{"title":"Pre Orders","description":"\u003ch1\u003ePRE-ORDERS\u003c\/h1\u003e\nWant to make sure you get that special item? Or just want to know that a release will be shipped to you on release date? Then the pre-order link is where you will find all the latest items available to order in advance. Worth noting that the way record companies sell product has changed over the years. To create demand and awareness record companies and labels will often offer details of a new release weeks\/months before its due date. This gives us the opportunity to offer you the news of its release in advance. However it also gives them the opportunity to change the date! So please be aware that not everything is set in stone and some dates may change. On limited edition and exclusive releases it is worth noting that these items may well sell-out on or even before the release date so get your orders in early.","products":[{"product_id":"teena-marie-ooo-la-la-la-the-epic-anthology","title":"Ooo La La La: The Epic Anthology","description":"\u003cp\u003e • Superb 2CD set by the late, great Teena Marie, who remains revered as a multi-talented icon in the world of soul music.\u003c\/p\u003e\n\u003cp\u003e• Covering almost a decade (1983-1991), the 25 tracks include all of Teena’s chart hits for Epic Records.\u003c\/p\u003e\n\u003cp\u003eTeena gained prominence at Motown working with funk king Rick James, scoring her first major R\u0026amp;B hit in 1979 with ‘I’m A Sucker For Your Love’ followed by the global chartmaker, ‘I Need Your Lovin’’ in 1980.\u003c\/p\u003e\n\u003cp\u003eDisc One, ’Work It’ focuses on uptempo grooves and dance floor favourites such as ‘Lovergirl,’ Teena’s 1984 pop breakthrough hit (heard here in a special 12” dance mix) and ‘Jammin’’ and includes a number of rare mixes such as ‘Surrealistic Pillow’ and ‘Bad Boy,’ a 1989 non-album single.\u003c\/p\u003e\n\u003cp\u003eDisc Two, ‘The Once And Future Dream’ includes some of Teena’s most beloved ballads. 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Featuring nine earth-shattering tracks written by Adam Warren and Scott Smith, including the acclaimed single “Mass Produced,” the next chapter of Oceano expands their patented deathcore punch with brutal breakdowns and seismic atmospheres on tracks like “The Price of Pain” and “Wounds Never Healed.”\u003c\/p\u003e\n\u003cp\u003eOne of the most established and long running bands in the modern Deathcore scene, Oceano have attracted global acclaim and attention with their heavy touring schedule and increasingly punishing studio releases.\u003c\/p\u003e\n\u003cp\u003e\"The time, effort, focus, and love put into creating this evolutionary album is tethered eternally to all of our diehard fans. Everyone who believed in Oceano and has been patient for this very moment to come.\" - Adam Warren (Vocalist, Oceano)\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eCD\u003cbr\u003e\u003cbr\u003e1. Wasted Life\u003cbr\u003e2. Mass Produced\u003cbr\u003e3. 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Since 2015, Nina Garcia has been researching and creating around the electric guitar, halfway between improvised music and noise.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eOn numerous stages in Europe and North America, she has played occasionally with Stephen O’Malley, Sophie Agnel, Fred Frith, Antoine Chessex, Louis Schild or with Luke Stewart and Leila Bordreuil’s Feedback Ensemble, in addition to more regular formations in which she participates, such as the ensemble Le Un, mamiedaragon, Autoreverse (with Arnaud Rivière), duets with trombonist Maria Bertel and percussionist Camille Émaille, and the installation piece De Haut En Bas, De Bas En Haut Et Latéralement (with Christophe Cardoen, Jennifer Caubet, Etienne Foyer, Anna Gaïotti and Romain Simon).\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e“Nina Garcia has been actively moving the art of noise guitar into surprising and intriguing new spaces. 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Every Night's Alright for Fighting\u003cbr\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e    1. Night Wolf\u003cbr\u003e    2. DOA\u003cbr\u003e    3. Comin' In Hard\u003cbr\u003e    4. Dead Men Can't Dance\u003cbr\u003e    5. 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Geeks\u003cbr\u003e2. Pretty\u003cbr\u003e3. Brideshead\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e1. Brainiac\u003cbr\u003e2. Jesus\u003cbr\u003e3. Kraut\u003c\/p\u003e","brand":"Cargo","offers":[{"title":"Limited LP (Galaxy Vinyl)","offer_id":49873389355325,"sku":"PNKSLM121LPC1","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/12bb6fd1-ef2c-854d-0f4d-c23b84dbe776.jpg?v=1738753783"},{"product_id":"maybe-it-s-fine","title":"Maybe It’s Fine","description":"\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003eMoncrieff is an Irish singer-songwriter whose unique blend of pop, soul, and alternative music has made him one of the most compelling voices in the modern music scene. Moncrieff, whose real name is Chris Breheny, released his first solo songs back in 2017. Since then, he has caught the attention of many. Elton John praised him on his show Elton John’s Rocket Hour, Adele invited him to join her background choir for a TV performance.\u003c\/p\u003e\n\u003cp\u003eBorn and raised in Ireland, Moncrieff’s raw, emotionally charged style has resonated deeply with listeners, drawing inspiration from personal experiences of love, heartbreak, and self-discovery. His breakout singles, such as \"Warm\" and \"Symptoms\", introduced audiences to his ability to combine powerful storytelling with a soulful sound, quickly gaining him a devoted following.\u003c\/p\u003e\n\u003cp\u003eHis music, characterized by its authenticity and emotional intensity, has earned him widespread acclaim and set him apart as a unique artist unafraid to wear his heart on his sleeve. 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Backed by the Chosen Few and the Scott Brothers, arranged by Benjamin Wright, sung by Brown’s 17-year-old daughter Tridia and Moroccos falsetto Larry Brown, and drawn by The Wind’s Eugene Phillips, the album is an outsider D.I.Y. soul genie awaiting the rub of a phonographic needle to reveal its immortal sorcery. Be careful what you wish for.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1. One More Time Around (Vocal)\u003cbr\u003e2. Love Is All I Need\u003cbr\u003e3. Doing It For Us\u003cbr\u003e4. Going To Make A Time Machine (Vocal)\u003cbr\u003e5. Going To Make A Time Machine (Instrumental)\u003cbr\u003e6. Ladies And Wonderful Girls (Arranged by Arrow Brown)\u003cbr\u003e7. I’ll Never Cry For Another Boy\u003cbr\u003e8. We Love Together\u003cbr\u003e9. Another Day\u003cbr\u003e10. The Magic Of Your Love\u003cbr\u003e11. One More Time Around (Instrumental)\u003cbr\u003e12. 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After more than two years of relentless touring alongside bands like Mannequin Pussy, PUP, The Linda Lindas, Jigsaw Youth, Pussy Riot, and Origami Angel, are not the same people that they were when they made their 2022 debut Love Me Forever. They’ve grown, matured and been altered by experience. “The first album was influenced a lot by stuff we grew up listening to because we’d never really toured,” offers Myron. “It’s really cool that now, after all this touring, there’s bits and pieces of all these bands we wouldn’t otherwise have listened to that have weaved their way into our songwriting.” Pinkshift stand for unity, collectivity, community and action, but above all, the Maryland trio are hoping their new songs can have a more personal, emotional resonance too. “I think with this record, I'm trying to inspire you to, give a fuck,” Ashrita concludes.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1. Love It Here\u003cbr\u003e2. Anita Ride\u003cbr\u003e3. 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From the first spine-tingling piano notes of “Main Theme” to the final choral-orchestral stirrings of “Epilogue”, the soundtrack follows the ups and the downs of Link’s epic adventure.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEach element of the game enjoys a distinct musical palette, including the iconic minimalist piano of the open world, the alien sounds of Sheikah technology, the tension-filled rhythms of enemy encounters, and the orchestral grandeur of the Divine Beast battles. 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Original Soundtrack Ver.\u003cbr\u003eBattle (Shrine) - Original Soundtrack Ver.\u003cbr\u003eStone Talus Battle\u003cbr\u003eHinox Battle\u003cbr\u003eGuardian Battle\u003cbr\u003eBattle Inside the Divine Beast\u003cbr\u003eMolduga Battle\u003cbr\u003eThe Lord of the Mountain\u003cbr\u003eOmen of the Blood Moon\u003cbr\u003eThe Blood Moon\u003cbr\u003eGame Over\u003cbr\u003e\u003cbr\u003eDisc 3\u003cbr\u003eSide A\u003cbr\u003eSidon's Theme\u003cbr\u003eZora's Domain\u003cbr\u003eVah Ruta, Divine Beast of Water\u003cbr\u003eRecovered Memory: Mipha's Touch\u003cbr\u003eBattle With Divine Beast Vah Ruta\u003cbr\u003eAn Accord with Sidon\u003cbr\u003eExploring Divine Beast Vah Ruta\u003cbr\u003eA Blight Ganon Appears\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eBattle with Waterblight Ganon\u003cbr\u003eA Heart Container Appears\u003cbr\u003eReuniting with Mipha\u003cbr\u003eA Champion's Divine Gift\u003cbr\u003eA Divine Beast's Majesty\u003cbr\u003eMipha and the Divine Beast\u003cbr\u003eNaydra, Possessed\u003cbr\u003eAttendants to the Sacred Springs\u003cbr\u003eRestoring Malanya's Power\u003cbr\u003eMalanya's Spring\u003cbr\u003eLurelin Village\u003c\/p\u003e\n\u003cp\u003eDisc 4\u003cbr\u003eSide A\u003cbr\u003eCave\u003cbr\u003eVah Medoh, Divine Beast of Wind\u003cbr\u003eRito Village\u003cbr\u003eRecovered Memory: Revali's Flap\u003cbr\u003eThe Flight Range\u003cbr\u003eMinigame: Flight Range\u003cbr\u003eBattle with Divine Beast Vah Medoh\u003cbr\u003eTeba's Encouragement\u003cbr\u003eWarbler's Nest Melody\u003cbr\u003eKass's Theme (Song of the Hero Ver.)\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eExploring Divine Beast Vah Medoh\u003cbr\u003eBattle with Windblight Ganon\u003cbr\u003eReuniting with Revali\u003cbr\u003eRevali and the Divine Beast\u003cbr\u003ePondo's Lodge\u003cbr\u003eMinigame: Bird-Man Research Study\u003cbr\u003eRestoring a Great Fairy's Power\u003cbr\u003eGreat Fairy Fountain\u003c\/p\u003e\n\u003cp\u003eDisc 5\u003cbr\u003eSide A\u003cbr\u003eLava Landscape\u003cbr\u003eVah Rudania, Divine Beast of Fire\u003cbr\u003eGoron City\u003cbr\u003eThe Abandoned North Mine\u003cbr\u003eRecovered Memory: Daruk's Mettle\u003cbr\u003eBattle with Divine Beast Vah Rudania\u003cbr\u003eExploring Divine Beast Vah Rudania\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eBattle with Fireblight Ganon\u003cbr\u003eReuniting with Daruk\u003cbr\u003eDaruk and the Divine Beast\u003cbr\u003eMinigame: Contest of Endurance\u003cbr\u003eThe Lost Woods\u003cbr\u003eKorok Forest\u003cbr\u003eMeeting the Deku Tree\u003cbr\u003eMaster Sword Obtained\u003cbr\u003eMemories of the Sword\u003cbr\u003eTree and Sword: Words of Wisdom\u003cbr\u003eHestu's Dance\u003c\/p\u003e\n\u003cp\u003eDisc 6\u003cbr\u003eSide A\u003cbr\u003eVah Naboris, Divine Beast of Thunder\u003cbr\u003eKara Kara Bazaar\u003cbr\u003eGerudo Town\u003cbr\u003eThe Yiga Clan Hideout\u003cbr\u003eProud Master Kohga\u003cbr\u003eBattle with Master Kohga\u003cbr\u003eRecovered Memory: Urbosa's Hand\u003cbr\u003eVah Naboris Lookout Post\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eBattle with Divine Beast Vah Naboris\u003cbr\u003eExploring Divine Beast Vah Naboris\u003cbr\u003eBattle with Thunderblight Ganon\u003cbr\u003eReuniting with Urbosa\u003cbr\u003eUrbosa and the Divine Beast\u003cbr\u003eMinigame: Sand-Seal Race\u003cbr\u003eSand-Seal Race: Win\u003c\/p\u003e\n\u003cp\u003eDisc 7\u003cbr\u003eSide A\u003cbr\u003eRecovered Memory: Zelda's Awakening\u003cbr\u003eZelda's Behest\u003cbr\u003eHyrule Castle Town Ruins\u003cbr\u003eHyrule Castle\u003cbr\u003eCalamity Ganon Appears\u003cbr\u003eThe Champions' Power Mobilized\u003cbr\u003eBattle with Calamity Ganon (First Form)\u003cbr\u003eBattle with Calamity Ganon (Second Form)\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eDark Beast Ganon Appears\u003cbr\u003eBattle with Dark Beast Ganon\u003cbr\u003eDo You Really Remember Me?\u003cbr\u003eStaff Credits\u003cbr\u003eEpilogue\u003c\/p\u003e\n\u003cp\u003eDisc 8\u003cbr\u003eSide A\u003cbr\u003eTarrey Town\u003cbr\u003eTrothed in Tarrey Town\u003cbr\u003eHateno Ancient Tech Lab\u003cbr\u003eAkkala Ancient Tech Lab\u003cbr\u003e2017 Nintendo Switch Presentation Trailer\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eShrine of a Champion\u003cbr\u003eThe Final Trial\u003cbr\u003eThe Monk Maz Koshia\u003cbr\u003eThe Princess and the Champions\u003cbr\u003eThe Champions' Ballad: Finale\u003cbr\u003eThe Champions' Ballad\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e2LP\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003eDisc 1\u003cbr\u003eSide A\u003cbr\u003eMain Theme\u003cbr\u003eOverworld (Day)\u003cbr\u003eThe Shrine's Trial\u003cbr\u003eThe Stables\u003cbr\u003eGalloping (Day)\u003cbr\u003eHateno Village (Day)\u003cbr\u003eKakariko Village (Day)\u003cbr\u003eThe Temple of Time\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eOverworld (Battle) - 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Released simultaneously on CD and LP, it features the second London performance from YMO’s first full-scale international “Trans Atlantic Tour,”recorded live at The Venue on October 24, 1979. All 15 tracks are included. Supervised by Haruomi Hosono, the recordings have been newly mixed and mastered from the original multitrack masters by world-renowned engineer Goh Hotoda. Paper sleeve packaging, high-quality Blu-spec CD2 format.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e2LP\u003cbr\u003eSIDE A\u003cbr\u003e1. CASTALIA\u003cbr\u003e2. RYDEEN\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. BEHIND THE MASK\u003cbr\u003e\u003c\/span\u003e4. RADIO JUNK\u003cbr\u003e5. SOLID STATE SURVIVOR\u003c\/p\u003e\n\u003cp\u003eSIDE B\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1. KANG TONG BOY\u003cbr\u003e\u003c\/span\u003e2. TONG POO\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. DAY TRIPPER\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSIDE C\u003cbr\u003e1. 1000 KNIVES\u003cbr\u003e2. ROCKET FACTORY\u003cbr\u003e3. LA FEMME CHINOISE\u003c\/p\u003e\n\u003cp\u003eSIDE D\u003cbr\u003e1. FIRECRACKER\u003cbr\u003e2. COSMIC SURFIN'\u003cbr\u003e3. TECHNOPOLIS\u003cbr\u003e4. THE END OF ASIA\u003c\/p\u003e\n\u003cp\u003e2CD\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1. CASTALIA\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. RYDEEN\u003cbr\u003e\u003c\/span\u003e3. BEHIND THE MASK\u003cbr\u003e4. RADIO JUNK\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. SOLID STATE SURVIVOR\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. KANG TONG BOY\u003cbr\u003e\u003c\/span\u003e7. TONG POO\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. DAY TRIPPER\u003cbr\u003e\u003c\/span\u003e9. 1000 KNIVES\u003cbr\u003e10. 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Widely celebrated at the time—debuting at No. 1 on Billboard’s Heatseekers and earning Alternative Album of the Year at the 2010 Junos—its enduring popularity continues to make it a defining highwater mark in the band's catalog.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSide A\u003c\/b\u003e\u003cbr\u003eA1 Help I'm Alive\u003cbr\u003eA2 Sick Muse\u003cbr\u003eA3 Satellite Mind\u003cbr\u003eA4 Twilight Galaxy\u003cbr\u003eA5 Gold Guns Girls\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSide B\u003c\/b\u003e\u003cbr\u003eB1 Gimme Sympathy\u003cbr\u003eB2 Collect Call\u003cbr\u003eB3 Front Row\u003cbr\u003eB4 Blindness\u003cbr\u003eB5 Stadium Love\u003c\/p\u003e","brand":"UNIVERSAL","offers":[{"title":"Limited LP (Opaque Bone Vinyl)","offer_id":51144790114621,"sku":"7008711","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/Metric-Fantasies-Re-Press-Bone-LP.jpg?v=1765289756"},{"product_id":"art-of-doubt-2026-reissue","title":"Art of Doubt (2026 Reissue)","description":"\u003cp class=\"p1\"\u003eIn 1998, songwriting \u0026amp; production duo Emily Haines \u0026amp; Jimmy Shaw formed Metric \u0026amp; left Toronto for NYC in search of like-minded artists. In '01\/'02, they were joined by drummer Joules Scott Key \u0026amp; bassist Joshua Winstead, \u0026amp; found themselves at the center of the city’s burgeoning alt-rock scene alongside bands like LCD Soundsystem, The Strokes, TV On the Radio, Yeah Yeah Yeahs, Interpol \u0026amp; more. Metric’s relentless pursuit of timeless songwriting \u0026amp; fiercely independent ethos have cemented their place as one of the most essential \u0026amp; ahead-of-the-curve bands of the last two decades; the trailblazing Toronto outfit is proof that you can amass an untouchable catalog without signing to a major label or changing your lineup.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSide A\u003c\/b\u003e\u003cbr\u003eA1 Dark Saturday\u003cbr\u003eA2 Love You Back\u003cbr\u003eA3 Die Happy\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSide B\u003c\/b\u003e\u003cbr\u003eB1 Now Or Never Now\u003cbr\u003eB2 Art Of Doubt\u003cbr\u003eB3 Underline The Black\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSide C\u003c\/b\u003e\u003cbr\u003eC1 Dressed To Suppress\u003cbr\u003eC2 Risk\u003cbr\u003eC3 Seven Rules\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSide D\u003c\/b\u003e\u003cbr\u003eD1 Holding Out\u003cbr\u003eD2 Anticipate\u003cbr\u003eD3 No Lights On The Horizon\u003c\/p\u003e","brand":"UNIVERSAL","offers":[{"title":"2LP","offer_id":51144831303997,"sku":"1801943","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/Metric-Art-Of-Doubt-Re-Press-2LP.jpg?v=1765289999"},{"product_id":"the-mo-wax-singles-1993-1997","title":"The Mo’Wax Singles 1993-1997","description":"\u003cp class=\"p1\"\u003e\"This box wasn’t made for the casual listener, it was made with the hardcore fan in mind.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eI’ve always felt, if something is worth doing, it’s worth doing right, and every step of the process was made with this philosophy firmly in mind.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eI had fun locating and resurrecting these songs, some of which still feel close to my consciousness as though they were made yesterday.” \u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003eFirst legitimate re-issue of DJ Shadow's Mo’Wax singles in decades.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEight (8) piece vinyl set containing several hours of music.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eHalf-Speed Remastered at Abbey Road by Miles Showell.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eNumerous previously unreleased mixes \u0026amp; edits.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eContains extra bonus disc containing original demos of 4 songs.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eFeaturing all-new photography by long-time Shadow collaborator Brian Cross (B+).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e#1- In\/Flux \u003cbr\u003e(Side A, Track 1) DJ Shadow- In\/Flux \u003cbr\u003e(Side B, Track 1) DJ Shadow- Hindsight \u003c\/p\u003e\n\u003cp\u003e#2- Lost And Found (S.F.L.) \u003cbr\u003e(Side A, Track 1) DJ Shadow- Lost And Found (S.F.L.) \u003cbr\u003e(Side B, Track 1) DJ Shadow- Hardcore (Instrumental) Hip-Hop\u003cbr\u003e(Side B, Track 2) DJ Shadow- Last Stop \u003c\/p\u003e\n\u003cp\u003e#3- What Does Your Soul Look Like \u003cbr\u003e(Side A, Track 1) DJ Shadow- What Does Your Soul Look Like (Part 2- Original Standalone Version) \u003cbr\u003e(Side A, Track 2) DJ Shadow- What Does Your Soul Look Like (Part 3- Original Standalone Version) \u003cbr\u003e(Side B, Track 1) DJ Shadow- What Does Your Soul Look Like (Part 4- Original Standalone Version) \u003cbr\u003e(Side B, Track 2) DJ Shadow- What Does Your Soul Look Like (Part 1-Original Standalone Version) \u003c\/p\u003e\n\u003cp\u003e#4- Midnight In A Perfect World (U.K. Version)\u003cbr\u003e(Side A, Track 1) DJ Shadow- Midnight In A Perfect World (Radio Vision) \u003cbr\u003e(Side A, Track 2) DJ Shadow- Midnight In A Perfect World (Gab Mix)\u003cbr\u003e(Side B, Track 1) DJ Shadow- Midnight In A Perfect World (Extended Vision) \u003cbr\u003e(Side B, Track 2) DJ Shadow- Mutual Slump (Album Version)\u003c\/p\u003e\n\u003cp\u003e#5- Stem \u003cbr\u003e(Side A, Track 1) DJ Shadow- Stem (Cops 'N' Robbers) \u003cbr\u003e(Side A, Track 2) DJ Shadow- Red Bus Needs To Leave! \u003cbr\u003e(Side B, Track 1) DJ Shadow- Stem\/Long Stem (Earlier Version) \u003cbr\u003e(Side B, Track 2) DJ Shadow- Soup\u003c\/p\u003e\n\u003cp\u003e#6- High Noon \u003cbr\u003e(Side A, Track 1) DJ Shadow- Hypnotist Intro \u003cbr\u003e(Side A, Track 2) DJ Shadow- High Noon (Alternative Mix) \u003cbr\u003e(Side B, Track 1) DJ Shadow- Devil's Advocate (Alternative Version) \u003cbr\u003e(Side B, Track 2) DJ Shadow- Organ Donor (Extended Overhaul- Original Version) \u003c\/p\u003e\n\u003cp\u003e#7- Camel Bobsled Race \u003cbr\u003e(Side A) DJ Shadow- Camel Bobsled Race (Original Unedited Version) (Part 1) \u003cbr\u003e(Side B) DJ Shadow- Camel Bobsled Race (Original Unedited Version) (Part 2)\u003c\/p\u003e\n\u003cp\u003e#8- Bonus Disc for this Box Set\u003cbr\u003e(Side A, Track 1) DJ Shadow- In\/Flux (First Ever MPC Version) \u003cbr\u003e(Side A, Track 2) DJ Shadow- Lost And Found (S.F.L.) (First Ever MPC Version) \u003cbr\u003e(Side B, Track 1) DJ Shadow- What Does Your Soul Look Like (Part 2- First Ever MPC Version) \u003cbr\u003e(Side B, Track 2) DJ Shadow- What Does Your Soul Look Like (Part 4- First Ever MPC Version)\u003c\/p\u003e","brand":"PIAS","offers":[{"title":"8x12\" Box Set","offer_id":51150998470973,"sku":"DJSMWBOX","price":139.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/DJShadowTheMoWaxSingles1993-1997Packshot.jpg?v=1765381353"},{"product_id":"falling-into-you-2026-reissue","title":"Falling Into You (2026 Reissue)","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFollowing her two very successful albums (The Colour of My Love and D’eux), Céline outdoes herself once again in one of her most adventurous albums to date, ‘Falling Into You.’ The album is her fourth in English and quickly becomes a 90s classic. The first single, “Because You Loved Me”, reaches the top spot on the Billboard Hot 100 in just three weeks. It's the fastest ascent on the American charts by one of Céline’s songs. The album’s epic opening track, “It's All Coming Back To Me Now”, is often seen as emblematic of her musical style. It quickly becomes a fan favorite and a centerpiece of her concert repertoire. On the album Céline also offers her own take on “All By Myself by Eric Carmen” and “River Deep, Mountain High”, a song created by Phil Spector for Tina Turner. Both songs become mainstays of Céline’s concerts. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe album includes three English-language adaptations from the French album D’eux:  “I Don’t Know”, “If That's What It Takes” and “Fly”. For ‘Falling Into You’ Céline works with the biggest producers of the time, including David Foster (Barbra Streisand, Billy Joel, Paul McCartney, Neil Diamond); Jim Steinman (Meatloaf, Bonnie Tyler, Sisters Of Mercy); Humberto Gatica (Michael Jackson, Aretha Franklin, Robert Palmer); and Ric Wake (Taylor Dayne, Mariah Carey). With their tremendous talent and the magic of French author-composer Jean-Jacques Goldman, ‘Falling Into You’ wins the Grammy for Best Album of the Year and is certified Diamond in France and Canada; 12 times Platinum in Taiwan, South Africa and Australia; 11 times Platinum in the US; 7 times Platinum in the UK; and multi-Platinum in many other countries.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eSide A\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1.It's All Coming Back to Me Now\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2.Because You Loved Me\u003cbr\u003e\u003c\/span\u003e3.Falling Into You\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e1. Make You Happy\u003cbr\u003e2. Seduces Me\u003cbr\u003e3. All By Myself\u003cbr\u003e4. Declaration Of Love\u003c\/p\u003e\n\u003cp\u003eSide C\u003cbr\u003e1. Dreamin' Of You\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. I Love You\u003cbr\u003e\u003c\/span\u003e3. If That's What It Takes\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. I Don't Know\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSide D\u003cbr\u003e1. River Deep, Mountain High\u003cbr\u003e2. Your Light\u003cbr\u003e3. Call The Man\u003cbr\u003e4. Fly \u003c\/p\u003e","brand":"SONY","offers":[{"title":"Limited 2LP (Glacier Blue Vinyl)","offer_id":51299246539069,"sku":"19958418341","price":35.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/FallingIntoYouproductshot.jpg?v=1769002165"},{"product_id":"synthesizing-ten-ragas-to-a-disco-beat-1","title":"Synthesizing: Ten Ragas to a Disco Beat","description":"\u003cp class=\"p1\"\u003eLight in the Attic is honored to announce the long-awaited reissue of \u003ci\u003eSynthesizing: Ten Ragas to a Disco Beat\u003c\/i\u003e, the revolutionary 1982 album from composer and musician Charanjit Singh. Pairing Indian classical ragas with then-state-of-the-art Roland synthesizers and drum machines, Singh created an electronic masterpiece that was far ahead of its time.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRecording live at Mumbai’s HMV studios, Singh married the past to the future—blending the ancient Indian tradition of ragas (a melodic framework, similar to a scale, from which musicians can improvise or compose) with pulsating, electronic dance beats. Released without fanfare, it faded into obscurity and Singh retired from recording to focus on private concerts, but that’s where the story begins…\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eReleased in cooperation with Singh’s estate, \u003ci\u003eSynthesizing: Ten Ragas to a Disco Beat\u003c\/i\u003e arrives on June 26th. The 10-track album was remastered by Johanz Westerman at Ballyhoo Studio Mastering and stretched across 2-LPs for the highest quality listening experience. The vinyl was pressed at Optimal Media and housed in a gatefold jacket that replicates the original artwork.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAn accompanying 16-page LP booklet features previously-unreleased photos and two new essays: the first from Arshia Fatima Haq and Jeremy Loudenback of Discostan—a multimedia collective and record label focusing on music from South West Asia and North Africa—while the other comes from filmmaker and writer Rana Ghose of event and film production entity REProduce Artists, who managed Singh in his final years and documented his triumphant return to the stage. Additionally, fans can find a limited-edition pressing of \u003ci\u003eSynthesizing: Ten Ragas to a Disco Beat\u003c\/i\u003e on ‘Pearlescent Transcendent Future’ Color Wax, while the album will also be reissued on CD with a 32-page booklet containing all of the above.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMore on \u003ci\u003eSynthesizing: Ten Ragas to a Disco Beat:\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIndian multi-instrumentalist and composer Charanjit Singh (1940–2015) never intended to be an electronic dance music pioneer when he recorded 1982’s \u003ci\u003eSynthesizing: Ten Ragas to a Disco Beat\u003c\/i\u003e. Yet three decades later, his inventive use of state-of-the-art synthesizers and drum machines would prompt some to crown him the “Godfather of Acid House.” The real story, however, runs much deeper.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA native of Mumbai, Singh spent much of his career as a Bollywood session musician, collaborating with renowned composers like RD Burman and Shankar–Jaikishan, and appearing on some of the most iconic Hindi film hits of the ‘60s and ‘70s. Outside of the film industry, Singh recorded several of his own albums and toured the world alongside the era’s biggest stars—an opportunity which allowed him to collect new instruments, including synthesizers and other electronic devices. As psychedelia and disco wove their way into Bollywood scores, Singh was at the forefront, integrating a host of electronic textures into his work (his hypnotic Transicord introduction on “Dum Maro Dum” from 1971’s Hare Rama Hare Krishna is among his most recognizable performances).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBy the turn of the ‘80s, however, Singh was disenchanted by the creative limitations of session work and embarked on a solo career. Not long after, on tour in Singapore, he discovered three Roland devices that had just hit the market: the TR-808 drum machine (released 1980), the TB-303 bass synthesizer (released 1981), and the Jupiter 8 synthesizer (released 1981). While this trio would fuel early electronic dance music in the coming years, Singh was among the first known artists to pair them on record when he was inspired to create his next album, \u003ci\u003eSynthesizing: Ten Ragas to a Disco Beat\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eUsing only the three devices and recording live at Mumbai’s HMV studios, Singh married the past to the future—blending the ancient Indian tradition of ragas (a melodic framework, similar to a scale, from which musicians can improvise or compose) with pulsating, electronic dance beats, while programming the TB-303 to follow classical Hindustani scales. From the hypnotic drones of “Raga Bhairavi” to the uplifting jams of “Raga Bairagi” the album proved perhaps to be a bit too visionary for its time. Released without fanfare, it faded into obscurity and Singh retired from recording to focus on private concerts.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTwo decades later, Dutch DJ and record collector Edo Bouman was in New Delhi when he came across an old copy of \u003ci\u003eTen Ragas\u003c\/i\u003e. Bouman was astounded by what he heard—electronic music that had all the hallmarks of acid house, recorded five years before Chicago DJs coined the term. Bouman spent the next few years tracking down Singh and, in 2010, reissued the album on his label, Bombay Connection.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSoon, \u003ci\u003eTen Ragas\u003c\/i\u003e became a viral sensation, sparking disbelief and debates about the origins of acid house. But, as Haq and Loudenback explain, those in the conversation “Had little frame of reference for [Singh’s] music outside of the parameters of western club music.” Viewed through the lens of the Hindi film industry, they argue, the album’s through-line comes into focus. In the ‘60s, when Western artists were looking to India for inspiration, Bollywood was “A laboratory for discovering sounds, and for harnessing every new technology that could be found or repurposed…. Singh’s album is more fittingly placed within the framework of the expansion of Bollywood’s experiments in disco, rather than that of acid house.”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e“Perhaps this is yet another example of how a public engages with those who are ahead of their time,” adds Rana Ghose. “This record is a direct consequence of a centuries-old classical music form, rendered through the lens of a visionary who used the vanguard of technology at the time to recast it, resulting in an artefact that, almost 40 years later, is finding entirely new audiences in an era marked by a changing and uncertain global landscape of soft-power assertion. Considering this reassessment is as exciting as it is fascinating. Much like this record.”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhile \u003ci\u003eTen Ragas\u003c\/i\u003e sparked plenty of conversations within the electronic music community, it also gave a bemused Singh a surge of newfound fame during the final years of his life, allowing him to play to thousands of fans at packed club shows and festivals in Europe, the U.S., and India. Among those fans are Australian duo Glass Beams (who covered “Raga Bhairav”), German electronic duo Modeselektor, and Thom Yorke, who ranked “Raga Lalit” as one of his “6 Tracks You Need to Hear” via the BBC.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMost importantly, however, \u003ci\u003eTen Ragas\u003c\/i\u003e resonated deeply with South Asian artists, who saw electronic music from India being recognized with new reverence. In the words of Vish Matre (of the UK DJ duo Dar Disku), “This record will be remembered for, not being the predecessor to another genre, but being a precursor to a lot of new music from the diaspora that relied on it as inspiration.”\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003eRaga: Bhairavi\u003cbr\u003eRaga: Lalit\u003cbr\u003eRaga: Bhupali\u003cbr\u003eRaga: Todi\u003cbr\u003eRaga: Madhuvanti\u003cbr\u003eRaga: Meghmalhar \u003cbr\u003eRaga: Yaman\u003cbr\u003eRaga: Kalavati\u003cbr\u003eRaga: Malkauns\u003cbr\u003eRaga: Bairagi \u003cspan class=\"Apple-converted-space\"\u003e                   \u003c\/span\u003e\u003c\/p\u003e","brand":"SRD","offers":[{"title":"Limited 2LP (‘Pearlescent Transcendent Future’ Vinyl)","offer_id":51338596122941,"sku":"LITA22611","price":53.99,"currency_code":"GBP","in_stock":true},{"title":"2LP","offer_id":51338596155709,"sku":"LITA2261","price":52.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":51338596188477,"sku":"LITA2262","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/LITA2262.jpg?v=1769708346"},{"product_id":"hum-1","title":"Hum","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBirmingham hailing quintet Swim Deep announces their fifth studio album ‘Hum’, due June 19th via Submarine Cat Records. They also share first single ‘Pieces Of You’ — a defiant cut of alternative rock: roaring with clouds of distortion that bring a bite and rawness to its chiming melodies. Fresh and inspired from a sold-out tour across Thailand and China in December, and with an unexpected line-up change: ‘Hum’ is the work of a group rejuvenated, driven by their innate passion for music – even when the going gets tough – and sounding more confident than ever, whilst juggling the challenges of maintaining a grassroots indie band on their fifth album. Speaking on the track, lead singer Austin “Ozzy” Williams adds: “I had found a new writing partner at the full-time bar job: there stood J.J. Buchanan by the barrels of beer kegs we were hauling. A sharp songwriter and a soaring guitarist, who brought something fresh to this song and the whole sonic landscape that would shape ‘Hum’. Thematically, ‘Hum’ continues the life journey of ‘There’s A Big Star Outside’, which captured a transformational period for Williams – preparing for the arrival of his first child, but also the departure of his wife’s father. The songs on ‘Hum’ detail the aftermath of that spell, exploring loss, family and our responsibilities to those we build a life with. “I’ve now got someone to inspire,” he explains. “It’s like, ‘Yeah, your dad works at a bar to make rent, but this is what he actually does, this is what the dream is, and we’ll all live on it together. That’s the ethos on this album.” With ‘Hum’, Swim Deep turn struggle into momentum and personal upheaval into collective uplift. 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The album moves effortlessly between cinematic arrangements, emotional storytelling, and moments of intimate reflection, offering a richly textured listening experience that continues to resonate with fans old and new.\u003cbr\u003e-To be released as deluxe 3CD+Blu-ray media book and 5LP box-set editions, both sets include a version of the original studio album newly mixed and mastered, a previously unreleased complete recording of the band's 1999 performance recorded in London at the Shepherds Bush Empire, and also accompanied by illustrated booklets containing rare photos, new artwork, memorabilia and an essay that’s digging deep into the album’s story. The bonus Blu-ray, which is included in the media book, contains the album in hi-res and surround sound, demos \u0026amp; early versions of the album tracks, a “Marillion.com” documentary and the “Shot In The Dark (Zodiac)” concert video. 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In a \u003c\/span\u003e\u003cspan\u003ecareer that’s now into its sixth decade, Walter Egan has perhaps defined what it means to be a “songwriter’s songwriter”. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYet while his 1978 US Top 10 hit, ‘\u003c\/span\u003e\u003cspan\u003eMagnet and Steel\u003c\/span\u003e\u003cspan\u003e’, has become his calling \u003c\/span\u003e\u003cspan\u003ecard, appearing in films such as \u003c\/span\u003e\u003cspan\u003eBoogie Nights \u003c\/span\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cspan\u003eThis is 40\u003c\/span\u003e\u003cspan\u003e, and its follow-up \u003c\/span\u003e\u003cspan\u003esingle, ‘\u003c\/span\u003e\u003cspan\u003eHot Summer Nights\u003c\/span\u003e\u003cspan\u003e’, has been covered by artists in France, Denmark \u003c\/span\u003e\u003cspan\u003eand Japan, as well as being sampled by \u003c\/span\u003e\u003cspan\u003eDr. Dre \u003c\/span\u003e\u003cspan\u003efor \u003c\/span\u003e\u003cspan\u003eEminem’s \u003c\/span\u003e\u003cspan\u003e2009 single ‘\u003c\/span\u003e\u003cspan\u003eWe Made You\u003c\/span\u003e\u003cspan\u003e’, Egan’s catalogue is a diverse body of work, at the core of which is a \u003c\/span\u003e\u003cspan\u003ededication to following his creative instincts. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBetween 1977 and 1980 Egan recorded four studio albums for Columbia Records in the USA. 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Each one includes the very cream of \u003c\/span\u003e\u003cspan\u003eL.A.’s “\u003c\/span\u003e\u003cspan\u003egolden era\u003c\/span\u003e\u003cspan\u003e” players and producers while ‘\u003c\/span\u003e\u003cspan\u003eFundamental Roll\u003c\/span\u003e\u003cspan\u003e’ \u003c\/span\u003e\u003cspan\u003ewas produced in its entirety by Lindsey Buckingham. 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Spasticus (Autisticus)\u003c\/p\u003e","brand":"DEMON","offers":[{"title":"LP","offer_id":51400982266173,"sku":"DEMREC1345","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/DEMREC1345_IanDury-LU_LP_2D_Pack_Front-Sticker.jpg?v=1771431434"},{"product_id":"4000-weeks-holiday-2026-reissue","title":"4000 Weeks Holiday (2026 Reissue)","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eReleased in 1984, this was the second album released by Polydor and the first and only to be billed to \u003c\/span\u003e\u003cspan\u003eIan Dury \u0026amp; The Music Students\u003c\/span\u003e\u003cspan\u003e. 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The sessions also featured celebrated reggae\/ska trombone player \u003c\/span\u003e\u003cspan\u003eRico Rodriguez MBE\u003c\/span\u003e\u003cspan\u003e, whilst most of the recordings were performed by the 'Music Students', made up of McEvoy, Rhys-Jones, drummer Tag Lamche and saxophonist Jamie Talbot. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe single \u003c\/span\u003e\u003cspan\u003e\"Really Glad You Came\" \u003c\/span\u003e\u003cspan\u003ewas released and the band performed on National TV inc \u003c\/span\u003e\u003cspan\u003eThe Tube\u003c\/span\u003e\u003cspan\u003e. The album also contains \u003c\/span\u003e\u003cspan\u003e\"Peter the Painter\" \u003c\/span\u003e\u003cspan\u003ewritten on request from British Pop artist \u003c\/span\u003e\u003cspan\u003ePeter Blake\u003c\/span\u003e\u003cspan\u003e, Dury’s former teacher \u003c\/span\u003e\u003cspan\u003eat London's Royal College of Art. 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Across fourteen tracks that encompass modern piano minimalism, immersive ambient soundscapes and a smattering of vocal collaborations, the album finds Moby reflecting on the tension between hyper-connected modern life and the deep human need for stillness.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1. When It's Cold I'd Like to Die (Feat. Jacob Lusk)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. This Was Never Meant for Us\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Retreat\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Estrella del Mar (Feat. Elise Serenelle)\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1. Ruhe\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Mott St. 1992\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. 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Euphoric and melancholic melodies of late ‘90s dance music blend with psych-tinged riffs and loops to create something fresh.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThough the band missed the late ‘90s rave culture firsthand, BLISS channels that era’s bittersweet euphoria, drawing inspiration from Faithless, Underworld, Prodigy, Air, Röyksopp, Moby, Massive Attack, Orbital, Portishead, and more. Psych and dance share a natural lineage, with repetition, loops, and trance-like states forming the album’s foundation.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1. Jet Stream Heart\u003cbr\u003e2. Revelations\u003cbr\u003e3. Megalith\u003cbr\u003e4. Glimmer\u003cbr\u003e5. Blue Flame\u003cbr\u003e6. Vendetta\u003cbr\u003e7. Jaguar\u003cbr\u003e8. Horizon\u003cbr\u003e9. Waiting On The Echoes\u003cbr\u003e10. 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The collection captures daily life in the colony—where progress is monitored accordingly, optimism is responsibly distributed, and deviation is resolved through established channels.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eVolume 001: \u003ci\u003eTruth, Justice, \u0026amp; Dispute Resolution\u003c\/i\u003e\u003c\/b\u003e introduces the sound of arrival of the Earth Directorate. Sweeping orchestral themes and restrained electronic textures underscore exploration, investigation, and the reassuring sense that Arcadia’s instability is both anticipated and accounted for.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eVolume 002: \u003ci\u003eWireless Free Arcadia\u003c\/i\u003e\u003c\/b\u003e represents Auntie’s Choice at peak efficiency. Bright melodies, big band swing, and relentlessly cheerful compositions promote comfort, productivity, and sustained consumer confidence. Freedom is included. Continued satisfaction indicates proper use.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eVolume 003: \u003ci\u003eMental Enlightenment \u0026amp; Refreshment\u003c\/i\u003e\u003c\/b\u003e\u003ci\u003e \u003c\/i\u003epairs the Protectorate and the Order of the Ascendant. The Protectorate asserts control through ceremonial authority, rigid rhythms, and formal arrangements devoted to discipline, doctrine, and public order. 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Rooted in jazz, soul, and hip-hop, Liv.e brings a raw, experimental approach to R\u0026amp;B, while Riggins known for his work with Common, Erykah Badu, The Roots, Madlib, and his close kinship with J Dilla, extends his lifelong dialogue between jazz improvisation and beat science.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTogether they create a world that’s analog and ethereal, percussive and poetic, bridging eras without settling in one, the sound of two artists finding a new shared language rooted in rhythm, vulnerability, and exuberance.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cdiv\u003eSide A\u003c\/div\u003e\n\u003cdiv\u003eA1. Who's Got a Problem With Gena\u003c\/div\u003e\n\u003cdiv\u003eA2. Theybetterbegladihavetherapy\u003c\/div\u003e\n\u003cdiv\u003eA3. Left The Club Like \"Really Nigga!\"\u003c\/div\u003e\n\u003cdiv\u003eA4. You've Outdone Yourself Today\u003c\/div\u003e\n\u003cdiv\u003eA5. Unspoken\u003c\/div\u003e\n\u003cdiv\u003eA6. 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Thatsmyluvr\u003c\/div\u003e\n\u003cdiv\u003eB7. omo iya ati baba\u003c\/div\u003e","brand":"CARGO","offers":[{"title":"LP (Red \u0026 Black Splatter on Clear Vinyl)","offer_id":51436804636989,"sku":"LEX202LP","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":51436804669757,"sku":"LEX202CD","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/GENA_ThePleasureIsYours_1x1_RGB.jpg?v=1772206916"},{"product_id":"pinnacle","title":"Pinnacle","description":"\u003cp class=\"p1\"\u003eA reminder of just how forward-thinking bassist and composer Buster Williams was at the height of the spiritual-jazz era. Recorded in 1975 with a heavyweight lineup including Woody Shaw, Sonny Fortune, Onaje Allan Gumbs and Billy Hart, the album blends post-bop precision with cosmic, slightly psychedelic energy, moving easily between deep groove and wide-open improvisation . Across five long, exploratory tracks, Williams lets elastic basslines and layered rhythms guide the music rather than dominate it, creating space for warm keyboard textures, expressive horn lines and moments that feel both meditative and quietly electric . With its recent remaster bringing fresh clarity to the sound, Pinnacle lands less like an archival curiosity and more like a rediscovered classic — soulful, exploratory jazz that rewards patience and sinks deeper with every listen.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003e01. The Hump\u003cbr\u003e02. Noble Ego\u003cbr\u003e03. Pinnacle\u003cbr\u003e04. Tayamisha\u003cbr\u003e05. Batuki\u003c\/p\u003e","brand":"PIAS","offers":[{"title":"CD","offer_id":51444750680381,"sku":"TTMC006","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/BusterWilliamsCover_1.jpg?v=1772464983"},{"product_id":"dreams-of-the-machine","title":"Dreams Of The Machine","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDreams Of The Machine arises from the current state of the world we live in.\u003c\/p\u003e\n\u003cp\u003eIn our digital reality, we are increasingly controlled by algorithm and artificial intelligence. the rise of tools like ChatGPT is taking over functions that were once exclusively human. smartphones constantly draw us into the virtual world, sometimes so deeply that it makes us unhappy. AI seems more and more real. It affects our self-image: selfies are filtered and beautified until they are barely human. The authentic human blushes, and al comes dangerously close in his ability to imitate reality. sometimes it seems as if AI itself is hanging to be more human.\u003c\/p\u003e\n\u003cp\u003eWe also recognise this tension in our music. everything is created digitally behind the computer, but with the help of plug-ins, we often seek a more organic sound. we embrace small imperfections to show that our music is made by human hands. But: there already exist AI tools that generate complete songs. where is the boundary between human and machine? Can we create a world in which both exist in harmony, organic and digital?\u003c\/p\u003e\n\u003cp\u003eOur previous album was full of real flowers. What would flowers imagined by AI look like?\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWith Dreams Of The Machine we want to take the listener on a trip to these ideas. a journey to our own universe, where everything is allowed and where humans and machines dream together.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1 A1 Awake Conciousness\u003cbr\u003e2 A2 I Want My Freedom\u003cbr\u003e3 A3 Melancholia\u003cbr\u003e4 A4 Dancing In The Dark\u003cbr\u003e5 B1 Release\u003cbr\u003e6 B2 God In You\u003cbr\u003e7 B3 Choosing Life\u003cbr\u003e8 C1 Mothership\u003cbr\u003e9 C2 Surrender\u003cbr\u003e10 C3 4AM\u003cbr\u003e11 D1 Spirit Of Time\u003cbr\u003e12 D2 Glow\u003cbr\u003e13 D3 Calling\u003cbr\u003e14 D4 Reborn\u003c\/p\u003e","brand":"PIAS","offers":[{"title":"2LP","offer_id":51446375842109,"sku":"PIASE0176LP","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":51446375874877,"sku":"PIASE0176CD","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/Tinlicker_DreamsoftheMachine_Album_1.jpg?v=1772541294"}],"url":"https:\/\/sisterray.co.uk\/collections\/pre-orders.oembed?page=10","provider":"Sister Ray","version":"1.0","type":"link"}