{"title":"Pre Orders","description":"\u003ch1\u003ePRE-ORDERS\u003c\/h1\u003e\nWant to make sure you get that special item? Or just want to know that a release will be shipped to you on release date? Then the pre-order link is where you will find all the latest items available to order in advance. Worth noting that the way record companies sell product has changed over the years. To create demand and awareness record companies and labels will often offer details of a new release weeks\/months before its due date. This gives us the opportunity to offer you the news of its release in advance. However it also gives them the opportunity to change the date! So please be aware that not everything is set in stone and some dates may change. On limited edition and exclusive releases it is worth noting that these items may well sell-out on or even before the release date so get your orders in early.","products":[{"product_id":"collected","title":"Collected","description":"\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003eMarvin Gaye always dreamed of being a smooth crooner, “sitting on a stool, possibly behind a piano,” delivering velvety songs like Nat King Cole. But Motown had other plans. Pushed between raw R\u0026amp;B and polished pop, Gaye fought to find his own voice, eventually rising to become one of the greatest soul singers in history.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMotown Records released the first Marvin Gaye record in 1961 \"(I'm Afraid) The Masquerade Is Over\", a single intended for (radio) promotion from the singer's debut album. This was followed up by the officially released \"Let Your Conscience Be Your Guide\" a week later. Gaye scored his first real hit with \"Stubborn Kind of Fellow\" in 1962, which he had co-written himself, joking about his alleged stubbornness. He found his own unique style with the single released at the end of the year: \"Hitch Hike\". The foundations were now laid for an enormous series of chart successes: \"Pride And Joy\", \"Can I Get A Witness\", \"How Sweet It Is (To Be Loved By You)\" and \"Ain't That Peculiar\" are all Motown classics from 1963-1965 which are still being regularly played today after all these years. The duets he recorded with Kim Weston (\"It Takes Two\"), especially Tammi Terrell and Diana Ross were certainly at least as good.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHe scored his biggest ever hit with \"I Heard It Through The Grapevine\" in 1968. \"What's Going On\" from the same titled album became a number 1 hit in the USA and the album was received as a masterpiece and is regarded as one of the most important records in pop history. In 1973, the artistically and commercially very successful, \"Let's Get It On\" album was mainly a musical ode to Marvin's love for his new muse Janis Hunter. His journey continued after a turbulent relationship, addiction and a dramatic creative rebirth in Belgium, where he crafte the global hit “Sexual Healing in 1982.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMarvin Gaye left behind timeless hits, groundbreaking albums, and a legacy that shaped the sound of modern soul. His story, from ambition to artistry, from struggle to brilliance, remains as powerful as the music he created.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e2LP Variants\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003cbr\u003e1. (I’m Afraid) The Masquerade Is Over\u003cbr\u003e2. Let Your Conscience Be Your Guide\u003cbr\u003e3. Hitch Hike\u003cbr\u003e4. Pride And Joy\u003cbr\u003e5. Can I Get A Witness\u003cbr\u003e6. 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Got To Give It Up\u003cbr\u003e4. Heavy Love Affair\u003cbr\u003e5. Sexual Healing\u003cbr\u003e6. Sanctified Lady\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3CD Variant\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr\u003e1. ( I'm Afraid) The Masquerade Is Over\u003cbr\u003e2. Let Your Conscience Be Your Guide\u003cbr\u003e3. Stubborn Kind Of Fellow\u003cbr\u003e4. Hitch Hike\u003cbr\u003e5. Pride And Joy\u003cbr\u003e6. Can I Get A Witness\u003cbr\u003e7. When I'm Alone I Cry\u003cbr\u003e8. You're A Wonderful One\u003cbr\u003e9. Try It Baby\u003cbr\u003e10. Baby Don't You Do It\u003cbr\u003e11. How Sweet It Is ( To Be Loved By You)\u003cbr\u003e12. I'll Be Doggone\u003cbr\u003e13. Pretty Little Baby\u003cbr\u003e14. Ain't That Peculiar\u003cbr\u003e15. One More Heartache\u003cbr\u003e16. Little Darlin' ( I Need You)\u003cbr\u003e17. Your Unchanging Love\u003cbr\u003e18. Chained\u003cbr\u003e19. I Heard It Through The Grapevine\u003cbr\u003e20. You\u003cbr\u003e21. 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Elton John praised him on his show Elton John’s Rocket Hour, Adele invited him to join her background choir for a TV performance.\u003c\/p\u003e\n\u003cp\u003eBorn and raised in Ireland, Moncrieff’s raw, emotionally charged style has resonated deeply with listeners, drawing inspiration from personal experiences of love, heartbreak, and self-discovery. His breakout singles, such as \"Warm\" and \"Symptoms\", introduced audiences to his ability to combine powerful storytelling with a soulful sound, quickly gaining him a devoted following.\u003c\/p\u003e\n\u003cp\u003eHis music, characterized by its authenticity and emotional intensity, has earned him widespread acclaim and set him apart as a unique artist unafraid to wear his heart on his sleeve. 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Time passes, the bird cherry blooms, birthdays come and go and the mundanity of daily life continues – just with a giant hole in the middle of it that nobody else seems to notice.\u003c\/p\u003e\n\u003cp\u003eTurn a microscopic focus on that void, paint it in pastel colors, add a touch of Velvet Underground and internationally accented three-part harmonies, and you get something like Ditch Me by Matching Outfits. The Berlin trio’s sophomore album is about your boyfriend picking up toilet paper and some snacks on the way to your house – right before letting you know it’s over. It’s about realizing the last time your names appeared side by side was in your grandmother’s obituary. It’s also about not being able to drive and shitty jobs and the oddities of city dating culture.\u003c\/p\u003e\n\u003cp\u003e\"By turns wistful and playfully deadpan, with meandering melodies that feel both off the cuff and deeply sincere. 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Backed by the Chosen Few and the Scott Brothers, arranged by Benjamin Wright, sung by Brown’s 17-year-old daughter Tridia and Moroccos falsetto Larry Brown, and drawn by The Wind’s Eugene Phillips, the album is an outsider D.I.Y. soul genie awaiting the rub of a phonographic needle to reveal its immortal sorcery. Be careful what you wish for.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1. One More Time Around (Vocal)\u003cbr\u003e2. Love Is All I Need\u003cbr\u003e3. Doing It For Us\u003cbr\u003e4. Going To Make A Time Machine (Vocal)\u003cbr\u003e5. Going To Make A Time Machine (Instrumental)\u003cbr\u003e6. Ladies And Wonderful Girls (Arranged by Arrow Brown)\u003cbr\u003e7. I’ll Never Cry For Another Boy\u003cbr\u003e8. We Love Together\u003cbr\u003e9. Another Day\u003cbr\u003e10. The Magic Of Your Love\u003cbr\u003e11. One More Time Around (Instrumental)\u003cbr\u003e12. 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After more than two years of relentless touring alongside bands like Mannequin Pussy, PUP, The Linda Lindas, Jigsaw Youth, Pussy Riot, and Origami Angel, are not the same people that they were when they made their 2022 debut Love Me Forever. They’ve grown, matured and been altered by experience. “The first album was influenced a lot by stuff we grew up listening to because we’d never really toured,” offers Myron. “It’s really cool that now, after all this touring, there’s bits and pieces of all these bands we wouldn’t otherwise have listened to that have weaved their way into our songwriting.” Pinkshift stand for unity, collectivity, community and action, but above all, the Maryland trio are hoping their new songs can have a more personal, emotional resonance too. “I think with this record, I'm trying to inspire you to, give a fuck,” Ashrita concludes.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1. Love It Here\u003cbr\u003e2. Anita Ride\u003cbr\u003e3. 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From the first spine-tingling piano notes of “Main Theme” to the final choral-orchestral stirrings of “Epilogue”, the soundtrack follows the ups and the downs of Link’s epic adventure.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEach element of the game enjoys a distinct musical palette, including the iconic minimalist piano of the open world, the alien sounds of Sheikah technology, the tension-filled rhythms of enemy encounters, and the orchestral grandeur of the Divine Beast battles. 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Original Soundtrack Ver.\u003cbr\u003eBattle (Shrine) - Original Soundtrack Ver.\u003cbr\u003eStone Talus Battle\u003cbr\u003eHinox Battle\u003cbr\u003eGuardian Battle\u003cbr\u003eBattle Inside the Divine Beast\u003cbr\u003eMolduga Battle\u003cbr\u003eThe Lord of the Mountain\u003cbr\u003eOmen of the Blood Moon\u003cbr\u003eThe Blood Moon\u003cbr\u003eGame Over\u003cbr\u003e\u003cbr\u003eDisc 3\u003cbr\u003eSide A\u003cbr\u003eSidon's Theme\u003cbr\u003eZora's Domain\u003cbr\u003eVah Ruta, Divine Beast of Water\u003cbr\u003eRecovered Memory: Mipha's Touch\u003cbr\u003eBattle With Divine Beast Vah Ruta\u003cbr\u003eAn Accord with Sidon\u003cbr\u003eExploring Divine Beast Vah Ruta\u003cbr\u003eA Blight Ganon Appears\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eBattle with Waterblight Ganon\u003cbr\u003eA Heart Container Appears\u003cbr\u003eReuniting with Mipha\u003cbr\u003eA Champion's Divine Gift\u003cbr\u003eA Divine Beast's Majesty\u003cbr\u003eMipha and the Divine Beast\u003cbr\u003eNaydra, Possessed\u003cbr\u003eAttendants to the Sacred Springs\u003cbr\u003eRestoring Malanya's Power\u003cbr\u003eMalanya's Spring\u003cbr\u003eLurelin Village\u003c\/p\u003e\n\u003cp\u003eDisc 4\u003cbr\u003eSide A\u003cbr\u003eCave\u003cbr\u003eVah Medoh, Divine Beast of Wind\u003cbr\u003eRito Village\u003cbr\u003eRecovered Memory: Revali's Flap\u003cbr\u003eThe Flight Range\u003cbr\u003eMinigame: Flight Range\u003cbr\u003eBattle with Divine Beast Vah Medoh\u003cbr\u003eTeba's Encouragement\u003cbr\u003eWarbler's Nest Melody\u003cbr\u003eKass's Theme (Song of the Hero Ver.)\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eExploring Divine Beast Vah Medoh\u003cbr\u003eBattle with Windblight Ganon\u003cbr\u003eReuniting with Revali\u003cbr\u003eRevali and the Divine Beast\u003cbr\u003ePondo's Lodge\u003cbr\u003eMinigame: Bird-Man Research Study\u003cbr\u003eRestoring a Great Fairy's Power\u003cbr\u003eGreat Fairy Fountain\u003c\/p\u003e\n\u003cp\u003eDisc 5\u003cbr\u003eSide A\u003cbr\u003eLava Landscape\u003cbr\u003eVah Rudania, Divine Beast of Fire\u003cbr\u003eGoron City\u003cbr\u003eThe Abandoned North Mine\u003cbr\u003eRecovered Memory: Daruk's Mettle\u003cbr\u003eBattle with Divine Beast Vah Rudania\u003cbr\u003eExploring Divine Beast Vah Rudania\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eBattle with Fireblight Ganon\u003cbr\u003eReuniting with Daruk\u003cbr\u003eDaruk and the Divine Beast\u003cbr\u003eMinigame: Contest of Endurance\u003cbr\u003eThe Lost Woods\u003cbr\u003eKorok Forest\u003cbr\u003eMeeting the Deku Tree\u003cbr\u003eMaster Sword Obtained\u003cbr\u003eMemories of the Sword\u003cbr\u003eTree and Sword: Words of Wisdom\u003cbr\u003eHestu's Dance\u003c\/p\u003e\n\u003cp\u003eDisc 6\u003cbr\u003eSide A\u003cbr\u003eVah Naboris, Divine Beast of Thunder\u003cbr\u003eKara Kara Bazaar\u003cbr\u003eGerudo Town\u003cbr\u003eThe Yiga Clan Hideout\u003cbr\u003eProud Master Kohga\u003cbr\u003eBattle with Master Kohga\u003cbr\u003eRecovered Memory: Urbosa's Hand\u003cbr\u003eVah Naboris Lookout Post\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eBattle with Divine Beast Vah Naboris\u003cbr\u003eExploring Divine Beast Vah Naboris\u003cbr\u003eBattle with Thunderblight Ganon\u003cbr\u003eReuniting with Urbosa\u003cbr\u003eUrbosa and the Divine Beast\u003cbr\u003eMinigame: Sand-Seal Race\u003cbr\u003eSand-Seal Race: Win\u003c\/p\u003e\n\u003cp\u003eDisc 7\u003cbr\u003eSide A\u003cbr\u003eRecovered Memory: Zelda's Awakening\u003cbr\u003eZelda's Behest\u003cbr\u003eHyrule Castle Town Ruins\u003cbr\u003eHyrule Castle\u003cbr\u003eCalamity Ganon Appears\u003cbr\u003eThe Champions' Power Mobilized\u003cbr\u003eBattle with Calamity Ganon (First Form)\u003cbr\u003eBattle with Calamity Ganon (Second Form)\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eDark Beast Ganon Appears\u003cbr\u003eBattle with Dark Beast Ganon\u003cbr\u003eDo You Really Remember Me?\u003cbr\u003eStaff Credits\u003cbr\u003eEpilogue\u003c\/p\u003e\n\u003cp\u003eDisc 8\u003cbr\u003eSide A\u003cbr\u003eTarrey Town\u003cbr\u003eTrothed in Tarrey Town\u003cbr\u003eHateno Ancient Tech Lab\u003cbr\u003eAkkala Ancient Tech Lab\u003cbr\u003e2017 Nintendo Switch Presentation Trailer\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eShrine of a Champion\u003cbr\u003eThe Final Trial\u003cbr\u003eThe Monk Maz Koshia\u003cbr\u003eThe Princess and the Champions\u003cbr\u003eThe Champions' Ballad: Finale\u003cbr\u003eThe Champions' Ballad\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e2LP\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003eDisc 1\u003cbr\u003eSide A\u003cbr\u003eMain Theme\u003cbr\u003eOverworld (Day)\u003cbr\u003eThe Shrine's Trial\u003cbr\u003eThe Stables\u003cbr\u003eGalloping (Day)\u003cbr\u003eHateno Village (Day)\u003cbr\u003eKakariko Village (Day)\u003cbr\u003eThe Temple of Time\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eOverworld (Battle) - 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Released simultaneously on CD and LP, it features the second London performance from YMO’s first full-scale international “Trans Atlantic Tour,”recorded live at The Venue on October 24, 1979. All 15 tracks are included. Supervised by Haruomi Hosono, the recordings have been newly mixed and mastered from the original multitrack masters by world-renowned engineer Goh Hotoda. Paper sleeve packaging, high-quality Blu-spec CD2 format.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e2LP\u003cbr\u003eSIDE A\u003cbr\u003e1. CASTALIA\u003cbr\u003e2. RYDEEN\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. BEHIND THE MASK\u003cbr\u003e\u003c\/span\u003e4. RADIO JUNK\u003cbr\u003e5. SOLID STATE SURVIVOR\u003c\/p\u003e\n\u003cp\u003eSIDE B\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1. KANG TONG BOY\u003cbr\u003e\u003c\/span\u003e2. TONG POO\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. DAY TRIPPER\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSIDE C\u003cbr\u003e1. 1000 KNIVES\u003cbr\u003e2. ROCKET FACTORY\u003cbr\u003e3. LA FEMME CHINOISE\u003c\/p\u003e\n\u003cp\u003eSIDE D\u003cbr\u003e1. FIRECRACKER\u003cbr\u003e2. COSMIC SURFIN'\u003cbr\u003e3. TECHNOPOLIS\u003cbr\u003e4. THE END OF ASIA\u003c\/p\u003e\n\u003cp\u003e2CD\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1. CASTALIA\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. RYDEEN\u003cbr\u003e\u003c\/span\u003e3. BEHIND THE MASK\u003cbr\u003e4. RADIO JUNK\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. SOLID STATE SURVIVOR\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. KANG TONG BOY\u003cbr\u003e\u003c\/span\u003e7. TONG POO\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. DAY TRIPPER\u003cbr\u003e\u003c\/span\u003e9. 1000 KNIVES\u003cbr\u003e10. 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Widely celebrated at the time—debuting at No. 1 on Billboard’s Heatseekers and earning Alternative Album of the Year at the 2010 Junos—its enduring popularity continues to make it a defining highwater mark in the band's catalog.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSide A\u003c\/b\u003e\u003cbr\u003eA1 Help I'm Alive\u003cbr\u003eA2 Sick Muse\u003cbr\u003eA3 Satellite Mind\u003cbr\u003eA4 Twilight Galaxy\u003cbr\u003eA5 Gold Guns Girls\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSide B\u003c\/b\u003e\u003cbr\u003eB1 Gimme Sympathy\u003cbr\u003eB2 Collect Call\u003cbr\u003eB3 Front Row\u003cbr\u003eB4 Blindness\u003cbr\u003eB5 Stadium Love\u003c\/p\u003e","brand":"UNIVERSAL","offers":[{"title":"Limited LP (Opaque Bone Vinyl)","offer_id":51144790114621,"sku":"7008711","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/Metric-Fantasies-Re-Press-Bone-LP.jpg?v=1765289756"},{"product_id":"art-of-doubt-2026-reissue","title":"Art of Doubt (2026 Reissue)","description":"\u003cp class=\"p1\"\u003eIn 1998, songwriting \u0026amp; production duo Emily Haines \u0026amp; Jimmy Shaw formed Metric \u0026amp; left Toronto for NYC in search of like-minded artists. In '01\/'02, they were joined by drummer Joules Scott Key \u0026amp; bassist Joshua Winstead, \u0026amp; found themselves at the center of the city’s burgeoning alt-rock scene alongside bands like LCD Soundsystem, The Strokes, TV On the Radio, Yeah Yeah Yeahs, Interpol \u0026amp; more. Metric’s relentless pursuit of timeless songwriting \u0026amp; fiercely independent ethos have cemented their place as one of the most essential \u0026amp; ahead-of-the-curve bands of the last two decades; the trailblazing Toronto outfit is proof that you can amass an untouchable catalog without signing to a major label or changing your lineup.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSide A\u003c\/b\u003e\u003cbr\u003eA1 Dark Saturday\u003cbr\u003eA2 Love You Back\u003cbr\u003eA3 Die Happy\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSide B\u003c\/b\u003e\u003cbr\u003eB1 Now Or Never Now\u003cbr\u003eB2 Art Of Doubt\u003cbr\u003eB3 Underline The Black\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSide C\u003c\/b\u003e\u003cbr\u003eC1 Dressed To Suppress\u003cbr\u003eC2 Risk\u003cbr\u003eC3 Seven Rules\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSide D\u003c\/b\u003e\u003cbr\u003eD1 Holding Out\u003cbr\u003eD2 Anticipate\u003cbr\u003eD3 No Lights On The Horizon\u003c\/p\u003e","brand":"UNIVERSAL","offers":[{"title":"2LP","offer_id":51144831303997,"sku":"1801943","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/Metric-Art-Of-Doubt-Re-Press-2LP.jpg?v=1765289999"},{"product_id":"the-mo-wax-singles-1993-1997","title":"The Mo’Wax Singles 1993-1997","description":"\u003cp class=\"p1\"\u003e\"This box wasn’t made for the casual listener, it was made with the hardcore fan in mind.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eI’ve always felt, if something is worth doing, it’s worth doing right, and every step of the process was made with this philosophy firmly in mind.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eI had fun locating and resurrecting these songs, some of which still feel close to my consciousness as though they were made yesterday.” \u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003eFirst legitimate re-issue of DJ Shadow's Mo’Wax singles in decades.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEight (8) piece vinyl set containing several hours of music.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eHalf-Speed Remastered at Abbey Road by Miles Showell.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eNumerous previously unreleased mixes \u0026amp; edits.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eContains extra bonus disc containing original demos of 4 songs.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eFeaturing all-new photography by long-time Shadow collaborator Brian Cross (B+).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e#1- In\/Flux \u003cbr\u003e(Side A, Track 1) DJ Shadow- In\/Flux \u003cbr\u003e(Side B, Track 1) DJ Shadow- Hindsight \u003c\/p\u003e\n\u003cp\u003e#2- Lost And Found (S.F.L.) \u003cbr\u003e(Side A, Track 1) DJ Shadow- Lost And Found (S.F.L.) \u003cbr\u003e(Side B, Track 1) DJ Shadow- Hardcore (Instrumental) Hip-Hop\u003cbr\u003e(Side B, Track 2) DJ Shadow- Last Stop \u003c\/p\u003e\n\u003cp\u003e#3- What Does Your Soul Look Like \u003cbr\u003e(Side A, Track 1) DJ Shadow- What Does Your Soul Look Like (Part 2- Original Standalone Version) \u003cbr\u003e(Side A, Track 2) DJ Shadow- What Does Your Soul Look Like (Part 3- Original Standalone Version) \u003cbr\u003e(Side B, Track 1) DJ Shadow- What Does Your Soul Look Like (Part 4- Original Standalone Version) \u003cbr\u003e(Side B, Track 2) DJ Shadow- What Does Your Soul Look Like (Part 1-Original Standalone Version) \u003c\/p\u003e\n\u003cp\u003e#4- Midnight In A Perfect World (U.K. Version)\u003cbr\u003e(Side A, Track 1) DJ Shadow- Midnight In A Perfect World (Radio Vision) \u003cbr\u003e(Side A, Track 2) DJ Shadow- Midnight In A Perfect World (Gab Mix)\u003cbr\u003e(Side B, Track 1) DJ Shadow- Midnight In A Perfect World (Extended Vision) \u003cbr\u003e(Side B, Track 2) DJ Shadow- Mutual Slump (Album Version)\u003c\/p\u003e\n\u003cp\u003e#5- Stem \u003cbr\u003e(Side A, Track 1) DJ Shadow- Stem (Cops 'N' Robbers) \u003cbr\u003e(Side A, Track 2) DJ Shadow- Red Bus Needs To Leave! \u003cbr\u003e(Side B, Track 1) DJ Shadow- Stem\/Long Stem (Earlier Version) \u003cbr\u003e(Side B, Track 2) DJ Shadow- Soup\u003c\/p\u003e\n\u003cp\u003e#6- High Noon \u003cbr\u003e(Side A, Track 1) DJ Shadow- Hypnotist Intro \u003cbr\u003e(Side A, Track 2) DJ Shadow- High Noon (Alternative Mix) \u003cbr\u003e(Side B, Track 1) DJ Shadow- Devil's Advocate (Alternative Version) \u003cbr\u003e(Side B, Track 2) DJ Shadow- Organ Donor (Extended Overhaul- Original Version) \u003c\/p\u003e\n\u003cp\u003e#7- Camel Bobsled Race \u003cbr\u003e(Side A) DJ Shadow- Camel Bobsled Race (Original Unedited Version) (Part 1) \u003cbr\u003e(Side B) DJ Shadow- Camel Bobsled Race (Original Unedited Version) (Part 2)\u003c\/p\u003e\n\u003cp\u003e#8- Bonus Disc for this Box Set\u003cbr\u003e(Side A, Track 1) DJ Shadow- In\/Flux (First Ever MPC Version) \u003cbr\u003e(Side A, Track 2) DJ Shadow- Lost And Found (S.F.L.) (First Ever MPC Version) \u003cbr\u003e(Side B, Track 1) DJ Shadow- What Does Your Soul Look Like (Part 2- First Ever MPC Version) \u003cbr\u003e(Side B, Track 2) DJ Shadow- What Does Your Soul Look Like (Part 4- First Ever MPC Version)\u003c\/p\u003e","brand":"PIAS","offers":[{"title":"8x12\" Box Set","offer_id":51150998470973,"sku":"DJSMWBOX","price":139.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/DJShadowTheMoWaxSingles1993-1997Packshot.jpg?v=1765381353"},{"product_id":"everything-all-the-time-20th-anniversary-edition","title":"Everything All The Time (20th Anniversary Edition)","description":"\u003cp\u003eAchieving musical transcendence is a tricky feat. If it happens - a big if - it does so naturally, and perhaps nobody knows that better than Band of Horses, whose landmark debut Everything All The Time still, after twenty years, feels as vital and, dare we say, transcendent as when it came out in 2006.\u003c\/p\u003e\n\u003cp\u003eGuitarist\/vocalist Ben Bridwell formed Band of Horses in Seattle in 2004, after the end of his nearly ten-year run in northwest melancholic darlings Carissa’s Wierd. Carissa’s Wierd trafficked in beautiful orchestral pop, whose songs told unflinching stories of heartbreak and loss, leavened with defeatist humor. Band of Horses rose from the ashes of that well-loved band, buoyed by Bridwell’s warm, reverb-heavy vocals, and woodsy, dreamy songs oozing with tension, longing and hope. Armed with a fresh Sub Pop deal and a smashing batch of songs, the band recorded their debut full-length, Everything All the Time, with producer Phil Ek at Seattle’s Avast studios.\u003c\/p\u003e\n\u003cp\u003eAt times raggedly epic (“The Great Salt Lake”) and delicately pensive (“St. Augustine,” “Monsters”), Everything All The Time is an album painted gorgeously in fragile highs and lows. That’s part of the genius in Band of Horses: they craft intelligent, classic movements within their songs, perfectly balancing desperation and hope, calmness and mania, love and fear. And of course there’s the massive single, “The Funeral,” which became a defining song of the era, and continues to inspire new generations of fans and artists alike. On top of tons of film and TV placements, the song was sampled by Kid Cudi, and transformed into a 2025 dance edit by acclaimed producer\/multi-instrumentalist\u003cwbr\u003e\u003cspan\u003e \u003c\/span\u003eGryffin.\u003c\/wbr\u003e\u003c\/p\u003e\n\u003cp\u003eNow, on the occasion of the 20th birthday of the album, Sub Pop and Band of Horses present the definitive snapshot of the band circa Everything All The Time. For this anniversary release, the album has been fully remastered, with the artwork refreshed and expanded into a gatefold jacket with liner notes by Phil Ek. And the album is accompanied by an additional LP of bonus tracks, including the 2005 tour EP, a trove of previously unreleased studio and live tracks, and rarities like “The End’s Not Near” (as featured on The O.C.) and a demo version of “The Funeral.”\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1. The First Song\u003cbr\u003e2. Wicked Gil\u003cbr\u003e3. Our Swords\u003cbr\u003e4. The Funeral\u003cbr\u003e5. Part One\u003cbr\u003e6. The Great Salt Lake\u003cbr\u003e7. Weed Party\u003cbr\u003e8. I Go to the Barn Because I Like The Barn\u003cbr\u003e9. Mons\u003cbr\u003e10. St. Augustine\u003cbr\u003e11. (Biding Time Is A) Boat To Row\u003cbr\u003e12. Part Two\u003cbr\u003e13. Coal Mine\u003cbr\u003e14. Worry Song\u003cbr\u003e15. The End's Not Near\u003cbr\u003e16. The Funeral (Demo Version)\u003cbr\u003e17. Wicked Gil (Demo Version)\u003cbr\u003e18. Our Swords (Demo Version)\u003cbr\u003e19. I Go to the Barn Because I Like The \/ Monsters (Live at The Crocodile)\u003c\/p\u003e","brand":"CARGO","offers":[{"title":"Limited 2LP (Loser Editon Opaque Yellow Vinyl)","offer_id":51262518624573,"sku":"SP1730AE","price":31.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/BandOfHorses_EverythingAllTheTime20th_Cover_1500x1500_0e4bc320-a7cf-49ba-b094-bce17c3fe48d.jpg?v=1768307154"},{"product_id":"falling-into-you-2026-reissue","title":"Falling Into You (2026 Reissue)","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFollowing her two very successful albums (The Colour of My Love and D’eux), Céline outdoes herself once again in one of her most adventurous albums to date, ‘Falling Into You.’ The album is her fourth in English and quickly becomes a 90s classic. The first single, “Because You Loved Me”, reaches the top spot on the Billboard Hot 100 in just three weeks. It's the fastest ascent on the American charts by one of Céline’s songs. The album’s epic opening track, “It's All Coming Back To Me Now”, is often seen as emblematic of her musical style. It quickly becomes a fan favorite and a centerpiece of her concert repertoire. On the album Céline also offers her own take on “All By Myself by Eric Carmen” and “River Deep, Mountain High”, a song created by Phil Spector for Tina Turner. Both songs become mainstays of Céline’s concerts. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe album includes three English-language adaptations from the French album D’eux:  “I Don’t Know”, “If That's What It Takes” and “Fly”. For ‘Falling Into You’ Céline works with the biggest producers of the time, including David Foster (Barbra Streisand, Billy Joel, Paul McCartney, Neil Diamond); Jim Steinman (Meatloaf, Bonnie Tyler, Sisters Of Mercy); Humberto Gatica (Michael Jackson, Aretha Franklin, Robert Palmer); and Ric Wake (Taylor Dayne, Mariah Carey). With their tremendous talent and the magic of French author-composer Jean-Jacques Goldman, ‘Falling Into You’ wins the Grammy for Best Album of the Year and is certified Diamond in France and Canada; 12 times Platinum in Taiwan, South Africa and Australia; 11 times Platinum in the US; 7 times Platinum in the UK; and multi-Platinum in many other countries.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eSide A\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1.It's All Coming Back to Me Now\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2.Because You Loved Me\u003cbr\u003e\u003c\/span\u003e3.Falling Into You\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e1. Make You Happy\u003cbr\u003e2. Seduces Me\u003cbr\u003e3. All By Myself\u003cbr\u003e4. Declaration Of Love\u003c\/p\u003e\n\u003cp\u003eSide C\u003cbr\u003e1. Dreamin' Of You\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. I Love You\u003cbr\u003e\u003c\/span\u003e3. If That's What It Takes\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. I Don't Know\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSide D\u003cbr\u003e1. River Deep, Mountain High\u003cbr\u003e2. Your Light\u003cbr\u003e3. Call The Man\u003cbr\u003e4. Fly \u003c\/p\u003e","brand":"SONY","offers":[{"title":"Limited 2LP (Glacier Blue Vinyl)","offer_id":51299246539069,"sku":"19958418341","price":35.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/FallingIntoYouproductshot.jpg?v=1769002165"},{"product_id":"physics-universal-love-language-pull","title":"PHYSICS UNIVERSAL LOVE LANGUAGE (PULL)","description":"\u003cp class=\"p1\"\u003eSyrian-Armenian-American singer and producer\u003cspan class=\"s1\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eKÁRYYN\u003c\/b\u003e returns with her highly anticipated second album, \u003cb\u003e\u003ci\u003ePHYSICS UNIVERSAL LOVE LANGUAGE\u003c\/i\u003e\u003c\/b\u003e\u003ci\u003e \u003c\/i\u003e\u003cb\u003e\u003ci\u003e(PULL)\u003c\/i\u003e\u003c\/b\u003e, out via \u003cb\u003eMute\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eKÁRYYN creates music at the intersection of sound, spirit, and physics – sonic worlds that don’t just describe emotion, they conduct it. \u003ci\u003ePHYSICS UNIVERSAL LOVE LANGUAGE\u003c\/i\u003e exemplifies this with a title that encapsulates her lifelong endeavour to translate love into systems of energy and truth. At its heart, \u003ci\u003ePULL\u003c\/i\u003e is about courage: the courage to collapse, to love, to surrender, and to emerge.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSonically, \u003ci\u003ePULL\u003c\/i\u003e is crafted from KÁRYYN’s voice, strings, modular synths, and gravitational beats, tuned to 432Hz – a frequency believed to support vibrational healing. Co-produced by KÁRYYN alongside \u003cb\u003eHudson Mohawke\u003c\/b\u003e and \u003cb\u003eJames Ford\u003c\/b\u003e, the record was further enriched by \u003cb\u003eMarta Salogni\u003c\/b\u003e’s sensitive and immersive mix, \u003cb\u003eJacques Greene\u003c\/b\u003e’s melodic touch on ‘FWD’, and \u003cb\u003eJoker\u003c\/b\u003e’s detailed mastering. The result is a meticulously crafted work that is both deeply personal and expansively communal.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003ePULL\u003c\/i\u003e is a bold, transcendent journey through KÁRYYN's own human revolution. It is about gravity. About the collapse and coherence that define human experience. It is, in every way, a gravitational pull toward the truth: a sonic architecture of love, rupture, and rebirth.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1     COLLAPSE PHASE \u003cbr\u003e2     ELSEWHEN\u003cbr\u003e3     FURTHER WE FALL\u003cbr\u003e4     GROUND\u003cbr\u003e5     END TO KNOWING YOU \u003cbr\u003e6     PULL\u003cbr\u003e7     the 6TH \u003cbr\u003e8     KEEPER\u003cbr\u003e9     MIND OVER HEART\u003cbr\u003e10     FWD\u003c\/p\u003e","brand":"PIAS","offers":[{"title":"LP (White Vinyl)","offer_id":51299331146045,"sku":"STUMM479","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":51299331178813,"sku":"CDSTUMM479","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/KARYYN_PULL_Front_Digital_MAIN_1080.jpg?v=1769002972"},{"product_id":"synthesizing-ten-ragas-to-a-disco-beat-1","title":"Synthesizing: Ten Ragas to a Disco Beat","description":"\u003cp class=\"p1\"\u003eLight in the Attic is honored to announce the long-awaited reissue of \u003ci\u003eSynthesizing: Ten Ragas to a Disco Beat\u003c\/i\u003e, the revolutionary 1982 album from composer and musician Charanjit Singh. Pairing Indian classical ragas with then-state-of-the-art Roland synthesizers and drum machines, Singh created an electronic masterpiece that was far ahead of its time.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRecording live at Mumbai’s HMV studios, Singh married the past to the future—blending the ancient Indian tradition of ragas (a melodic framework, similar to a scale, from which musicians can improvise or compose) with pulsating, electronic dance beats. Released without fanfare, it faded into obscurity and Singh retired from recording to focus on private concerts, but that’s where the story begins…\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eReleased in cooperation with Singh’s estate, \u003ci\u003eSynthesizing: Ten Ragas to a Disco Beat\u003c\/i\u003e arrives on June 26th. The 10-track album was remastered by Johanz Westerman at Ballyhoo Studio Mastering and stretched across 2-LPs for the highest quality listening experience. The vinyl was pressed at Optimal Media and housed in a gatefold jacket that replicates the original artwork.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAn accompanying 16-page LP booklet features previously-unreleased photos and two new essays: the first from Arshia Fatima Haq and Jeremy Loudenback of Discostan—a multimedia collective and record label focusing on music from South West Asia and North Africa—while the other comes from filmmaker and writer Rana Ghose of event and film production entity REProduce Artists, who managed Singh in his final years and documented his triumphant return to the stage. Additionally, fans can find a limited-edition pressing of \u003ci\u003eSynthesizing: Ten Ragas to a Disco Beat\u003c\/i\u003e on ‘Pearlescent Transcendent Future’ Color Wax, while the album will also be reissued on CD with a 32-page booklet containing all of the above.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMore on \u003ci\u003eSynthesizing: Ten Ragas to a Disco Beat:\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIndian multi-instrumentalist and composer Charanjit Singh (1940–2015) never intended to be an electronic dance music pioneer when he recorded 1982’s \u003ci\u003eSynthesizing: Ten Ragas to a Disco Beat\u003c\/i\u003e. Yet three decades later, his inventive use of state-of-the-art synthesizers and drum machines would prompt some to crown him the “Godfather of Acid House.” The real story, however, runs much deeper.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA native of Mumbai, Singh spent much of his career as a Bollywood session musician, collaborating with renowned composers like RD Burman and Shankar–Jaikishan, and appearing on some of the most iconic Hindi film hits of the ‘60s and ‘70s. Outside of the film industry, Singh recorded several of his own albums and toured the world alongside the era’s biggest stars—an opportunity which allowed him to collect new instruments, including synthesizers and other electronic devices. As psychedelia and disco wove their way into Bollywood scores, Singh was at the forefront, integrating a host of electronic textures into his work (his hypnotic Transicord introduction on “Dum Maro Dum” from 1971’s Hare Rama Hare Krishna is among his most recognizable performances).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBy the turn of the ‘80s, however, Singh was disenchanted by the creative limitations of session work and embarked on a solo career. Not long after, on tour in Singapore, he discovered three Roland devices that had just hit the market: the TR-808 drum machine (released 1980), the TB-303 bass synthesizer (released 1981), and the Jupiter 8 synthesizer (released 1981). While this trio would fuel early electronic dance music in the coming years, Singh was among the first known artists to pair them on record when he was inspired to create his next album, \u003ci\u003eSynthesizing: Ten Ragas to a Disco Beat\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eUsing only the three devices and recording live at Mumbai’s HMV studios, Singh married the past to the future—blending the ancient Indian tradition of ragas (a melodic framework, similar to a scale, from which musicians can improvise or compose) with pulsating, electronic dance beats, while programming the TB-303 to follow classical Hindustani scales. From the hypnotic drones of “Raga Bhairavi” to the uplifting jams of “Raga Bairagi” the album proved perhaps to be a bit too visionary for its time. Released without fanfare, it faded into obscurity and Singh retired from recording to focus on private concerts.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTwo decades later, Dutch DJ and record collector Edo Bouman was in New Delhi when he came across an old copy of \u003ci\u003eTen Ragas\u003c\/i\u003e. Bouman was astounded by what he heard—electronic music that had all the hallmarks of acid house, recorded five years before Chicago DJs coined the term. Bouman spent the next few years tracking down Singh and, in 2010, reissued the album on his label, Bombay Connection.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSoon, \u003ci\u003eTen Ragas\u003c\/i\u003e became a viral sensation, sparking disbelief and debates about the origins of acid house. But, as Haq and Loudenback explain, those in the conversation “Had little frame of reference for [Singh’s] music outside of the parameters of western club music.” Viewed through the lens of the Hindi film industry, they argue, the album’s through-line comes into focus. In the ‘60s, when Western artists were looking to India for inspiration, Bollywood was “A laboratory for discovering sounds, and for harnessing every new technology that could be found or repurposed…. Singh’s album is more fittingly placed within the framework of the expansion of Bollywood’s experiments in disco, rather than that of acid house.”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e“Perhaps this is yet another example of how a public engages with those who are ahead of their time,” adds Rana Ghose. “This record is a direct consequence of a centuries-old classical music form, rendered through the lens of a visionary who used the vanguard of technology at the time to recast it, resulting in an artefact that, almost 40 years later, is finding entirely new audiences in an era marked by a changing and uncertain global landscape of soft-power assertion. Considering this reassessment is as exciting as it is fascinating. Much like this record.”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhile \u003ci\u003eTen Ragas\u003c\/i\u003e sparked plenty of conversations within the electronic music community, it also gave a bemused Singh a surge of newfound fame during the final years of his life, allowing him to play to thousands of fans at packed club shows and festivals in Europe, the U.S., and India. Among those fans are Australian duo Glass Beams (who covered “Raga Bhairav”), German electronic duo Modeselektor, and Thom Yorke, who ranked “Raga Lalit” as one of his “6 Tracks You Need to Hear” via the BBC.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMost importantly, however, \u003ci\u003eTen Ragas\u003c\/i\u003e resonated deeply with South Asian artists, who saw electronic music from India being recognized with new reverence. 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Andy's voice paired with Robert's meticulously plucked strings, eerie instrumentation, \u0026amp; understated harmonising echoed against the gothic walls \u0026amp; \u003c\/span\u003e\u003cspan\u003estained glass windows of the chapel. A liturgical experience of introspection \u0026amp; sound community, transforming their most beloved songs into an iconic piece of music. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1. Intro \u003cbr\u003e2. I Know How To Speak (Union Chapel, London, England) \u003cbr\u003e3. The Grocery (Union Chapel, London, England) \u003cbr\u003e4. The Maze (Union Chapel, London, England) \u003cbr\u003e5. The Gold (Union Chapel, London, England) \u003cbr\u003e6. Deer (Union Chapel, London, England) \u003cbr\u003e7. Angel of Death (Union Chapel, London, England) \u003cbr\u003e8. I Can Barely Breathe (Union Chapel, London, England) \u003cbr\u003e9. Capital Karma (Union Chapel, London, England) \u003cbr\u003e10. The Way (Union Chapel, London, England) \u003cbr\u003e11. The River (Union Chapel, London, England) \u003cbr\u003e12. Telepath (Union Chapel, London, England) \u003cbr\u003e13. Simple Math (Union Chapel, London, England) \u003cbr\u003e14. I Can Feel A Hot One (Union Chapel, London, England) \u003cbr\u003e15. Cope (Union Chapel, London, England) \u003cbr\u003e16. Colly Strings (Union Chapel, London, England) \u003cbr\u003e17. My Backwards Walk (Union Chapel, London, England) \u003cbr\u003e18. Interlude (Union Chapel, London, England) \u003cbr\u003e19. Rear View (Union Chapel, London, England) \u003cbr\u003e20. Bed Head (Union Chapel, London, England) \u003cbr\u003e21. 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Satirizing the state of America and skewering the indifferent masses \u0026amp; politicians alike, the song is eerily relevant in 2026 and continues to critique the powers that be in a way few artists have the courage to do. Combined with the Punk In Drublic B-Side, \u003cb\u003e\u003ci\u003eClams Have Feelings Too\u003c\/i\u003e\u003c\/b\u003e, the 12\" is an essential release for any NOFX fan. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003col class=\"ol1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003eThe Decline\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s2\"\u003eClams Have Feelings Too\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"PIAS","offers":[{"title":"Limited LP (Indies Yellow Vinyl)","offer_id":51369883566397,"sku":"FAT305-1","price":28.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":51369883599165,"sku":"FAT605-1","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/DeclineAlbumArt.jpg?v=1770720856"},{"product_id":"hum-1","title":"Hum","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBirmingham hailing quintet Swim Deep announces their fifth studio album ‘Hum’, due June 19th via Submarine Cat Records. 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Thematically, ‘Hum’ continues the life journey of ‘There’s A Big Star Outside’, which captured a transformational period for Williams – preparing for the arrival of his first child, but also the departure of his wife’s father. The songs on ‘Hum’ detail the aftermath of that spell, exploring loss, family and our responsibilities to those we build a life with. “I’ve now got someone to inspire,” he explains. “It’s like, ‘Yeah, your dad works at a bar to make rent, but this is what he actually does, this is what the dream is, and we’ll all live on it together. That’s the ethos on this album.” With ‘Hum’, Swim Deep turn struggle into momentum and personal upheaval into collective uplift. 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