful... It exudes a specific kind of energy in live performance as well,” he continues. “Watching an ensemble play Music for 18 Musicians, for example, one has the sense of observing a utopian society in miniature, a mass of people working towards a common goal with no apparent leader.”
Steve Reich has been called ‘the most original musical thinker of our time’ (New Yorker) and ‘among the great composers of the century’ (New York Times). Starting in the 1960s, his pieces It’s Gonna Rain, Drumming, Music for 18 Musicians, Tehillim, Different Trains, and many others helped shift the aesthetic center of musical composition worldwide away from extreme complexity and towards rethinking pulsation and tonal attraction in new ways. He continues to influence younger generations of composers and mainstream musicians and artists all over the world.
In addition to his Grammy Awards and Pulitzer Prize, Reich received the Praemium Imperiale in Tokyo, the Polar Music Prize in Stockholm, the Golden Lion at the Venice Biennale, the BBVA Foundation Frontiers of Knowledge award in Madrid, the Debs Composer’s Chair at Carnegie Hall, and the Gold Medal in Music from the American Academy of Arts and Letters. He has been named Commandeur de l’Ordre des Arts et des Lettres in France, and awarded honorary doctorates by the Royal College of Music in London, the Juilliard School in New York, and the Liszt Academy in Budapest, among others.
One of the most frequently choreographed composers, several noted choreographers have created dances to his music, including Anne Teresa de Keersmaeker, Jirí Kylián, Jerome Robbins, Justin Peck, Wayne McGregor, Benjamin Millepied, and Christopher Wheeldon.
Reich’s documentary video opera works – The Cave and Three Tales, done in collaboration with video artist Beryl Korot – opened new directions for music theater and have been performed on four continents. His work Quartet, for percussionist Colin Currie, sold out two consecutive concerts at Queen Elizabeth Hall in London shortly after tens of thousands at the Glastonbury Festival heard Jonny Greenwood (of Radiohead) perform Electric Counterpoint, followed by the London Sinfonietta performing his Music for 18 Musicians.
Nonesuch Records has historically had close relationships with modern composers. During the years of the label’s first president, Tracey Sterne, it made multiple recordings of Elliott Carter, George Crumb, Charles Wuorinen, and William Bolcom. Since 1985, Nonesuch has made multiple recordings of works by Philip Glass, Stephen Sondheim, Laurie Anderson, Caroline Shaw, Louis Andriessen, John Zorn, Adam Guettel, Henryk Górecki, Timo Andres, Nico Muhly, and Donnacha Dennehy. For John Adams, like Steve Reich, Nonesuch has recorded every new piece of his music since 1985; the label released a collection of his complete works in 2022.
While Nonesuch recordings comprise 24 of the 27 discs in Collected Works, the set also includes recordings licensed from other labels: Mahan Esfahani’s recording of Piano Phase (Deutsche Grammophon); Ensemble Avantgarde’s recording of Pendulum Music (Wergo); Art Murphy, Jon Gibson, Steve Chambers, Philip Glass, and Steve Reich’s recording of Four Organs and Murphy, Gibson, Chambers, and Reich’s recording of Phase Patterns (Shandar); Andreas Hartmann and Waltraut Wächter’s recording of Duet with MDR-Sinfonieorchester led by Kristjan Järvi (Sony Classical); Steve Reich and Musicians’ recordings of Music for Mallet Instruments, Voices and Organ and Six Pianos (Deutsche Grammophon); San Francisco Symphony and conductor Edo de Waart’s recording of Variations for Winds, Strings and Keyboards (Philips); Ransom Wilson’s recording of Vermont Counterpoint (Angel); and Ensemble Signal’s recording of Music for 18 Musicians (Harmonia Mundi).
Tracklist
Disc 1 – Early Works
Come Out (1966)
Piano Phase (1967)
Double Edge
Nurit Tilles, Edmund Niemann, pianos
Clapping Music (1972)
Russell Hartenberger, Steve Reich, hand claps
It’s Gonna Rain (1965)
Part I
Part II
Disc 2 – Early Works II
Piano Phase (1967)
Version for harpsichord by Mahan Esfahani (2014)
Mahan Esfahani, harpsichord
Pendulum Music (1968)
Ensemble Avantgarde
Martin Demmler, Steffen Schleiermacher, performers
Four Organs (1970)
Art Murphy, Philip Glass, Steve Chambers, Steve Reich, electric organs
Jon Gibson, maracas
Phase Patterns (1970)
Art Murphy, Jon Gibson, Steve Chambers, Steve Reich, electric organs
Disc 3 – Drumming
Drumming (1970–71)
Part I
Part II
Part III
Part IV
Steve Reich and Musicians
Bob Becker, Ben Harms, Russell Hartenberger, Garry Kvistad, James Preiss, Steve Reich, Gary Schall, Glen Velez, Thad Wheeler, tuned drums, marimbas, glockenspiels
Pamela Wood Ambush, Jay Clayton, voices
Steve Reich, whistling
Mort Silver, piccolo
Disc 4 – Early Works III
Duet (1993)
Andreas Hartmann, Waltraut Wächter, violins
MDR-Sinfonieorchester
Kristjan Järvi, conductor
Music for Mallet Instruments, Voices and Organ (1973)
Steve Reich and Musicians
Russell Hartenberger, Bob Becker, Tim Ferchen, Steve Reich, marimbas
Glen Velez, Ben Harms, glockenspiels
James Preiss, metallophone
Janice Jarrett, Joan LaBarbara, voices (long tones)
Jay Clayton, voice (melodic patterns)
Steve Chambers, electric organ
Six Pianos (1973)
Steve Reich and Musicians
Steve Chambers, James Preiss, Russell Hartenberger, Bob Becker, Steve Reich,
Glen Velez, pianos
Variations for Winds, Strings and Keyboards (1979)
San Francisco Symphony
Edo de Waart, conductor
Vermont Counterpoint (1982)
Ransom Wilson, piccolo, flute, alto flute
Disc 5 – Music For 18 Musicians
Music for 18 Musicians (1974–76)
Pulses
Section I
Section II
Section IIIA
Section IIIB
Section IV
Section V
Section VI
Section VII
Section VIII
Section IX
Section X
Section XI
Pulses II
Steve Reich and Musicians
Rebecca Armstrong, Marion Beckenstein, Cheryl Bensman-Rowe, voices
Jay Clayton, voice, piano
Russell Hartenberger, Bob Becker, Tim Ferchen, marimbas, xylophones
James Preiss, vibraphone, piano
Garry Kvistad, marimba, xylophone, piano
Steve Reich, marimba, piano
Thad Wheeler, marimba, maracas
Nurit Tilles, Edmund Niemann, pianos
Philip Bush, piano, maracas
Elizabeth Lim, violin
Jeanne LeBlanc, cello
Leslie Scott, Evan Ziporyn, clarinets, bass clarinets
Disc 6 – New York Counterpoint, Eight Lines, Four Organs
New York Counterpoint (1985)
I. Fast
II. Slow
III. Fast
Evan Ziporyn, clarinet, bass clarinet
Eight Lines (Octet) [1979]
Bang on a Can
Todd Reynolds, Gregor Kitzis, Jaqueline Carrasco, Elizabeth Knowles, violins
Martha Mook, Ron Lawrence, violas
Mark Stewart, Greg Passelink, cellos
Patti Monson, David Fedele, flutes, piccolos
Michael Lowenstern, Evan Ziporyn, clarinets, bass clarinets
Edmund Niemann, Nurit Tilles, pianos
Brad Lubman, conductor
Four Organs (1970)
Bang on a Can
Michael Gordon, Lisa Moore, Mark Stewart, Evan Ziporyn, electric organs
James Preiss, maracas
Disc 7 – Tehillim / Three Movements
Tehillim (1981)
Part I (Fast)
Part II (Fast)
Part III (Slow)
Part IV (Fast)
Schönberg Ensemble
with Percussion Group The Hague
Barbara Borden, Tannie Willemstijn, sopranos
Yvonne Benschop, Ananda Goud, mezzo-sopranos
Reinbert de Leeuw, conductor
Three Movements (1986)
Movement I: ♩= 176
Movement II: ♩= 88
Movement III: ♩= 176
London Symphony Orchestra
Neil Percy, Simon Carrington, Ray Northcott, Frank Ricotti, Clive Malabar, percussion
Michael Tilson Thomas, conductor
Disc 8 – The Desert Music
The Desert Music (1983)
Text by William Carlos Williams
First Movement (Fast)
Second Movement (Moderate)
Third Movement: Part One (Slow)
Third Movement: Part Two (Moderate)
Third Movement: Part Three (Slow)
Fourth Movement (Moderate)
Fifth Movement (Fast)
Steve Reich and Musicians
Chorus and members of the Brooklyn Philharmonic
Russell Hartenberger, Robert Becker, Glen Velez, Garry Kvistad, principal percussion
Julie Rosenfeld*, concertmaster
Deborah Redding*, principal second violin
Francesca Martin*, principal viola
Sharon Palmer*, principal cello
Donald Palma, principal bass
* Colorado Quartet
Cheryl Bensman-Rowe, choral contractor
Michael Tilson Thomas, conductor
Disc 9 – Sextet / Six Marimbas
Sextet (1985)
I.
II.
III.
IV.
V.
Steve Reich and Musicians
with members of Nexus*
Bob Becker*, Russell Hartenberger*, Garry Kvistad, Glen Velez, marimbas, vibraphones,
bass drums, crotales, tam-tam, sticks
Edmund Niemann, Nurit Tilles, pianos, synthesizers
Six Marimbas (1986)
Transcribed from Six Pianos (1973) by James Preiss
Steve Reich and Musicians
with members of Manhattan Marimba Quartet*
Bob Becker, Russell Hartenberger, Kory Grossman*, James Preiss*, Bill Ruyle*,
William Trigg*, marimbas
Disc 10 – Different Trains / Electric Counterpoint
Different Trains (1988)
America – Before the war
Europe – During the war
After the war
Kronos Quartet
David Harrington, violin
John Sherba, violin
Hank Dutt, viola
Joan Jeanrenaud, cello
Electric Counterpoint (1987)
I. Fast
II. Slow
III. Fast
Pat Metheny, electric guitar, bass guitar
Disc 11 – The Four Sections / Music For Mallet Instruments, Voice And Organ
The Four Sections (1987)
I. Strings (with Winds and Brass): ♩= 80
II. Percussion: ♩= 80
III. Winds and Brass (with Strings): ♩= 120
IV. Full Orchestra: ♩= 180
London Symphony Orchestra
with
Bob Becker, Russell Hartenberger, Garry Kvistad, James Preiss, percussion
Edmund Niemann, Nurit Tilles, pianos
Michael Tilson Thomas, conductor
Music for Mallet Instruments, Voices and Organ (1973)
Steve Reich and Musicians
Bob Becker, Tom Ferchen, Russell Hartenberger, Steve Reich, marimbas
Garry Kvistad, Thad Wheeler, glockenspiels
James Preiss, vibraphone
Nurit Tilles, electric organ
Pamela Wood Ambush, Rebecca Armstrong, voices (long tones)
Jay Clayton, voice (melodic patterns)
Disc 12 & 13 – The Cave
The Cave (1990–93)
Music by Steve Reich
Video/Text by Beryl Korot
DISC 12
Act 1
Typing Music (Genesis XVI)
Who Is Abraham?
Genesis XII
Who Is Sarah?
Who Is Hagar?
Typing Music Repeat
Who Is Ishmael?
Genesis XVIII
Who Is Isaac?
Genesis XXI
The Casting Out of Ishmael and Hagar
Machpelah Commentary
Genesis XXV
(chanted in Hebrew from the Torah by Ephraim Isaac)
Interior of the Cave
Act 2
East Jerusalem / Hebron (June 1989 and June 1991)
Surah 3
(chanted in Arabic from the Koran by Sheikh Dahoud Atalah, Muqri of Al-Aksa mosque)
DISC 13
Act 2 (continued)
Who Is Ibrahim?
Who Is Hajar?
The Near Sacrifice
El Khalil Commentary
Interior of the Cave
Act 3
New York City / Austin (April–May 1992)
Who Is Abraham?
Who Is Sarah?
Who Is Hagar?
Who Is Ishmael?
The Binding of Isaac
The Cave of Machpelah
The Steve Reich Ensemble
Cheryl Bensman-Rowe, Marion Beckenstein, sopranos
James Bassi, tenor
Hugo Munday, baritone
Bob Becker, Russell Hartenberger, Garry Kvistad, Thad Wheeler, percussion
Nurit Tilles, Edmund Niemann, Philip Bush, pianos, keyboards
Elizabeth Lim, Todd Reynolds, violins
Scott Rawls, viola
Jeanne LeBlanc, cello
Leslie Scott, Al Hunt, flutes, oboe, English horn, clarinet, bass clarinet
Paul Hillier, conductor
Disc 14 – Proverb / Nagoya Marimbas / City Life
Proverb (1995)
Text by Ludwig Wittgenstein
Theatre of Voices
Andrea Fullington, Sonja Rasmussen, Allison Zelles Lloyd, sopranos
Alan Bennett, Paul Elliott, tenors
with members of The Steve Reich Ensemble
Russell Hartenberger, Bob Becker, vibraphones
Nurit Tilles, Edmund Niemann, electric organs
Paul Hillier, conductor
Nagoya Marimbas (1994)
Bob Becker, James Preiss, marimbas
City Life (1995)
“Check it out”
Pile Driver / alarms
“It’s been a honeymoon — Can’t take no mo’”
Heartbeats / boats & buoys
V. “Heavy smoke”
The Steve Reich Ensemble
David Fedele, Gen Shin Kai, flutes
Jackie Leclair, Matthew Sullivan, oboes
Leslie Scott, Mike Lowenstern, clarinets
Russell Hartenberger, Bob Becker, vibraphones
Garry Kvistad, percussion
Nurit Tilles, Philip Bush, sampling keyboards
Edmund Niemann, Lisa Moore, pianos
Elizabeth Lim, Todd Reynolds, violins
Lois Martin, viola
Jeanne LeBlanc, cello
Jay Elfenbein, bass
Brad Lubman, conductor
Disc 15 – Triple Quartet
Triple Quartet (1998)
First Movement
Second Movement
Third Movement
Kronos Quartet
David Harrington, violin
John Sherba, violin
Hank Dutt, viola
Jennifer Culp, cello
Electric Guitar Phase (2000)
Arranged from Violin Phase (1967) by Dominic Frasca
Dominic Frasca, electric guitar
Music for a Large Ensemble (1978)
Alarm Will Sound
and Ossia
Alan Pierson, vibraphone
Dennis DeSantis, Chris Vatalaro, Payton MacDonald, Mike Robbins, marimbas
Alexander Postelnek, Clay Greenberg, xylophones
Ian Quinn, Thomas Rosenkranz, Paul Vasile, Fang-Tzu Liu, pianos
Brianna Winters, Martha Cluver, voices
Laura Motchalov, Paul Yaeger, Caleb Burhans, Yasmin Craig, violins
Amelia Hollander, Paul Miller, violas
Stefan Freund, Susie Kelly, cellos
Ike Sturm, Brent Bulmann, basses
Brian Hermanson, Miranda Dohrman, clarinets
Jessica Johnson, flute
Todd Rewoldt, Josh Rutner, soprano saxophones
Jason Price, Eli Asher, Brent Madsen, Will Jennings, trumpets
Alan Pierson, conductor
Tokyo/Vermont Counterpoint (2000)
Arranged from Vermont Counterpoint (1982) by Mika Yoshida
Mika Yoshida, MIDI marimba
Discs 16-17 – Three Tales
Three Tales (2002)
Music by Steve Reich
Video by Beryl Korot
DISC 16 Three Tales (CD)
Part I: Hindenburg
It Could Not Have Been a Technical matter (DVD Only)
Nibelung Zeppelin
A Very Impressive Thing to See
I Couldn’t Understand It
Part II: Bikini
In the Air – 1
The Atoll – 1
On the Ships – 1
In the Air – 2
The Atoll – 2
On the Ships – 2
In the Air – 3
The Atoll – 3
On the Ships – 3
Coda
Part III: Dolly
Cloning
Dolly
Human Body Machine
Darwin
Interlude
Robots/Cyborgs/Immortality
The Steve Reich Ensemble
Bob Becker, Russell Hartenberger, Garry Kvistad, James Preiss, percussion
Elizabeth Lim Dutton, Todd Reynolds, violins
Scott Rawls, viola
Jeanne LeBlanc, cello
Edmund Niemann, Nurit Tilles, pianos, keyboards
Synergy Vocals
Micaela Haslam, director
“Hindenburg”:
Olive Simpson, Micaela Haslam, sopranos
Ashley Catling, Stephen Trowell, Rob Kearley, tenors
“Bikini,” “Dolly”:
Amanda Morrison, Micaela Haslam, sopranos
Gerard O’Beirne, Andrew Busher, Phillip Conway-Brown, tenors
Brad Lubman, conductor
DISC 17 Three Tales (DVD)
Three Tales
A Theater of Ideas
Steve Reich and Beryl Korot interviewed by David Allenby
Dolly Interviewees
Brief biographies, in order of appearance
Outtake
Original Act I, Scene 2 (deleted)
Brad Conducting
Video recorded in December 2002 at Hebbel Theater, Berlin, Germany
Performed by Ensemble Modern
Disc 18 – You Are (Variations)
You Are (Variations) (2004)
You Are Wherever Your Thoughts Are
Shiviti Hashem L’Negdi
(I Place the Eternal Before Me)
Explanations Come to an End Somewhere
Ehmor M’aht, V’ahsay Harbay
(Say Little and Do Much)
Los Angeles Master Chorale
Phoebe Alexander, Tania Batson, Claire Fedoruk, Rachelle Fox, Marie Hodgson, Emily Lin, sopranos
Sarona Farrell, Amy Fogerson, Alice Murray, Nancy Sulahian, Kim Switzer, Tracy Van Fleet, altos
Pablo Corá, Joseph Golightly, Shawn Kirchner, Sean McDermott, Fletcher Sheridan,
Kevin St. Clair, tenors
Geri Ratella, Sara Weisz, flutes
Joan Elardo, Joel Timm, oboes
James Faschia, Helen Goode-Castro, Larry Hughes, clarinets
Gloria Cheng, Lisa Edwards, Brian Pezzone, Vicki Ray, pianos
Wade Culbreath, Michael Englander, John Magnussen, Tom Raney, marimbas, vibraphones
Tamara Hatwan, Ralph Morrison, Susan Reddish, first violins
Samuel Fischer, Julie Rogers, Steve Schart, second violins
Darren McCann, Victoria Miskolcsky, Catherine Reddish, violas
Delores Bing, Maurice Grants, Roger LeBow, cellos
Oscar Hidalgo, bass
Grant Gershon, conductor
Cello Counterpoint (2003)
Maya Beiser, cello
Disc 19 – Daniel Variations
Daniel Variations (2006)
I saw a dream
My name is Daniel Pearl
(I’m a Jewish American from Encino, California)
Let the dream fall back on the dreaded
I sure hope Gabriel likes my music, when the day is done
Los Angeles Master Chorale
Tania Batson, Karen Hogle Brown, Claire Fedoruk, Rachelle Fox, Marie Hodgson,
Emily Lin, sopranos
Pablo Corá, Jody Golightly, Shawn Kirchner, Michael Lichtenauer, Kevin St. Clair,
George Sterne, tenors
Gary Bovyer, Michael Grego, clarinets
Gloria Cheng, Vicki Ray, Brian Pezzone, Lisa Edwards, keyboards
Theresa Dimond, Thomas Raney, Wade Culbreath, Michael Englander, John Magnussen,
Mark Zimoski, percussion
Elizabeth Lim Dutton*, Todd Reynolds*, violins
Scott Rawls*, viola
Eugene Moye*, cello
* members of The Steve Reich Ensemble
Grant Gershon, conductor
Variations for Vibes, Pianos and Strings (2005)
Fast
Slow
Fast
London Sinfonietta
Quartet 1
David Alberman, Jonathan Morton, violins
Paul Silverthorne, viola
Timothy Gill, cello
Quartet 2
Joan Atherton, Simon Smith, violins
Jane Atkins, viola
Lionel Handy, cello
Quartet 3
Miranda Fulleylove, Elizabeth Wexler, violins
James Boyd, viola
Sally Pendlebury, cello
John Constable, Shelagh Sutherland, pianos
David Hockings, Owen Gunnell, Sam Walton, Alex Neal, vibraphones
Alan Pierson, conductor
Disc 20 – Double Sextet / 2x5
Double Sextet (2007)
Fast
Slow
Fast
eighth blackbird
Tim Munro, flute
Michael J. Maccaferri, clarinet
Matt Albert, violin
Nicholas Photinos, cello
Matthew Duvall, vibraphone
Lisa Kaplan, piano
2x5 (2008)
Fast
Slow
Fast
Bang on a Can
Bryce Dessner, Mark Stewart, electric guitars
Robert Black, electric bass
Evan Ziporyn, piano
David Cossin, drums
Disc 21 – WTC 9/11, Mallet Quartet, Dance Patterns
WTC 9/11 (2010)
I. 9/11
II. 2010
III. WTC
Kronos Quartet
David Harrington, violin
John Sherba, violin
Hank Dutt, viola
Jeffrey Zeigler, cello
Mallet Quartet (2009)
I. Fast
II. Slow
III. Fast
Sō Percussion
Eric Beach, Jason Treuting, vibraphones
Josh Quillen, Adam Sliwinski, marimbas
Dance Patterns (2002)
James Preiss, Thad Wheeler, vibraphones
Frank Cassara, Garry Kvistad, xylophones
Edmund Niemann, Nurit Tilles, piano
Disc 22 – Radio Rewrite
Electric Counterpoint (1987)
I. Fast
II. Slow
III. Fast
Jonny Greenwood, guitar, bass guitar
Piano Counterpoint (2011)
Arrangement of Six Pianos (1973) for piano and tape by Vincent Corver
Vicky Chow, piano
Radio Rewrite (2012)
I. Fast
II. Slow
III. Fast
IV. Slow
V. Fast
Alarm Will Sound
Erin Lesser, flute
Elisabeth Stimpert, clarinet
Christopher Thompson, Matt Smallcomb, vibraphones
John Orfe, Michael Harley, pianos
Courtney Orlando, Caleb Burhans, violins
Nathan Schram, viola
Stefan Freund, cello
Miles Brown, electric bass
Alan Pierson, conductor
Disc 23 – Pulse / Quartet
Pulse (2015)
International Contemporary Ensemble
Josh Modney, Gabby Diaz, Michi Wiancko, Pauline Kim, violins
Kyle Armbrust, Wendy Richman, violas
Claire Chase, Alice Teyssier, flutes
Joshua Rubin, Campbell MacDonald, clarinets
Jacob Greenberg, piano
Greg Chudzik, bass
Quartet (2013)
I. Fast
II. Slow
III. Fast
Colin Currie Group
Colin Currie, Sam Walton, vibraphones
Philip Moore, Simon Crawford-Phillips, pianos
Disc 24 – Runner / Music For Ensemble And Orchestra
Runner (2016)
I. Sixteenths
II. Eighths
III. Quarters
IV. Eighths
V. Sixteenths
Los Angeles Philharmonic
Martin Chalifour, Nathan Cole, first violins
Mark Kashper, Kristine Whitson, second violins
Teng Li, Dale Hikawa Silverman, violas
Robert deMaine, Ben Hong, cellos
Christopher Hanulik, bass
Denis Bouriakov, Elise Shope Henry, flutes
Jonathan Fischer, Anne Marie Gabriele, oboes
Burt Hara, Andrew Lowy, clarinets
Matthew Howard, Wesley Sumpter, percussion
Joanne Pearce Martin, Vicki Ray, keyboards
Susanna Mälkki, conductor
Music for Ensemble and Orchestra (2018)
I. Sixteenths
II. Eighths
III. Quarters
IV. Eighths
V. Sixteenths
Los Angeles Philharmonic
Ensemble
Martin Chalifour, Nathan Cole, first violins
Lyndon Johnston Taylor, Mark Kashper, second violins
Teng Li, Dale Hikawa Silverman, violas
Robert deMaine, Ben Hong, cellos
Christopher Hanulik, Oscar M. Meza, basses
Theodore Henry III, electric bass
Denis Bouriakov, Elise Shope Henry, flutes
Ramón Ortega, Anne Marie Gabriele, oboes
Boris Allakhverdyan, Andrew Lowy, clarinets
Matthew Howard, Eduardo Meneses, percussion
Joanne Pearce Martin, Gavin Martin, keyboards
Orchestra
Akiko Tarumoto, Rebecca Reale, Michele Bovyer, Camille Avellano, Jin-Shan Dai, Mischa Lefkowitz,
Edith Markman, Stacy Wetzel, Eduardo Rios, Cheryl Brick-Norman, first violins
Dale Breidenthal, Ingrid Chun, Tianyun Jia, Nickolai Kurganov, Johnny Lee, Varty Manouelian,
Michelle Tseng, Sooah Kim, second violins
Ben Ullery, Dana Lawson, Michael Larco, Hui Liu, Minor L. Wetzel, Andrew François, violas
Dahae Kim, Barry Gold, Jason Lippmann, Gloria Lum, cellos
Thomas Hooten, James Wilt, Christopher Still, Marissa Benedict, trumpets
Stephen Biagini, Kenneth Bonebrake, Kazue Asawa McGregor, Benjamin Picard, KT Somero,
librarians
Susanna Mälkki, conductor
Disc 25 – Reich/Richter
Reich/Richter (2019)
Opening
Patterns & scales
Cross fades
Ending
Ensemble intercontemporain
Emmanuelle Ophèle, Sophie Cherrier, flutes
Philippe Grauvogel, Didier Pateau, oboes
Martin Adámek, Jérôme Comte, clarinets
Benoît Maurin, Samuel Favre, vibraphones
Hidéki Nagano, Géraldine Dutroncy, pianos
Diego Tosi, Jeanne-Marie Conquer, violins
John Stulz, viola
Eric-Maria Couturier, cello
George Jackson, conductor
Disc 26 – Jacob’s Ladder / Traveler’s Prayer
Jacob’s Ladder (2023)
Genesis 28:12
Vayachalom
(And he dreamed)
V’hinei, sulam mutzav artza
(And behold, a ladder set up on the Earth)
V’rosho magia hashamayima
(And its top reached heaven)
V’hinei, malachei Elokim olim v’yordim bo
(And behold, messengers of G-d ascending and descending on it)
Synergy Vocals
Tara Bungard, Micaela Haslam, sopranos
Benedict Hymas, Will Wright, tenors
New York Philharmonic
Frank Huang, Sheryl Staples, first violins
Qianqian Li, Lisa Eunsoo Kim, second violins
Rebecca Young, Cong Wu, violas
Carter Brey, Matthew Christakos, cellos
Robert Langevin, Mindy Kaufman, flutes
Robert Botti, John Upton, oboes
Anthony McGill, Barret Ham, clarinets
Christopher S. Lamb, Daniel Druckman, percussion
Eric Huebner, piano
Lawrence Tarlow, Sara Griffin, Viola Chan, librarians
Jaap van Zweden, conductor
Traveler’s Prayer (2020)
Synergy Vocals
Amanda Morrison, Micaela Haslam, sopranos
Benedict Hymas, Will Wright, tenors
Colin Currie Group
Sam Walton, Owen Gunnell, percussion
Siwan Rhys, piano
Jonathan Morton, Greta Mutlu, Clio Gould, Beatrix Lovejoy, violins
Nicholas Bootiman, Meghan Cassidy, violas
Robin Michael, Zoe Martlew, cellos
Colin Currie, conductor
Disc 27 – Music For 18 Musicians (Signal)
Music for 18 Musicians (modular version)
Pulses
Section 1
Section 2
Section 3a
Section 3b
Section 4
Section 5
Section 6
Section 7
Section 8
Section 9
Section 10
Section 11
Pulses
Ensemble Signal
Olivia De Prato, violin
Lauren Radnofsky, cello
Ken Thomson, Bill Kalinkos, clarinets, bass clarinets
David Friend, Lisa Moore, Red Wierenga, Thomas Rosenkranz, pianos
Doug Perkins, Bill Solomon, marimbas
Brad Lubman, marimba (Section VII)
James Deitz, maracas, marimba (Section IllB)
Martha Cluver, Caroline Shaw, Mellissa Hughes, Kirsten Sollek, voices
Owen Clayton Condon*, xylophone
Robert Dillon*, xylophone, marimba (Section IllB)
Peter Martin*, vibraphone, piano (Sections II, IX, X)
David Skidmore*, marimba, piano (Sections IX, X)
* members of Third Coast Percussion
Brad Lubman, music director
Paul Coleman, live sound director