{"title":"Nonesuch","description":"\u003cp\u003e\u003c\/p\u003e","products":[{"product_id":"the-studio-albums-1980-83","title":"The Studio Albums 1980-83","description":"Lovely box set that collects Emmylou's first 4 studio albums of the 1980s (\"Roses In The Snow\", \"Evangeline\", \"Cimarron\" and \"White Shoes\") and the 1982 live album \"Last Date\".\u003cbr\u003eAlso includes bonus 7\" with a duet with Roy Orbison and the single version of \"Mr Sandman\".\u003cbr\u003e \u003ch5\u003eTracklist\u003c\/h5\u003eRoses In The Snow (1980)\u003cbr\u003eA1\tRoses In The Snow\t\u003cbr\u003eA2\tWayfaring Stranger\t\u003cbr\u003eA3\tGreen Pastures\t\u003cbr\u003eA4\tThe Boxer\t\u003cbr\u003eA5\tDarkest Hour Is Just Before Dawn\t\u003cbr\u003eB1\tI'll Go Stepping Too\t\u003cbr\u003eB2\tYou're Learning\t\u003cbr\u003eB3\tJordan\t\u003cbr\u003eB4\tMiss The Mississippi And You\t\u003cbr\u003eB5\tGold Watch And Chain\t\u003cbr\u003eEvangeline (1981)\u003cbr\u003eC1\tI Don't Have To Crawl\t\u003cbr\u003eC2\tHow High The Moon\t\u003cbr\u003eC3\tSpanish Johnny\t\u003cbr\u003eC4\tBad Moon Rising\t\u003cbr\u003eC5\tEvangeline\t\u003cbr\u003eD1\tHot Burrito #2\t\u003cbr\u003eD2\tMillworker\t\u003cbr\u003eD3\tOh Atlanta\t\u003cbr\u003eD4\tMister Sandman\t\u003cbr\u003eD5\tAshes By Now\t\u003cbr\u003eCimarron (1981)\u003cbr\u003eE1\tRose Of Cimarron\t\u003cbr\u003eE2\tSpanish Is A Loving Tongue\t\u003cbr\u003eE3\tIf I Needed You\t\u003cbr\u003eE4\tAnother Lonesome Morning\t\u003cbr\u003eE5\tThe Last Cheater's Waltz\t\u003cbr\u003eF1\tBorn To Run\t\u003cbr\u003eF2\tThe Price You Pay\t\u003cbr\u003eF3\tSon Of A Rotten Gambler\t\u003cbr\u003eF4\tTennessee Waltz\t\u003cbr\u003eF5\tTennessee Rose\t\u003cbr\u003eLast Date (1982)\u003cbr\u003eG1\tI'm Moving' On\t\u003cbr\u003eG2\tIt's Not Love (But It's Not Bad)\t\u003cbr\u003eG3\tSo Sad (To Watch Good Love Go Bad)\t\u003cbr\u003eG4\tGrievous Angel\t\u003cbr\u003eG5\tRestless\t\u003cbr\u003eG6\tRacing In The Streets\t\u003cbr\u003eH1\tLong May You Run\t\u003cbr\u003eH2\tWe'll Sweep Out The Ashes (In The Morning)\t\u003cbr\u003eH3\tJuanita\t\u003cbr\u003eH4\tDevil In Disguise\t\u003cbr\u003eH5\t(Lost His Love) On Our Last Date\t\u003cbr\u003eH6\tBuckaroo \/ Love's Gonna Live Here (Medley)\t\u003cbr\u003eWhite Shoes (1983)\u003cbr\u003eI1\tDrivin' Wheel\t\u003cbr\u003eI2\tPledging My Love\t\u003cbr\u003eI3\tIn My Dreams\t\u003cbr\u003eI4\tWhite Shoes\t\u003cbr\u003eI5\tOn The Radio\t\u003cbr\u003eJ1\tIt's Only Rock 'N Roll\t\u003cbr\u003eJ2\tDiamonds Are A Girl's Best Friend\t\u003cbr\u003eJ3\tGood News\t\u003cbr\u003eJ4\tBaby, Better Start Turnin' 'Em Down\t\u003cbr\u003eJ5\tLike An Old Fashioned Waltz\t\u003cbr\u003eBonus 7\" Single\u003cbr\u003eK1\tThat Lovin' You Feelin Again\t\u003cbr\u003eK2\tMr Sandman (Single Version) \u003ch5\u003eSoundwave\u003c\/h5\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SfJYuzWy9gQ\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"PROMO","offers":[{"title":"Limited 5LP+7\"","offer_id":30355115409455,"sku":"75597926811","price":69.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/Emmylou-Harris-The-Studio-Albums-1980-83-Sister-Ray.jpg?v=1570371519"},{"product_id":"lets-rock","title":"Let's Rock","description":"After a 5 year gap, The Black Keys are back with their 9th album and a return to the straightforward rock of the early days. \"We took a simple approach and trimmed all the fat like we used to\" says drummer Patrick Carney.\u003cbr\u003e\u003cbr\u003eThe first Black Keys album to be recorded in Dan Auerbach's own Easy Eye studio in Nashville.\u003cbr\u003e \n\u003ch5\u003eTracklist\u003c\/h5\u003e\n1. 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The concert tour in support of \"American Utopia\", which inspired the Broadway show, included songs from the new album along with music from Talking Heads and Byrne’s solo career. Byrne and the ensemble performed more than 150 dates in twenty-seven countries over nine months. \u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\nDisc 1\u003cbr\u003e1. Here\u003cbr\u003e2. I Know Sometimes a Man Is Wrong \/ Don't Worry About the Government\u003cbr\u003e3. Lazy\u003cbr\u003e4. This Must Be the Place (Naïve Melody)\u003cbr\u003e5. I Zimbra\u003cbr\u003e6. Slippery People\u003cbr\u003e7. I Should Watch TV\u003cbr\u003e8. Everybody's Coming to My House\u003cbr\u003e9. Once in a Lifetime\u003cbr\u003e10. Glass, Concrete \u0026amp; Stone \u003cbr\u003eDisc 2 \u003cbr\u003e1. Toe Jam\u003cbr\u003e2. Born Under Punches (The Heat Goes On)\u003cbr\u003e3. I Dance like This\u003cbr\u003e4. Bullet\u003cbr\u003e5. Every Day Is a Miracle\u003cbr\u003e6. Blind\u003cbr\u003e7. 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Quickies also will be available on CD and digitally. \u003cbr\u003e\u003cbr\u003eMerritt explains his thinking behind the Quickies concept: “I’ve been reading a lot of very short fiction, and I enjoyed writing 101 Two-Letter Words, the poetry book about the shortest words you can use in Scrabble. And I’ve been listening to a lot of French baroque harpsichord music. Harpsichord doesn’t lend itself to languor. So I’ve been thinking about one instrument at a time, playing for about a minute or so and then stopping, and I’ve been thinking of narratives that are only a few lines long. Also, I had been using a lot of small notebooks, so when I reach the bottom of the page, I’ve only gone a short way. Now that I’m working on a different album, I’m enforcing a large notebook rule so that I don’t do Quickies twice in a row.”\u003cbr\u003e\u003cbr\u003e\"Quickies\" features Merritt and other Magnetic Fields band members Sam Davol, Claudia Gonson, Shirley Simms, and John Woo. They are joined by longtime friends and collaborators Chris Ewen, Daniel Handler, and Pinky Weitzman.\u003cbr\u003e\u003cbr\u003eTo date, Stephin Merritt has written and recorded twelve Magnetic Fields albums, including the beloved 69 Love Songs and the 2017 critically acclaimed Nonesuch box set, 50 Song Memoir, which chronicled the first fifty years of the songwriter’s life with one song per year. New York magazine called the box set ‘a celebration of Merritt’s sky-high range as a writer and a player, through the exploration of the circumstances that helped cultivate it … a delightful flip through the untold back pages of one of rock’s most singular voices, and, all in all, the best damned Magnetic Fields album in the last ten years.’ Merritt has also composed original music and lyrics for several music theatre pieces, including an off-Broadway stage musical of Neil Gaiman’s novel Coraline, for which he received an Obie Award. In 2014, Merritt composed songs and background music for the first musical episode of public radio’s This American Life. Stephin Merritt also releases albums under the band names the 6ths, the Gothic Archies, and Future Bible Heroes.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\nSide A\u003cbr\u003e1. Castles of America\u003cbr\u003e2. The Biggest Tits in History\u003cbr\u003e3. The Day the Politicians Died\u003cbr\u003eSide B\u003cbr\u003e1. Castle Down a Dirt Road\u003cbr\u003e2. Bathroom Quickie\u003cbr\u003e3. My Stupid Boyfriend \u003cbr\u003eSide C\u003cbr\u003e1. Love Gone Wrong\u003cbr\u003e2. Favorite Bar\u003cbr\u003e3. Kill a Man a Week\u003cbr\u003eSide D\u003cbr\u003e1. Kraftwerk in a Blackout\u003cbr\u003e2. When She Plays the Toy Piano\u003cbr\u003e3. Death Pact (Let's Make A) \u003cbr\u003eSide E\u003cbr\u003e1. I’ve Got a Date With Jesus\u003cbr\u003e2. Come, Life, Shaker Life!\u003cbr\u003eSide F\u003cbr\u003e1. (I Want to Join A) Biker Gang\u003cbr\u003e2. Rock 'n' Roll Guy \u003cbr\u003eSide G\u003cbr\u003e1. You've Got a Friend in Beelzebub\u003cbr\u003e2. Let's Get Drunk Again (And Get Divorced)\u003cbr\u003e3. The Best Cup of Coffee in Tennessee\u003cbr\u003eSide H\u003cbr\u003e1. When the Brat Upstairs Got a Drum Kit\u003cbr\u003e2. The Price You Pay\u003cbr\u003e3. The Boy in the Corner\u003cbr\u003eSide I\u003cbr\u003e1. Song of the Ant\u003cbr\u003e2. I Wish I Had Fangs and a Tail\u003cbr\u003e3. Evil Rhythm\u003cbr\u003eSide J\u003cbr\u003e1. She Says Hello\u003cbr\u003e2. The Little Robot Girl\u003cbr\u003e3. 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Set on the rusted mean streets of Coney Island, Brooklyn, Requiem for a Dream tells the parallel stories of four people pursuing their dreams of better lives. The reissue features the original soundtrack, plus two bonus tracks.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eClint Mansell, a musician, composer, and founding member of the band Pop Will Eat Itself, first worked with Darren Aronofsky on the score for his 1998 film π. Also released by Nonesuch are Mansell’s scores for Aronofsky's The Fountain (2006), nominated for a Golden Globe, and Noah (2014). His other scores include The Wrestler (2008), Moon (2009), Black Swan (2010), Filth (2013), Stoker (2013), High Rise (2016), for which he received an Ivor Novello nomination, and Loving Vincent (2017).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor more than 40 years, San Francisco’s Kronos Quartet – David Harrington (violin), John Sherba (violin), Hank Dutt (viola), and Sunny Yang (cello) – has combined a spirit of fearless exploration with a commitment to continually re-imagining the string quartet experience. In the process, Kronos has become one of the world’s most celebrated and influential ensembles, performing thousands of concerts, releasing more than 50 recordings, collaborating with many of the world’s most eclectic composers and performers, and commissioning over 850 works and arrangements for string quartet. A Grammy winner, Kronos is also the only recipient of both the Polar Music Prize and the Avery Fisher Prize. Most recently, in 2019, Nonesuch released Kronos’s ground-breaking collaboration with composer Terry Riley, Sun Rings, and, in 2017, Folk Songs, featuring Sam Amidon, Olivia Chaney, Rhiannon Giddens and Natalie Merchant.\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003eSummer Overture\u003cbr\u003eParty\u003cbr\u003eConey Island Dreaming\u003cbr\u003eParty\u003cbr\u003eChocolate Charms\u003cbr\u003eGhosts of Things to Come\u003cbr\u003eDreams\u003cbr\u003eTense\u003cbr\u003eDr. Pill\u003cbr\u003eHigh on Life\u003cbr\u003eGhosts\u003cbr\u003eCrimin' \u0026amp; Dealin'\u003cbr\u003eHope Overture\u003cbr\u003eTense\u003cbr\u003eBialy \u0026amp; Lox Conga\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003eCleaning Apartment\u003cbr\u003eGhosts-Falling\u003cbr\u003eDreams\u003cbr\u003eArnold\u003cbr\u003eMarion Barfs\u003cbr\u003eSupermarket Sweep\u003cbr\u003eDreams\u003cbr\u003eSara Goldfarb Has Left the Building\u003cbr\u003eBugs Got a Devilish Grin Conga\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSide C\u003c\/strong\u003e\u003cbr\u003eWinter Overture\u003cbr\u003eSouthern Hospitality\u003cbr\u003eFear\u003cbr\u003eFull Tense \u003cbr\u003eThe Beginning of the End\u003cbr\u003eGhosts of a Future Lost\u003cbr\u003eMeltdown\u003cbr\u003eLux Aeterna\u003cbr\u003eConey Island Low\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSide D\u003c\/strong\u003e\u003cbr\u003ePurple in the Morning, Blue in the Afternoon, Orange in the Evening, Green at Night\u003cbr\u003e30 Days to Revolutionize Your Life!!! 1-900-976-JUICE\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003eSoundwave\u003c\/h5\u003e\n\u003cp\u003ehttps:\/\/youtu.be\/RLK9lSaKM_A\u003c\/p\u003e","brand":"TEN","offers":[{"title":"2LP","offer_id":32623013560367,"sku":"0075597947298","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"Ltd RSD 2LP","offer_id":49163135549757,"sku":"553787-1","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/Screenshot2020-09-11at15.04.27.png?v=1599833140"},{"product_id":"brothers-deluxe-remastered-anniversary-edition","title":"Brothers (Deluxe)","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e2LP\u003c\/strong\u003e : 140g Vinyl\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited 9x7\" Box Set\u003c\/strong\u003e : Includes 60-page book and poster\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eThe Black Keys\u003c\/strong\u003e release \u003cstrong\u003e\u003cem\u003eBrothers (Deluxe Remastered Anniversary Edition)\u003c\/em\u003e\u003c\/strong\u003e, an expanded version of their watershed 2010 multi-platinum, Grammy-winning sixth studio album via Nonesuch Records, on which the record is newly available throughout the world.  To celebrate its tenth anniversary, \u003cem\u003eBrothers\u003c\/em\u003e will be re-released with three added bonus songs: \u003cstrong\u003e‘Keep My Name Outta Your Mouth’\u003c\/strong\u003e, \u003cstrong\u003e‘Black Mud Part II’\u003c\/strong\u003e, and \u003cstrong\u003e‘Chop and Change’\u003c\/strong\u003e.  It will be available in three formats: a 7” box set, a 2-LP set, and a CD.  This will be the first in an annual series of archival releases from the band.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBrothers\u003c\/em\u003e, originally released on May 18, 2010, was largely recorded at the famous Muscle Shoals Sound Studio in Alabama.  It was a career breakthrough for The Black Keys, receiving critical praise and earning three Grammy Awards, for Best Alternative Album, Best Rock Performance, and Best Recording Packaging for Michael Carney’s design.  Upon release, \u003cem\u003eRolling Stone\u003c\/em\u003e hailed the album ‘a masterpiece’, and \u003cem\u003eUncut\u003c\/em\u003e named them ‘one of the best rock ‘n’ roll bands on the planet’.\u003c\/p\u003e\n\u003cp\u003eAlthough they realised upon their arrival in Muscle Shoals, Alabama in hot and humid August that the studio had seen better days, the band – singer\/guitarist Dan Auerbach and drummer Patrick Carney – brought in their own equipment and proceeded.  The oppressive Alabama summer weather \"forced us into the studio”, Carney says.  \"We went into that darkness and stayed there”.\u003c\/p\u003e\n\u003cp\u003eThe duo recorded nine of the original \u003cem\u003eBrothers\u003c\/em\u003e songs in what was now \"a remote recording in a historic room that had been gutted\", Auerbach recalls, adding that the location contributed to the vibe of \u003cem\u003eBrothers\u003c\/em\u003e nonetheless: \"You can feel it if you're a musician, the great things that happened in a place.  Half of the thing that we love is in our minds, but when we go to these shrines, it gives us inner strength. It feels magical – this is where the music was born\".\u003c\/p\u003e\n\u003cp\u003eThe band recorded additional material in other locations: the album song ‘Tighten Up’ in Brooklyn with Danger Mouse (Brian Burton), several others on Auerbach's eight-track in his Akron basement, and three in Mark Neill's home studio in San Diego.  ‘Chop and Change’ and ‘Keep My Name Outta Your Mouth’ are bonus tracks on this anniversary edition of \u003cem\u003eBrothers\u003c\/em\u003e.  The band then gave the music to Tchad Blake to mix.  Carney recalls, “We told Tchad, 'Make it sound fucked up'\".\u003c\/p\u003e\n\u003cp\u003eThe album title highlighted a revived bond between the longtime bandmates and childhood neighbours, who had been through challenging times personally and professionally.  Carney says, “I was thinking about what the record meant to me – how Dan and I had gone through this shit that brothers go through where you don't get along, but then you do get along and realise it's an unconditional love”.  It was reminiscent of one of Auerbach’s favourite Allman Brothers albums, too: \"As soon as Pat suggested it, I loved it”.\u003c\/p\u003e\n\u003cp\u003eThe Black Keys released their ninth studio album, \u003cem\u003e“Let’s Rock”,\u003c\/em\u003e via Easy Eye Sound\/Nonesuch Records last year.  The album received critical praise, with \u003cem\u003ePitchfork\u003c\/em\u003e saying, ‘This is an album by the Black Keys called \u003cem\u003e“Let’s Rock”\u003c\/em\u003e. That's what it does’. The\u003cem\u003e Wall Street Journal\u003c\/em\u003e said, ‘The Black Keys have mastered the form of guitar-based music, and the craft at work on these dozen songs is something to behold’.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003col class=\"ol1\"\u003e\n\u003cli class=\"li1\"\u003eEverlasting Light\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eNext Girl\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTighten Up\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eHowlin' for You\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eShe's Long Gone\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eBlack Mud\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eThe Only One\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eToo Afraid to Love You\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTen Cent Pistol\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eSinister Kid\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eThe Go Getter\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eI'm Not the One\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eUnknown Brother\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eNever Gonna Give You Up\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eThese Days\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eChop and Change*\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eKeep My Name Outta Your Mouth**\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eBlack Mud Part II**\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"p2\"\u003e* Previously released on The Twilight Saga: Eclipse (Original Motion Picture Soundtrack)\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e** Previously unreleased\u003c\/p\u003e\n\u003ch5\u003eSoundwave\u003c\/h5\u003e\n\u003cp\u003ehttps:\/\/youtu.be\/OIb10sUfoCk\u003c\/p\u003e","brand":"TEN","offers":[{"title":"2LP","offer_id":32801724301359,"sku":"0075597918830","price":38.99,"currency_code":"GBP","in_stock":false},{"title":"Limited 9x7\" Box Set","offer_id":32801724334127,"sku":"0075597918816","price":79.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":32801724366895,"sku":"0075597918809","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/0075597918830.jpg?v=1605431675"},{"product_id":"big-science-reissue","title":"Big Science (Reissue)","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eLimited LP\u003c\/strong\u003e : 140gm Red Vinyl\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp class=\"wordsection1\"\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eLaurie Anderson\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e’s 1982 debut album, \u003cem\u003e\u003cb\u003e\u003cspan\u003eBig Science\u003c\/span\u003e\u003c\/b\u003e\u003c\/em\u003e, will return to vinyl for the first time in 30 years with a new red vinyl edition on Nonesuch Records.  The release includes the re-mastered original album first released on CD for the 25\u003csup\u003eth\u003c\/sup\u003e anniversary in 2007.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"wordsection1\"\u003e\u003cspan lang=\"EN-US\"\u003eIn the early 1980s, Laurie Anderson was already respected as a conceptual artist and composer, adept at employing gear both high-tech and homemade in her often violin-based pieces, and she was a familiar figure in the cross-pollinating, Lower Manhattan music-visual art-performance circles from which Philip Glass and David Byrne also emerged.\u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003eWhile working on her now-legendary seven-hour performance art\/theater piece \u003ci\u003eUnited States, Part I–IV\u003c\/i\u003e, she cut the spare ‘O Superman (For Massenet)’, an electronic-age update of 19\u003csup\u003eth \u003c\/sup\u003ecentury French operatic composer Jules Massenet’s aria ‘O Souverain’, for the tiny New York City indie label 110 Records.  In the UK, DJ John Peel picked up a copy of this very limited-edition 33⅓ RPM 7” and spun the eight-minute-plus track on BBC Radio 1.  The exposure resulted in an unlikely #2 hit, lots of attention in the press, and a worldwide deal with Warner Bros. Records.\u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"wordsection1\"\u003e\u003cspan\u003e’Cause when love is gone, there's always justice.\u003cbr\u003e And when justice is gone, there's always force.\u003cbr\u003e And when force is gone, there's always Mom. Hi Mom!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"wordsection1\"\u003e\u003cspan lang=\"EN-US\"\u003eAt the time of its original release, the \u003cem\u003e\u003cspan\u003eNME\u003c\/span\u003e\u003c\/em\u003e wrote of \u003cem\u003e\u003cspan\u003eBig Science\u003c\/span\u003e\u003c\/em\u003e, ‘There’s a dream-like, subconscious quality about her songs which helps them work at deeper, secret levels of the psyche.’  With instrumentation ranging from tape loops to found sounds to bag pipes, \u003cem\u003e\u003cspan\u003eBig Science\u003c\/span\u003e\u003c\/em\u003e anticipated the tech-savvy beats, anything-goes instrumentation and sample-based nature of much contemporary electronic and dance music.  On the album’s 25\u003csup\u003eth\u003c\/sup\u003e anniversary, \u003ci\u003eUncut \u003c\/i\u003enoted, ‘The broader themes of alienation and disconnection still resonate, while Anderson’s use of loops and traditional\/synthesized instrumentation is prescient.’ \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"wordsection1\"\u003e\u003cspan class=\"A3\"\u003e\u003cspan\u003e“In the ’70s I traveled a lot,” Anderson recounts.  “I worked on a tobacco farm in Kentucky, hitchhiked to the North Pole, lived in a yurt in Chiapas, and worked on a media commune.  I had my own romantic vision of the road.  My plan was to make a portrait of the country.  \u003ci\u003eBig Science\u003c\/i\u003e, the first part of the puzzle, eventually became part two of \u003ci\u003e United States I–IV (Transportation, Politics, Money, Love)\u003c\/i\u003e.  My goal was to be not just the narrator but also the outsider, the stranger.  Although I was fascinated by the United States, this portrait was also about how the country looked from a distance.  I was performing a lot in Europe, where American culture was simultaneously booed and cheered.  But the portrait was also a picture of a culture inventing a digital world and learning to live in it.  \u003ci\u003eBig Science\u003c\/i\u003e was about technology, size, industrialization, shifting attitudes toward authority, and individuality. It was sometimes alarmist, picturing the country as a burning building, a plane crash.  Alongside the techno was the apocalyptic.  The absurd.  The everyday.  It was also a series of short stories about odd characters – hatcheck clerks and pilots, preachers, drifters and strangers.  There was something about Massenet’s aria ‘O Souverain’ – which inspired ‘O Superman’ – that almost stopped my heart.  The pauses, the melody.  “O souverain, ô juge, ô père” (O Lord, o judge, o father).  A prayer about empire, ambition, and loss.” \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"wordsection1\"\u003e\u003cspan\u003eLaurie Anderson is one of America's most renowned – and daring – creative pioneers.  Her work, which encompasses music, visual art, poetry, film, and photography, has challenged and delighted audiences around the world for over 40 years.  Anderson released her first album with Nonesuch Records in 2001, the critically lauded \u003cem\u003eLife on a String\u003c\/em\u003e.  Her subsequent releases on the label include \u003cem\u003eLive in New York\u003c\/em\u003e (2002), \u003cem\u003eHomeland\u003c\/em\u003e (2010), the soundtrack to Anderson’s acclaimed film \u003cem\u003eHeart of a Dog\u003c\/em\u003e (2015), and her Grammy-winning collaboration with Kronos Quartet, \u003ci\u003eLandfall\u003c\/i\u003e (2018).  Additionally, Anderson’s virtual-reality film\u003ci\u003e La Camera Insabbiata\u003c\/i\u003e, with Hsin-Chien Huang, won the 2017 Venice Film Festival Award for Best VR Experience, and, in 2018, Skira Rizzoli published her book \u003cem\u003eAll the Things I Lost in the Flood: Essays on Pictures, Language and Code\u003c\/em\u003e, the most comprehensive collection of her artwork to date.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFrom the Air          \u003c\/li\u003e\n\u003cli\u003eBig Science           \u003c\/li\u003e\n\u003cli\u003eSweaters\u003c\/li\u003e\n\u003cli\u003eWalking and Falling             \u003c\/li\u003e\n\u003cli\u003eBorn, Never Asked               \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eO Superman (for Massenet)\u003c\/li\u003e\n\u003cli\u003eExample #22        \u003c\/li\u003e\n\u003cli\u003eLet X=X\/It Tango  \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch5\u003eSoundwave\u003c\/h5\u003e\n\u003cp\u003ehttps:\/\/youtu.be\/Vkfpi2H8tOE\u003c\/p\u003e","brand":"TEN","offers":[{"title":"Limited LP (Red Vinyl)","offer_id":32968061517871,"sku":"075597918069","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":39358520000559,"sku":"075597998856","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/BigScience_2021.jpg?v=1614109224"},{"product_id":"steve-reich-steve-reich-pulse-quartet","title":"Pulse \/ Quartet","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003ePulse (2015) is performed by the International Contemporary Ensemble—an artist collective committed to transforming the way music is created and experienced—and Quartet (2013) is played by the Colin Currie Group, an ensemble led by percussionist Colin Currie that specializes in the music of Steve Reich; these are also the ensembles that gave the world premiere performances of the respective works.\u003cbr\u003e\u003cbr\u003eReich says, \"Pulse, for winds, strings, piano and electric bass, was completed in 2015 and was, in part, a reaction to Quartet, in which I changed keys more frequently than in any previous work. In Pulse I felt the need to stay put harmonically and spin out smoother wind and string melodic lines in canon over a constant pulse in the electric bass and or piano. From time to time this constant pulse is accented differently through changing hand alternation patterns on the piano. All in all, a calmer more contemplative piece.\"\u003cbr\u003e\u003cbr\u003eHe continues, \"Quartet, when mentioned in the context of concert music, is generally assumed to mean string quartet. In my case, the quartet that has played a central role in many of my pieces (besides the string quartet) is that of two pianos and two percussion. It appears like that or in expanded form with more pianos or more percussion in The Desert Music; Sextet; Three Movements; The Four Sections; The Cave; Dance Patterns; Three Tales; You Are (Variations); Variations for Vibes, Pianos and Strings; Daniel Variations; Double Sextet; and Radio Rewrite. In Quartet, there is just this group alone: two vibes and two pianos.\u003cbr\u003e\u003cbr\u003e\"The piece is one of the more complex I have composed. It frequently changes key and often breaks off continuity to pause or take up new material. Though the parts are not unduly difficult, it calls for a high level of ensemble virtuosity. The form is one familiar throughout history: fast, slow, fast, played without pause. The slow movement introduces harmonies not usually found in my music.\"\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1 Pulse - International Contemporary Ensemble\u003cbr\u003e2 Quartet: I. Fast\u003cbr\u003e3 Quartet: II. Slow\u003cbr\u003e4 Quartet: III. Fast\u003c\/p\u003e","brand":"TEN","offers":[{"title":"CD","offer_id":39316151140399,"sku":"75597932430","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/sr_a3324caa-33c5-4ac9-a7b3-7a4611aef2ee.jpg?v=1657541624"},{"product_id":"various-artists-true-stories-a-film-by-david-byrne-the-complete-soundtrack","title":"True Stories, A Film By David Byrne: The Complete Soundtrack","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003eByrne was inspired by tabloid headlines to make his sole foray into feature-film directing, an ode to the extraordinariness of ordinary American life and a distillation of what was in his own idiosyncratic mind. Byrne plays a visitor to Virgil, Texas, who introduces us to the citizens of the town during a hyper-realistic late-capitalist landscape of endless vistas, shopping malls, and prefab metal buildings. In True Stories, Byrne uses his songs to stitch together pop iconography, voodoo rituals and a singular variety show. True Stories, A Film by David Byrne: The Complete Soundtrack includes 23 songs, many of which are on CD and digital formats for the first time.\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1 Road Song - David Byrne, Meredith Monk\u003cbr\u003e2 Freeway Son - David Byrne\u003cbr\u003e3 Disco Hits! - David Byrne\u003cbr\u003e4 Cocktail Desperado - Terry Allen \u0026amp; The Panhandle Mystery Band\u003cbr\u003e5 Wild Wild Life - Talking Heads\u003cbr\u003e6 City of Steel - Talking Heads, Tommy Morrell\u003cbr\u003e7 Mall Muzak - Carl Finch\u003cbr\u003e8 Dream Operator (feat. Annie McEnroe) - Talking Heads\u003cbr\u003e9 Love Theme from True Stories - David Byrne\u003cbr\u003e10 Brownie's Theme - David Byrne\u003cbr\u003e11 Dinner Music - David Byrne, Kronos Quartet\u003cbr\u003e12 Puzzlin' Evidence - Talking Heads, John Ingle \u0026amp; The Bert Cross Choir\u003cbr\u003e13 Glass Operator - David Byrne\u003cbr\u003e14 Hey Now - Talking Heads, St. Thomas Aquinas Elementary School Choir\u003cbr\u003e15 I Metal Buildings - David Byrne\u003cbr\u003e16 Love for Sale - Talking Heads\u003cbr\u003e17 Soy de Tejas - Esteban \"Steve\" Jordan\u003cbr\u003e18 Buster's Theme - Carl Finch\u003cbr\u003e19 Festa para um rei negro - Banda Eclipse\u003cbr\u003e20 Radio Head (feat Tito Larriva, Esteban 'Steve' Jordan \u0026amp; Los Vampiros) - Talking Heads\u003cbr\u003e21 Papa Legba (feat. Roebuck 'Pops' Staples) - Talking Heads\u003cbr\u003e22 People Like Us (feat. John Goodman) - Talking Heads\u003cbr\u003e23 City of Dreams - Talking Heads, Tommy Morrell\u003c\/p\u003e\n\u003ch5\u003eSoundwave\u003c\/h5\u003e","brand":"TEN","offers":[{"title":"CD","offer_id":39316172111919,"sku":"75597927702","price":12.99,"currency_code":"GBP","in_stock":false},{"title":"2LP","offer_id":39409965006895,"sku":"075597927771","price":25.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/truestories.jpg?v=1624362695"},{"product_id":"delta-kream","title":"Delta Kream","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Black Keys\u003c\/strong\u003e release their tenth studio album, \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDelta Kream\u003c\/em\u003e\u003c\/strong\u003e,\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003evia Nonesuch Records.  The record celebrates the band’s roots, featuring eleven Mississippi hill country blues standards that they have loved since they were teenagers, before they were a band, including songs by R. L. Burnside and Junior Kimbrough, among others.   \u003cstrong data-mce-fragment=\"1\"\u003eDan Auerbach\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003ePatrick Carney\u003c\/strong\u003e recorded \u003cem data-mce-fragment=\"1\"\u003eDelta Kream\u003c\/em\u003e at Auerbach’s Easy Eye Sound studio in Nashville; they were joined by musicians \u003cstrong data-mce-fragment=\"1\"\u003eKenny Brown\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eEric Deaton\u003c\/strong\u003e, long-time members of the bands of blues legends including R. L. Burnside and Junior Kimbrough.  The album takes its name from William Eggleston’s iconic Mississippi photograph that is on its cover. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAuerbach says of the album, “We made this record to honor the Mississippi hill country blues tradition that influenced us starting out.  These songs are still as important to us today as they were the first day Pat and I started playing together and picked up our instruments.  It was a very inspiring session with Pat and me along with Kenny Brown and Eric Deaton in a circle, playing these songs.  It felt so natural.” \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCarney concurs, “The session was planned only days in advance and nothing was rehearsed.  We recorded the entire album in about ten hours, over two afternoons, at the end of the \u003cem data-mce-fragment=\"1\"\u003e“Let’s Rock\u003c\/em\u003e” tour.”  \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAuerbach says of \u003cem data-mce-fragment=\"1\"\u003eDelta Kream\u003c\/em\u003e’s first single \u003cstrong data-mce-fragment=\"1\"\u003e‘Crawling Kingsnake\u003cspan data-mce-fragment=\"1\"\u003e’\u003c\/span\u003e\u003c\/strong\u003e: “I first heard [John Lee] Hooker’s version in high school.  My uncle Tim would have given me that record.  But our version is definitely Junior Kimbrough’s take on it.  It’s almost a disco riff!”  Carney adds, \"We fell into this drum intro; it's kind of accidental.  The ultimate goal was to highlight the interplay between the guitars.  My role with Eric was to create a deeper groove.\" \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe music from northern Mississippi, which came to life in juke joints, has long left an imprint on the band’s music, from their cover of R.L. Burnide’s ‘Busted’ and Junior Kimbrough’s ‘Do The Romp’ on their debut album, \u003cem data-mce-fragment=\"1\"\u003eThe Big Come Up\u003c\/em\u003e; to their subsequent signing to Fat Possum Records, home to many of their musical heroes; and to their EP of Junior Kimbrough covers, \u003cem data-mce-fragment=\"1\"\u003eChulahoma\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFormed in Akron, Ohio in 2001, The Black Keys, who have been called\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e‘rock royalty’ by the Associated Press and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e‘one of the best rock ‘n’ roll bands on the planet’ by \u003cem data-mce-fragment=\"1\"\u003eUncut\u003c\/em\u003e, are guitarist\/singer Dan Auerbach and drummer Patrick Carney.  Cutting their teeth playing small clubs, the band have gone on to sell out arena tours and have released nine previous studio albums: their debut \u003cem data-mce-fragment=\"1\"\u003eThe Big Come Up\u003c\/em\u003e (2002), followed by \u003cem data-mce-fragment=\"1\"\u003eThickfreakness\u003c\/em\u003e (2003) and \u003cem data-mce-fragment=\"1\"\u003eRubber Factory\u003c\/em\u003e (2004), along with their releases on Nonesuch Records, \u003cem data-mce-fragment=\"1\"\u003eMagic Potion\u003c\/em\u003e (2006), \u003cem data-mce-fragment=\"1\"\u003eAttack \u0026amp; Release\u003c\/em\u003e (2008), \u003cem data-mce-fragment=\"1\"\u003eBrothers\u003c\/em\u003e (2010), \u003cem data-mce-fragment=\"1\"\u003eEl Camino\u003c\/em\u003e (2011), \u003cem data-mce-fragment=\"1\"\u003eTurn Blue\u003c\/em\u003e (2014) and, most recently, “\u003cem data-mce-fragment=\"1\"\u003eLet’s Rock\u003c\/em\u003e” (2019), plus and a tenth anniversary edition of \u003cem data-mce-fragment=\"1\"\u003eBrothers\u003c\/em\u003e (2020).  The band has won six Grammy Awards and a BRIT and headlined festivals in North America, South America, Mexico, Australia, and Europe.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1. Crawling Kingsnake\u003cbr\u003e2. Louise \u003cbr\u003e3. Poor Boy a Long Way From Home \u003cbr\u003e4. Stay All Night \u003cbr\u003e5. Going Down South \u003cbr\u003e6. Coal Black Mattie \u003cbr\u003e7. Do the Romp \u003cbr\u003e8. Sad Days, Lonely Nights \u003cbr\u003e9. Walk with Me \u003cbr\u003e10. Mellow Peaches \u003cbr\u003e11. Come on and Go with Me\u003c\/p\u003e\n\u003ch5\u003eSoundwave\u003c\/h5\u003e\n\u003cp\u003ehttps:\/\/youtu.be\/aVMa9TpRxk4\u003c\/p\u003e","brand":"TEN","offers":[{"title":"2LP","offer_id":39324112289839,"sku":"0075597916881","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":39324112322607,"sku":"0075597916652","price":5.99,"currency_code":"GBP","in_stock":false},{"title":"Limited 2LP (Coloured Vinyl)","offer_id":39327692259375,"sku":"075597916669","price":35.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/DeltaKream.jpg?v=1618851871"},{"product_id":"ruminations-rsd-2021-drop-1","title":"Ruminations","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e2LP (Etched D-Side)\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u2028\n\u003cp\u003e\u003cstrong\u003eLimited to 1000 copies\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003eAn expanded remastered edition of the acclaimed 2016 album on 2-LPs featuring five additional tracks. Side 4 is an etching. 1.Tachycardia 2. Barbary Coast (Later) 3. Gossamer Thin 4. Counting Sheep 5. Mamah Borthwick (A Sketch) 6. The Rain Follows the Plow 7. A Little Uncanny 8. Next of Kin 9. You All Loved Him Once 10. Till St. Dymphna Kicks Us Out 11. Overdue * 12. Too Late to Fixate * 13. Afterthought ** 14. Empty Hotel by the Sea * 15. Napalm *\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"PROMO","offers":[{"title":"2LP (Etched D-Side)","offer_id":39361864335407,"sku":"75597916904","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/qoxQ_Xtc.jpg?v=1621351337"},{"product_id":"black-keys-turn-blue","title":"Turn Blue","description":"\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003eVinyl LP comes with a CD copy of the album.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eA1 Weight Of Love\u003cbr\u003eA2 In Time\u003cbr\u003eA3 Turn Blue\u003cbr\u003eA4 Fever\u003cbr\u003eA5 Year In Review\u003cbr\u003eB1 Bullet In The Brain\u003cbr\u003eB2 It's Up To You Now\u003cbr\u003eB3 Waiting On Words\u003cbr\u003eB4 10 Lovers\u003cbr\u003eB5 In Our Prime\u003cbr\u003eB6 Gotta Get Away\u003c\/p\u003e","brand":"TEN","offers":[{"title":"CD","offer_id":39381312962607,"sku":"7559795554","price":5.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":40005886771247,"sku":"7559795555","price":28.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/bk.jpg?v=1628866120"},{"product_id":"ruminations-expanded-edition","title":"Ruminations (Expanded Edition)","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e‘Ruminations feels like a direct line into the spirit of Right Now.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003eOberst reckons with having the fabric of his life ripped apart by a disease of the flesh he couldn’t control or understand.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003ePerhaps that sounds familiar?\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003e[He] paints a startling picture of how surreal life becomes when backlit by illness… these songs are heartrendingly beautiful, filled with the beauty of day-drunkenness and Proustian flights into memory and waking up in the afternoon and realizing that, however imperfect the day is, it’s a day.’\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e– GQ (2020)\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eConor Oberst’s critically acclaimed 2016 solo album, Ruminations, will be released in a double-LP expanded edition – featuring five bonus tracks, four previously unreleased, as well as an etching on side D – on Record Store Day, June 12; it will be made available widely in all formats on July 23.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003eThe five bonus tracks were recorded during the Ruminations sessions; while full band versions of them were released on the 2017 companion album Salutations, these solo acoustic recordings are now included for the first time on Ruminations.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eRuminations was recorded in the winter of 2016, when Oberst found himself hibernating in his hometown of Omaha after living in New York City for more than a decade.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003eHe emerged with the unexpectedly raw, unadorned album, which NPR called one of his ‘most personal records… a collection of brave, dark songs… unmistakably moving and contain[ing] some of Oberst's best lyrics and imagery.’\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003eThe Sunday Times further said it was his ‘rawest album yet.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003ePolitical and very, very personal’, calling Oberst ‘one of the best songwriters around’, and including the album in its list of best of the year.\u003c\/p\u003e","brand":"TEN","offers":[{"title":"2LP","offer_id":39413962801199,"sku":"0075597916904","price":23.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":39413962833967,"sku":"0075597916584","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/0075597916904.jpg?v=1624629646"},{"product_id":"ramble-in-music-city-the-lost-concert","title":"Ramble in Music City: The Lost Concert","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e2LP\u003c\/strong\u003e : Heavyweight 140-gram high-performance double vinyl\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003e\u003cbr\u003e‘Her string band exhilarates, especially Sam Bush on mandolin, while she sounds absolutely inspired.’\u003cbr\u003e\u003cbr\u003e– Boston Globe\u003c\/p\u003e\n\u003cp\u003eAfter fifteen years of touring with the beloved Hot Band, Emmylou Harris formed the Nash Ramblers, a new acoustic all-star group, in 1990, featuring Sam Bush (fiddle, mandolin, vocals), Roy Huskey Jr. (bass), Larry Atamanuik (drums), Al Perkins (dobro, banjo, vocals), and Jon Randall Stewart (acoustic guitar, mandolin, vocals). The band played on the road for several months before making their Nashville debut at the Tennessee Performing Arts Center (TPAC) on September 28, 1990. That concert was recorded and shelved, while another live run at the Ryman Auditorium the following spring was released as Emmylou Harris and the Nash Ramblers At the Ryman to great acclaim, winning a Grammy and spurring public interest in saving the beloved music hall. Now, more than thirty years later, Rhino’s James Austin has unearthed the 1990 TPAC recording and Nonesuch releases Ramble in Music City: The Lost Concert for the first time. The TPAC set features entirely different songs from the Ryman album and includes music by A.P. Carter, Rodney Crowell, Ruth Franks, the Louvin Brothers, Doc Pomus and Mort Shuman, Paul Simon, and Townes Van Zandt, among others, as well as her own compositions.\u003cbr\u003e\u003cbr\u003eHarris says of Ramble in Music City: “When James Austin, in my humble opinion, the world’s best and certainly most devoted music archeologist, unearthed the tapes of this ‘lost’ concert, I was taken aback by their very existence, like finding some cherished photograph misplaced so long ago the captured moment had been forgotten. Then the memories came flooding in, of the Nash Ramblers, hot off the road from our first tour, ready to rock and bringing their usual A-game to the hometown turf\u003cbr\u003e\u003cbr\u003e“It only took one listen to realize not a single note was out of place or in need of repair, a truly extraordinary performance by these gifted musicians. What a joy it was to share the stage with them.”\u003cbr\u003e\u003cbr\u003eA thirteen-time Grammy winner and Billboard Century Award recipient, Emmylou Harris' contribution as a singer and songwriter spans six decades. She has recorded more than thirty albums and has also contributed to countless fellow artists' recordings. In recognition of her remarkable career, Harris was inducted into the Country Music Hall of Fame in 2008. Her most recent new release, a collaboration with Rodney Crowell, The Traveling Kind, followed the longtime friends' first duet album, Old Yellow Moon, which won a Best Americana Album Grammy Awards as well as two Americana Music Association Awards, for Album of the Year and Duo\/Group of the Year.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1. Roses in the Snow (Live) \u003cbr\u003e2. Even Cowgirls Get the Blues (Live) \u003cbr\u003e3. Beneath Still Waters (Live) \u003cbr\u003e4. If I Could Only Win Your Love (Live) \u003cbr\u003e5. Amarillo (Live) \u003cbr\u003e6. The Other Side of Life (Live) \u003cbr\u003e7. If I Needed You (Live) \u003cbr\u003e8. Two More Bottles of Wine (Live) \u003cbr\u003e9. Mystery Train (Live) \u003cbr\u003e10. My Songbird (Live) \u003cbr\u003e11. Wayfaring Stranger (Live) \u003cbr\u003e12. Green Pastures (Live) \u003cbr\u003e13. Blue Kentucky Girl (Live) \u003cbr\u003e14. Hello Stranger (Live) \u003cbr\u003e15. Remington Ride (Live) \u003cbr\u003e16. One of These Days (Live) \u003cbr\u003e17. The Boxer (Live) \u003cbr\u003e18. Born to Run (Live) \u003cbr\u003e19. The Price I Pay (Live) \u003cbr\u003e20. Sweet Dreams (Live) \u003cbr\u003e21. Save the Last Dance for Me (Live) \u003cbr\u003e22. Leaving Louisiana in the Broad Daylight (Live) \u003cbr\u003e23. Boulder to Birmingham (Live)\u003c\/p\u003e\n\u003ch5\u003eSoundwave\u003c\/h5\u003e\n\u003cp\u003ehttps:\/\/youtu.be\/rj8LWr9qOuQ\u003c\/p\u003e","brand":"TEN","offers":[{"title":"2LP","offer_id":39421871685679,"sku":"0075597917437","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":39421871718447,"sku":"0075597917406","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/RambleinMusicCityTheLostConcert.jpg?v=1625133326"},{"product_id":"punches-rsd-2021-drop-2","title":"Roll With The Punches: The Studio Albums (1979-2017) (RSD July 21)","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eRECORD STORE DAY 2021 RELEASE - DROP 2 (17\/07\/21)\u003c\/b\u003e\u003c\/p\u003e\n\u2028\n\u003cp\u003e\u003cstrong\u003e8LP\u003c\/strong\u003e\u003c\/p\u003e\n\u2028\n\u003cp\u003e\u003cstrong\u003eLimited to 200 copies\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\u2028\u003cp\u003eThis eight-disc set compiles his seven albums released between 1979-2017, and will be similar to the 2017 box set release, Lonely at the Top: The Studio Albums, 1968–77. The featured albums are: Born Again (Reprise, 1979), Trouble in Paradise (Reprise, 1983), Land of Dreams (Reprise, 1988), Randy Newman’s Faust (Reprise, 1995) Bad Love (first vinyl release, previously released by DreamWorks in 1999), Harps and Angels (Nonesuch, 2008) and Dark Matter (Nonesuch, 2017)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis Record Store Day item will be available to purchase in store on Saturday 17th July from 8am and available to purchase online from 6pm on Saturday 17th July. Strictly one per customer \/ no pre-orders.\u003c\/p\u003e","brand":"PROMO","offers":[{"title":"8LP","offer_id":39423363481647,"sku":"75597928105","price":99.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/xKLuN6Jg.jpg?v=1625476780"},{"product_id":"el-camino-10th-anniversary-edition","title":"El Camino (10th Anniversary Edition)","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eLimited Edition Super Deluxe 5LP \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003eFive heavyweight 140-gram high-performance vinyl discs, \u003c\/span\u003e\u003cspan\u003elimited edition and individually numbered box, 100-page photo book, car shaped air freshener, lithograph and poster\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eThe Black Keys\u003c\/strong\u003e release a special tenth anniversary edition of their landmark seventh studio.  \u003cstrong\u003e \u003cem\u003eEl Camino (10\u003csup\u003eth\u003c\/sup\u003e Anniversary Deluxe Edition)\u003c\/em\u003e\u003c\/strong\u003e will be available in several formats including a Super Deluxe edition of five vinyl LPs or four CDs, featuring a remastered version of the original album, a previously unreleased Live in Portland, ME concert recording, a BBC Radio 1 Zane Lowe session from 2012, a 2011 Electro-Vox session, an extensive photo book, a limited-edition poster and lithograph, and a ‘new car scent’ air freshener.  A three-LP edition, which includes the remastered album and the live recording, will also be available.  The Super Deluxe version will also be available digitally. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEl Camino\u003c\/em\u003e was produced by Danger Mouse and The Black Keys and was recorded in the band’s then-new hometown of Nashville during the spring of 2011.  The Black Keys won three awards at the 55\u003csup\u003eth\u003c\/sup\u003e annual GRAMMY Awards for \u003cem\u003eEl Camino\u003c\/em\u003e – Best Rock Performance, Best Rock Song, and Best Rock Album – among other worldwide accolades.  In the UK, the band was nominated for a BRIT Award (Best International Group) and an NME Award (Best International Band).  The week of release, the band performed on \u003cem\u003eSaturday Night Live\u003c\/em\u003e, \u003cem\u003eThe Colbert Report\u003c\/em\u003e, and the \u003cem\u003eLate Show with David Letterman\u003c\/em\u003e, and later that year, went on to perform their first Madison Square Garden show.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRolling Stone, \u003c\/em\u003ewhich featured the band on their cover around the release, hailed \u003cem\u003eEl Camino\u003c\/em\u003e for bringing ‘raw, riffed-out power back to pop’s lexicon,’ and called it ‘the Keys’ grandest pop gesture yet, augmenting dark-hearted fuzz blasts with sleekly sexy choruses and Seventies-glam flair.’  The \u003cem\u003eGuardian\u003c\/em\u003e said, ‘They sound like a band who think they've made the year's best rock'n'roll album, probably because that's exactly what they've done.’ \u003c\/p\u003e\n\u003cp\u003eIn the newly written liner notes for \u003cem\u003eEl Camino (10\u003csup\u003eth\u003c\/sup\u003e Anniversary Deluxe Edition)\u003c\/em\u003e, David Fricke says:\u003c\/p\u003e\n\u003cp\u003eThe story of the Black Keys' seventh album, named after an automobile, long out of fashion and featured nowhere in the artwork, begins on a sidewalk in the middle of a blizzard.  On the afternoon of January 9, 2011, singer-guitarist Dan Auerbach and drummer Patrick Carney stood on the pavement outside the Bowery Hotel in New York City, saw the weather turning vicious, looked at each other and came to the same decision: They had to get off the road.\u003c\/p\u003e\n\u003cp\u003eThe night before, the duo scored another first in a season getting crowded with them: The Black Keys' debut appearance on \u003cem\u003eSaturday Night Live\u003c\/em\u003e, performing ‘Howlin' for You’ and ‘Tighten Up’, the breakout singles from their latest release, \u003cem\u003eBrothers\u003c\/em\u003e.  Two days earlier, \u003cem\u003eBrothers\u003c\/em\u003e – the Keys' first Top 5 album, released in May 2010 – became their first Gold record, passing a half-million in sales thanks to heavy FM rotation and a near-year of gigging, now set to run deep into 2011 including a prestige slot at Coachella and victory laps in Europe and Australia. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Keys \"tried to settle down\" after cancelling the tour, Carney says.  But that didn't last. \"I said, 'We should just make another record.'  And I asked Dan if we should get Danger Mouse\" – the hip-hop and modern-rock producer, real name Brian Burton, who worked on the Keys' 2008 record, \u003cem\u003eAttack \u0026amp; Release\u003c\/em\u003e, and co-produced ‘Tighten Up’.  Auerbach and Carney did not have any new songs, but as the drummer notes, \"Most of our records – we don't have material when we start.  \u003cem\u003eBrothers\u003c\/em\u003e was made up in the studio.\"  \u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 1: El Camino (2021 Remaster)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eSide A\u003c\/u\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLonely Boy        \u003c\/li\u003e\n\u003cli\u003eDead and Gone\u003c\/li\u003e\n\u003cli\u003eGold on the Ceiling              \u003c\/li\u003e\n\u003cli\u003eLittle Black Submarines      \u003c\/li\u003e\n\u003cli\u003eMoney Maker\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cu\u003eSide B\u003c\/u\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRun Right Back       \u003c\/li\u003e\n\u003cli\u003eSister                        \u003c\/li\u003e\n\u003cli\u003eHell of a Season     \u003c\/li\u003e\n\u003cli\u003eStop Stop                 \u003c\/li\u003e\n\u003cli\u003eNova Baby               \u003c\/li\u003e\n\u003cli\u003eMind Eraser             \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 2: Live in Portland, ME. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Part 1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eSide C\u003c\/u\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHowlin’ for You\u003c\/li\u003e\n\u003cli\u003eNext Girl\u003c\/li\u003e\n\u003cli\u003eRun Right Back\u003c\/li\u003e\n\u003cli\u003eSame Old Thing\u003c\/li\u003e\n\u003cli\u003eDead and Gone\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cu\u003eSide D\u003c\/u\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGold on the Ceiling\u003c\/li\u003e\n\u003cli\u003eThickfreakness\u003c\/li\u003e\n\u003cli\u003eGirl Is on My Mind\u003c\/li\u003e\n\u003cli\u003eI'll Be Your Man \/ Your Touch\u003c\/li\u003e\n\u003cli\u003eLittle Black Submarines\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDISC 3: Live in Portland, ME. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Part 2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eSide E\u003c\/u\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMoney Maker\u003c\/li\u003e\n\u003cli\u003eStrange Times         \u003c\/li\u003e\n\u003cli\u003eChop and Change\u003c\/li\u003e\n\u003cli\u003eNova Baby\u003c\/li\u003e\n\u003cli\u003eTen Cent Pistol\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cu\u003eSide F\u003c\/u\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTighten Up\u003c\/li\u003e\n\u003cli\u003eLonely Boy\u003c\/li\u003e\n\u003cli\u003eEverlasting Light\u003c\/li\u003e\n\u003cli\u003eShe’s Long Gone\u003c\/li\u003e\n\u003cli\u003eI Got Mine\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eDISC 4: BBC Session\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eSide A\u003c\/u\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHowlin’ for You *     \u003c\/li\u003e\n\u003cli\u003eNext Girl *                 \u003c\/li\u003e\n\u003cli\u003eGold on the Ceiling *                  \u003c\/li\u003e\n\u003cli\u003eThickfreakness *     \u003c\/li\u003e\n\u003cli\u003eI’ll Be Your Man *    \u003c\/li\u003e\n\u003cli\u003eYour Touch *\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cu\u003eSide B\u003c\/u\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLittle Black Submarines *          \u003c\/li\u003e\n\u003cli\u003eDead and Gone *\u003c\/li\u003e\n\u003cli\u003eTighten Up *\u003c\/li\u003e\n\u003cli\u003eLonely Boy *\u003c\/li\u003e\n\u003cli\u003eI Got Mine *\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eDISC 5: Electro-Vox Session\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eSide A\u003c\/u\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDead and Gone *    \u003c\/li\u003e\n\u003cli\u003eGold on the Ceiling *\u003c\/li\u003e\n\u003cli\u003eHowlin’ for You *     \u003c\/li\u003e\n\u003cli\u003eLonely Boy *\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cu\u003eSide B\u003c\/u\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMoney Maker *     \u003c\/li\u003e\n\u003cli\u003eNext Girl *\u003c\/li\u003e\n\u003cli\u003eRun Right Back * \u003c\/li\u003e\n\u003cli\u003eSister *\u003c\/li\u003e\n\u003cli\u003eTighten Up *\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e* Super Deluxe Editions only\u003c\/p\u003e\n\u003ch5\u003eSoundwave\u003c\/h5\u003e\n\u003cp\u003ehttps:\/\/youtu.be\/a_426RiwST8\u003c\/p\u003e","brand":"PROMO","offers":[{"title":"Limited White Vinyl 3LP","offer_id":48107873009981,"sku":"075597914375","price":49.99,"currency_code":"GBP","in_stock":false},{"title":"Limited Edition Super Deluxe 5LP","offer_id":40064071696431,"sku":"0075597914368","price":79.99,"currency_code":"GBP","in_stock":false},{"title":"3LP","offer_id":40064071729199,"sku":"0075597914382","price":39.99,"currency_code":"GBP","in_stock":false},{"title":"Super Deluxe 4CD","offer_id":40064071761967,"sku":"0075597914351","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/ElCamino_10thAnniversarySuperDeluxeEdition.jpg?v=1631867820"},{"product_id":"life-on-earth","title":"Life On Earth","description":"\u003cp data-mce-fragment=\"1\"\u003eThe Nonesuch debut of \u003cstrong data-mce-fragment=\"1\"\u003eHurray for the Riff Raff\u003c\/strong\u003e (aka Alynda Segarra), \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eLIFE ON EARTH\u003c\/em\u003e\u003c\/strong\u003e, is a departure for the Bronx-born, New Orleans-based singer\/songwriter.  Its eleven new “nature punk” tracks on the theme of survival are music for a world in flux \u003cem data-mce-fragment=\"1\"\u003e– \u003c\/em\u003esongs about thriving, not just surviving, while disaster is happening.  Hurray for the Riff Raff tours North America this spring, beginning March 19 in Atlanta and continuing through April 20 in Nashville, with stops in Austin, Chicago, Los Angeles, and New York, among others.  International tour dates will be announced shortly.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor her eighth full-length album, Segarra (they\/she) drew inspiration from The Clash, Beverly Glenn-Copeland, Bad Bunny, and the author of \u003cem data-mce-fragment=\"1\"\u003eEmergent Strategy\u003c\/em\u003e, adrienne maree brown.  Recorded during the pandemic, \u003cem data-mce-fragment=\"1\"\u003eLife on Earth \u003c\/em\u003ewas produced by Brad Cook (Waxahatchee, Bon Iver, Kevin Morby).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cem data-mce-fragment=\"1\"\u003eLife on Earth\u003c\/em\u003e’s first single, ‘\u003cstrong data-mce-fragment=\"1\"\u003eRHODODENDRON\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e’\u003c\/span\u003e, is about “finding rebellion in plant life.  Being called by the natural world and seeing the life that surrounds you in a way you never have.  A mind expansion.  A psychedelic trip.  A spiritual breakthrough.  Learning to adapt, and being open to the wisdom of your landscape.  Being called to fix things in your own backyard, your own community,” says Segarra.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOf the ‘Rhododendron’ video, which was directed by New Orleans-based artist Lucia Honey, Segarra says: “It is really far out and fun.  I got this bodysuit that just looks like the inside of the human body.  It looks like you’re skinless.  It’s in a scene where I’m playing to an audience of plants.  Just really absurd, but I put that suit on and I was like man, this feels really good.  It feels like, ‘This is who I am.  Let’s just take the skin off.’\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“It reminds me a little bit of Kids in the Hall,” they continue.  “With this ‘Rhododendron’ shoot, something clicked in me where I was like, ‘All I have to do is be myself.’  I had been thinking that I had to be something bigger than myself.  I felt like I was just never quite making the mark and then something clicked where I was like, ‘I just gotta be me.  I could do that.  I could show up and be me.  And if people don’t like it, then I don’t know what to fucking tell them.’  It was like a brain shift of, ‘Oh, this can be fun.  It doesn’t have to be suffering.’  With so many videos and photo shoots before, it really felt like suffering.  I felt so uncomfortable being \u003cem data-mce-fragment=\"1\"\u003eperceived\u003c\/em\u003e.  I didn’t know who I was.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHoney adds: “We wanted to create something surreal, playful, and saturated that indulged heavily in the aesthetic of the early ‘90s.  Alynda and I had many overlapping visual and philosophical references which sparked the initial collaboration.  We wanted to make this video an homage to Gregg Araki’s \u003cem data-mce-fragment=\"1\"\u003eTeenage Apocalypse \u003c\/em\u003etrilogy but as a nature documentary crossover.  I came across Araki’s work as a queer teenager, and he’s always been a big inspiration.  Sex, blood, punk rock, camp, etc.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“We live in a moment where the future is bleaker and more unknown than ever, so there becomes a deep comfort in nostalgia and reliving the past.  Through our talks, I realised Alynda’s new album touches on many of these same subjects, but perhaps in reverse; running from a past that is always haunting you.  Shifting into a more refined self\/identity through confronting one’s trauma and baggage.  It was easy to reach collaborative synergy for this video project because we’re both interested in tackling similar issues.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlynda Segarra was born and raised in the Bronx, which they left at the age of seventeen, running away from everything and everyone they knew, hopping freight trains or hitchhiking across the country in the company of a band of street urchins.  Segarra moved to New Orleans in 2007 and formed two bands: Dead Man’s Street Orchestra and Hurray for the Riff Raff.  In 2015, Segarra decamped to Nashville, then to New York, to make her most recent album, 2016’s critically praised \u003cem data-mce-fragment=\"1\"\u003eThe Navigator\u003c\/em\u003e, an ambitious and fully realized concept album that was her quest to reclaim her Puerto Rican identity.  Segarra’s previous records as Hurray for the Riff Raff are \u003cem data-mce-fragment=\"1\"\u003eCrossing the Rubicon\u003c\/em\u003e (EP, 2007), \u003cem data-mce-fragment=\"1\"\u003eIt Don’t Mean I Don’t Love You\u003c\/em\u003e (2008), \u003cem data-mce-fragment=\"1\"\u003eYoung Blood Blues\u003c\/em\u003e (2010), \u003cem data-mce-fragment=\"1\"\u003eHurray for the Riff Raff\u003c\/em\u003e (2011), \u003cem data-mce-fragment=\"1\"\u003eLook Out Mama\u003c\/em\u003e (2012), \u003cem data-mce-fragment=\"1\"\u003eMy Dearest Darkest Neighbor\u003c\/em\u003e (2013), and \u003cem data-mce-fragment=\"1\"\u003eSmall Town Heroes\u003c\/em\u003e (2014).\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1. WOLVES \u003cbr\u003e2. PIERCED ARROWS\u003cbr\u003e3. POINTED AT THE SUN \u003cbr\u003e4. RHODODENDRON \u003cbr\u003e5. JUPITER'S DANCE \u003cbr\u003e6. LIFE ON EARTH \u003cbr\u003e7. nightqueen \u003cbr\u003e8. PRECIOUS CARGO \u003cbr\u003e9. ROSEMARY TEARS \u003cbr\u003e10. SAGA \u003cbr\u003e11. KiN\u003c\/p\u003e\n\u003ch5\u003eSoundwave\u003c\/h5\u003e\n\u003cp\u003ehttps:\/\/youtu.be\/alpbVipGEjA\u003c\/p\u003e","brand":"TEN","offers":[{"title":"LP","offer_id":40183613947951,"sku":"0075597912890","price":26.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":40183613980719,"sku":"0075597912906","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/hurray.jpg?v=1636027425"},{"product_id":"get-on-board","title":"Get On Board","description":"\u003cp data-mce-fragment=\"1\"\u003eNearly sixty years after they first played together, \u003cstrong data-mce-fragment=\"1\"\u003eRy Cooder\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eTaj Mahal\u003c\/strong\u003e, longtime friends and collaborators, reunite with an album of music from two Piedmont blues masters who have inspired them all their lives: \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eGET ON BOARD: THE SONGS OF SONNY TERRY \u0026amp; BROWNIE MCGHEE\u003c\/em\u003e\u003c\/strong\u003e, on Nonesuch Records.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith Taj Mahal on vocals, harmonica, guitar, and piano and Cooder on vocals, guitar, mandolin, and banjo – joined by Joachim Cooder on drums and bass – the duo recorded eleven songs drawn from recordings and live performances by Terry and McGhee, who they both first heard as teenagers in California.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eExplaining where Terry and McGhee took him musically, Cooder says, “Down the road, away from Santa Monica.  Where everything was good.  ‘I have got to get out of here,’ was all I could think.  What do you do, fourteen, eighteen years old?  I was trapped.  But that first record, \u003cem data-mce-fragment=\"1\"\u003eGet on Board\u003c\/em\u003e, the 10” on Folkways, was so wonderful, I could understand the guitar playing.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTaj Mahal adds, “I started hearing them when I was about nineteen, and I wanted to go to these coffee houses, ‘cause I heard that these old guys were playing.  I knew that there was a river out there somewhere that I could get into, and once I got in it, I’d be all right.  They brought the whole package for me.” \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTaj Mahal and Ry Cooder originally joined forces in 1965, forming The Rising Sons when Cooder was just seventeen.  The band was signed to Columbia Records but an album was not released and the group disbanded a year later.  The 1960s recording sessions, widely bootlegged, were finally issued officially in 1992.  \u003cem data-mce-fragment=\"1\"\u003eGET ON BOARD\u003c\/em\u003e is Taj Mahal and Ry Cooder’s first recording together since then. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHarmonica player Sonny Terry and guitarist Brownie McGhee, both originally from the southeastern United States, had active solo careers as well as collaborating with some of the most celebrated musicians of their time.  But they were best known for their forty-five-year partnership, which began in 1939 and included mesmerising live performances around the world and numerous acclaimed recordings.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTheir Piedmont blues style became popular during the folk music revival of the 1940s and ’50s, centered in New York City’s flourishing club scene for jazz, boogie-woogie, blues and folk music.   Terry and McGhee traveled in the same circles as Woody Guthrie, Pete Seeger, Leadbelly, and Josh White, among others in a rich mix of writers, actors and musicians.  As a new generation emerging in the 1960’s drew inspiration from folk and blues, Terry and McGhee toured the world as the foremost exponents of the acoustic music of the Piedmont.  They were named National Heritage Fellows in 1982 in recognition of their distinctive musical contributions and accomplishments.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“You got the south on steroids, when you got the music of the south, the culture of the south, the beauty of the south, through Brownie and Sonny,” Taj Mahal says.  He describes McGhee as a “solid rhythm player.  To really play behind the harp like that.  He would set stuff up.  He wasn’t making many notes.  Sonny had all the notes, running around.  But Brownie, he laid it down.” Cooder adds: “This thing of squeezing the thumb and first finger and a little bit of the second finger, which I still do.  I’d forgotten where it came from.  That’s what Brownie did.  I saw him do that and said, ‘I think I can do that.’”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTaj Mahal calls Terry “a wizard harmonica player”.  Cooder says, “Sonny had incredible rhythm for one thing.  Making sounds with his voice and the harmonica so you couldn’t tell quite which was which.  He was good at that.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“We’ve been doing this a while,” Cooder says.  “Perhaps we’ve earned the right to bring it back.  Taj Mahal concludes.  “We’re now the guys that we aspired toward when we were starting out.  Here we are now… old timers.  What a great opportunity, to really come full circle.”\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1. My Baby Done Changed the Lock on the Door\u003cbr\u003e2. The Midnight Special\u003cbr\u003e3. Hooray Hooray\u003cbr\u003e4. Deep Sea Diver\u003cbr\u003e5. Pick a Bale of Cotton\u003cbr\u003e6. Drinkin’ Wine Spo-Dee-O-Dee\u003cbr\u003e7. What a Beautiful City\u003cbr\u003e8. Pawn Shop Blues\u003cbr\u003e9. Cornbread, Peas, Black Molasses\u003cbr\u003e10. Packing Up Getting Ready to Go\u003cbr\u003e11. I Shall Not Be Moved\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003eSoundwave\u003c\/h5\u003e\n\u003cp\u003ehttps:\/\/youtu.be\/RxvORYMCppw\u003c\/p\u003e","brand":"TEN","offers":[{"title":"LP","offer_id":40456352923695,"sku":"0075597913552","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":40456352956463,"sku":"0075597913392","price":8.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/TajMahal_RyCooderGETONBOARD.jpg?v=1643277080"},{"product_id":"dropout-boogie","title":"Dropout Boogie","description":"\u003cp data-mce-fragment=\"1\"\u003eAfter 10 albums, the last five of which have gone top 10 or better, six Grammy awards, and sold-out tours around the world, \u003cstrong data-mce-fragment=\"1\"\u003eThe Black Keys\u003c\/strong\u003e are back: the duo, called ‘America’s Most Trusted Band’ by Stephen Colbert, and ‘One of the best rock’n’roll bands on the planet’ by \u003cem data-mce-fragment=\"1\"\u003eUncut\u003c\/em\u003e, releases its eleventh studio album, \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDropout Boogie\u003c\/em\u003e\u003c\/strong\u003e, via Nonesuch Records.  The first single, \u003cstrong data-mce-fragment=\"1\"\u003e‘Wild Child’\u003c\/strong\u003e, is available now along with a video directed by the band’s longtime collaborator Bryan Schlam.  \u003cem data-mce-fragment=\"1\"\u003eDropout Boogie \u003c\/em\u003efeatures collaborations with \u003cstrong data-mce-fragment=\"1\"\u003eBilly F. Gibbons\u003c\/strong\u003e (ZZ Top), \u003cstrong data-mce-fragment=\"1\"\u003eGreg Cartwright\u003c\/strong\u003e (Reigning Sound), and \u003cstrong data-mce-fragment=\"1\"\u003eAngelo Petraglia\u003c\/strong\u003e (Kings of Leon).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDropout Boogie\u003c\/em\u003e will be released one day before the twentieth anniversary of The Black Keys’ first album, \u003cem data-mce-fragment=\"1\"\u003eThe Big Come Up\u003c\/em\u003e.  As they have done their entire career, the duo of Dan Auerbach and Patrick Carney wrote all of the material in the studio, and the new album captures a number of first takes that hark back to the stripped-down blues rock of their early days making music together in Akron, Ohio basements.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“That’s always been the beauty of the thing Pat and I do.  It’s instant,” Auerbach says.  “We’ve never really had to work at it.  Whenever we’d get together, we’d just make music, you know?  We didn’t know what we were going to do, but we’d just do it and it would sound cool.  It’s the natural chemistry Pat and I have.  Being in a band this long is a testament to that.  It was a real gift that we were given. I mean, the odds of being plopped down a block-and-a-half from each other in Akron, Ohio – it just seems crazy.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAfter hashing out initial ideas as a duo at Auerbach’s Nashville-based Easy Eye Sound studio, Auerbach and Carney welcomed new collaborators Billy F. Gibbons, Greg Cartwright, and Angelo Petraglia to the \u003cem data-mce-fragment=\"1\"\u003eDropout Boogie\u003c\/em\u003e sessions.  Although The Black Keys previously co-wrote songs with frequent producer\/collaborator Danger Mouse, this is the first time they have invited multiple new contributors to work simultaneously on one of their own albums.  Both Cartwright and Petraglia can be heard on the new album’s first single, ‘Wild Child’.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Living in Nashville and making records here has opened both of our minds to that experience a little bit more,” said Auerbach.  “I knew Pat would love working with both of these guys, so we decided we’d give it a shot.  It was the first time we’d ever really done that.  It was fun as hell.  We just sat around a table with acoustic guitars and worked out a song ahead of time.”  “The cool thing with Greg is that he wants to approach stuff with a story in mind – there’s a plot, almost,” added Carney.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Black Keys had previously jammed with ZZ Top guitar legend Billy F. Gibbons more than a decade ago in Los Angeles, while ZZ Top was working on an album with producer Rick Rubin.  “We never even really wrote one song – we just had some ideas we put down,” Carney said.  “We really just wanted to hang out with him.  We stayed in touch, and Dan invited him to the studio once we started working on this album.” \u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eTBC\u003c\/p\u003e\n\u003ch5\u003eSoundwave\u003c\/h5\u003e\n\u003cp\u003ehttps:\/\/youtu.be\/KKSmHOUaqaQ\u003c\/p\u003e","brand":"TEN","offers":[{"title":"LP","offer_id":40623587786799,"sku":"0075597913576","price":19.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":40623587819567,"sku":"0075597913439","price":6.99,"currency_code":"GBP","in_stock":false},{"title":"Limited LP (White Vinyl)","offer_id":40623587852335,"sku":"0075597910056","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/blackkeysDropoutBoogie.jpg?v=1646992005"},{"product_id":"steve-reich-reich-richter","title":"Steve Reich: Reich\/Richter","description":"\u003ch5\u003e\u003c\/h5\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003eNonesuch Records releases the first recording of Steve Reich’s Reich\/Richter, performed by Ensemble intercontemporain and conducted by George Jackson. The composition was originally written to be performed with German visual artist Gerhard Richter and Corinna Belz’s film \u003cem\u003eMoving Picture (946-3). \u003c\/em\u003eAfter more than one hundred performances of Reich\/Richter at The Shed in New York in 2019, it was performed in London at the Barbican by the Britten Sinfonia conducted by Colin Currie and then in Paris at the Philharmonie, where this recording was made. \u003c\/p\u003e\n\u003cp\u003eReich describes Richter’s book Patterns, which served as source material for the film: “It starts with one of his abstract paintings from the ’90s. He scanned a photo of the painting into a computer and then cut the scan in half and took each half, cut that in half and two of the four quarters he reversed into mirror images. He then repeated this process of ‘divide, mirror, repeat’ from half to quarter, eighth, sixteenth, thirty-second, all the way up to 4096th. 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The Ensemble’s thirty-one soloists share a passion for twentieth and twenty-first century music. Under the artistic direction of Matthias Pintscher, the musicians work in close collaboration with composers, exploring instrumental techniques and developing projects that interweave music, dance, theater, film, video and visual arts. In collaboration with IRCAM (Institut de Recherche et Coordination Acoustique\/Musique), the Ensemble intercontemporain is also active in the field of synthetic sound generation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGeorge Jackson, winner of the 2015 Aspen Conducting Prize, came to attention after stepping in at short notice with Orchestre de Paris, where he stepped in for Daniel Harding. Recent highlights include leading Ensemble intercontemporain at Festival Romaeuropa, the Rainy Days Festival in Luxembourg, and Festival D’Automne in Paris, as well as conducting the RTÉ National Symphony Orchestra, the orchestra of Opéra de Rouen and the world premiere of Tscho Theissing’s Genia with Theater an der Wien. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1. Reich\/Richter: Opening\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. Reich\/Richter: Patterns \u0026amp; Scales\u003cbr\u003e\u003c\/span\u003e3. Reich\/Richter: Cross fades\u003cbr\u003e4. Reich\/Richter: ending\u003c\/p\u003e\n\u003ch5\u003eSoundwave\u003c\/h5\u003e\n\u003cp\u003ehttps:\/\/www.youtube.com\/watch?v=l2-KxAT2iDs\u003c\/p\u003e","brand":"TEN","offers":[{"title":"LP [Released 05\/08\/2022]","offer_id":40753750573103,"sku":"0075597911886","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":40753750605871,"sku":"075597911893","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/ReichRichter.jpg?v=1649262111"},{"product_id":"yankee-hotel-foxtrot","title":"Yankee Hotel Foxtrot (2022 Remaster)","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eRSD Stores Exclusive 2LP \u003c\/strong\u003e: Creamy White Vinyl (2022 Remaster)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuper Deluxe LP Edition \u003c\/strong\u003e: Eleven heavyweight 140-gram high-performance vinyl discs plus 1CD and book\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuper Deluxe CD Edition \u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eEight-disc softpak and book\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDeluxe LP Edition \u003c\/strong\u003e: Seven heavyweight 140-gram high-performance vinyl discs and book\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExpanded 2CD \u003c\/strong\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e : Two-disc softpak\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2022 Remaster Edition \u003c\/strong\u003e: Heavyweight 140-gram high-performance double vinyl\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003eNonesuch releases seven special editions of Wilco’s landmark 2002 album Yankee Hotel Foxtrot. The now-classic record has been remastered and will be available as part of each set. The Super Deluxe version comprises eleven vinyl LPs and one CD – including demos, drafts, and instrumentals, charting the making of Yankee Hotel Foxtrot – plus a live 2002 concert recording and a September 2001 radio performance and interview. That box set includes eighty-two previously unreleased music tracks as well as a new book featuring an interview with singer\/songwriter\/guitarist Jeff Tweedy, drummer Glenn Kotche, and Jim O’Rourke, who mixed the acclaimed 2002 album; an in-depth essay by journalist\/author Bob Mehr; and previously unseen photos of the band making the album in their Chicago studio, The Loft. For the Yankee Hotel Foxtrot recording, Wilco was Jeff Tweedy, John Stirratt, Leroy Bach, Glenn Kotche, and Jay Bennett with Craig Christiansen, Ken Coomer, Jessy Greene, Fred Lonberg-Holm, and Jim O’Rourke.\u003cbr\u003e\u003cbr\u003eYankee Hotel Foxtrot was the first Wilco release on Nonesuch Records following the band’s infamous split with Reprise (both labels are part of Warner Music Group). It was also the first release featuring the line-up of drummer Glenn Kotche and multi-instrumentalist Leroy Bach joining founding members Jeff Tweedy and John Stirratt. The 2002 Sam Jones film I Am Trying to Break Your Heart documented the fraught recording and mixing process, personnel changes, and label issues.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eRSD Stores Exclusive 2LP Tracklist:\u003cbr data-mce-fragment=\"1\"\u003eSide A: (YANKEE)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e1. I Am Trying To Break Your Heart (2022 Remaster)\u003cbr data-mce-fragment=\"1\"\u003e2. Kamera (2022 Remaster)\u003cbr data-mce-fragment=\"1\"\u003e3. Radio Cure (2022 Remaster)\u003cstrong\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide B: (HOTEL)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e1. War on War (2022 Remaster)\u003cbr data-mce-fragment=\"1\"\u003e2. Jesus, Etc. (2022 Remaster)\u003cbr data-mce-fragment=\"1\"\u003e3. Ashes Of American Flags (2022 Remaster)\u003cstrong\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide C: (FOXTROT)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Heavy Metal Drummer (2022 Remaster)\u003cbr data-mce-fragment=\"1\"\u003e2. I'm the Man Who Loves You (2022 Remaster)\u003cbr data-mce-fragment=\"1\"\u003e3. Pot Kettle Black (2022 Remaster)\u003cstrong\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide D: (KAMERA)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e1. 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Pot Kettle Black (2022 Remaster) #\u003cstrong\u003e\u003cbr\u003eSide D: (KAMERA)\u003cbr\u003e\u003c\/strong\u003e1. Poor Places (2022 Remaster) #\u003cbr\u003e2. Reservations (2022 Remaster) #\u003cstrong\u003e\u003cbr\u003eDISC 3: AMERICAN AQUARIUM – BUILDING YANKEE HOTEL FOXTROT (PART 1)\u003cbr\u003eSide E: (VENUS)\u003cbr\u003e\u003c\/strong\u003e1. Anniversary (Nothing Up My Sleeve) [American Aquarium Version] *\u003cbr\u003e2. Venus Stopped the Train (American Aquarium Version) *\u003cbr\u003e3. Poor Places (American Aquarium Version 1)\u003cbr\u003e4. I Am Trying to Break Your Heart (American Aquarium Version) *\u003cstrong\u003e\u003cbr\u003eSide F: (AQUARIUM)\u003cbr\u003e\u003c\/strong\u003e1. American Aquarium *\u003cbr\u003e2. Cars Can't Escape (American Aquarium Version) *\u003cbr\u003e3. Kamera (American Aquarium Version) *\u003cbr\u003e4. War on War (American Aquarium Version) *\u003cbr\u003e5. I'm the Man Who Loves You (American Aquarium Version) *\u003cstrong\u003e\u003cbr\u003eDISC 4: American Aquarium – Building Yankee Hotel Foxtrot (Part 1) \/ Here Comes Everybody – Building Yankee Hotel Foxtrot (Part 2)\u003cbr\u003eSide G: (SUGAR)\u003cbr\u003e\u003c\/strong\u003e1. Ashes of American Flags (American Aquarium Version) *\u003cbr\u003e2. Not for the Season (Laminated Cat) [American Aquarium Version] *\u003cbr\u003e3. Shakin' Sugar (American Aquarium Version) * #\u003cbr\u003e4. Let Me Come Home (American Aquarium Version) *\u003cbr\u003e5. Poor Places (American Aquarium Version 2) *\u003cstrong\u003e\u003cbr\u003eSide H: (SEASON)\u003cbr\u003e\u003c\/strong\u003e1. Reservations (American Aquarium Version) *\u003cbr\u003e2. Not for the Season (Laminated Cat) [Here Comes Everybody Version] * #\u003cbr\u003e3. Remember to Remember (Hummingbird) (Here Comes Everybody Version) *\u003cbr\u003e4. I Am Trying to Break Your Heart (Here Comes Everybody Version) *\u003cbr\u003e5. Kamera (Here Comes Everybody Version) *\u003cstrong\u003e\u003cbr\u003eDISC 5: Here Comes Everybody – Building Yankee Hotel Foxtrot (Part 2)\u003cbr\u003eSide I: (TRAIN)\u003cbr\u003e\u003c\/strong\u003e1. Radio Cure (Here Comes Everybody Version) *\u003cbr\u003e2. War on War (Here Comes Everybody Version) *\u003cbr\u003e3. Venus Stopped the Train (Here Comes Everybody Version) * #\u003cbr\u003e4. I'm the Man Who Loves You (Here Comes Everybody Version) *\u003cbr\u003e5. The Good Part (Here Comes Everybody Version) * #\u003cstrong\u003e\u003cbr\u003eSide J: (KETTLE)\u003cbr\u003e\u003c\/strong\u003e1. Pot Kettle Black (Here Comes Everybody Version) *\u003cbr\u003e2. Ashes of American Flags (Here Comes Everybody Version) *\u003cbr\u003e3. Poor Places (Here Comes Everybody Version) *\u003cbr\u003e4. Shakin' Sugar (Here Comes Everybody Version) *\u003cbr\u003e5. Reservations (Here Comes Everybody Version) *\u003cstrong\u003e\u003cbr\u003eDISC 6: Here Comes Everybody – Building Yankee Hotel Foxtrot (Part 2) \/ The Unified Theory Of Everything – Building Yankee Hotel Foxtrot (Part 3)\u003cbr\u003eSide K: (ESCAPE)\u003cbr\u003e\u003c\/strong\u003e1. Cars Can't Escape (Here Comes Everybody Version) * #\u003cbr\u003e2. A Magazine Called Sunset (The Unified Theory of Everything Version) ** #\u003cbr\u003e3. Remember to Remember (Hummingbird) [The Unified Theory of Everything Version] ** #\u003cbr\u003e4. I Am Trying to Break Your Heart (The Unified Theory of Everything Version) ** #\u003cstrong\u003e\u003cbr\u003eSide L: (WAR)\u003cbr\u003e\u003c\/strong\u003e1. Kamera (The Unified Theory of Everything Version) ** #\u003cbr\u003e2. Radio Cure (The Unified Theory of Everything Version) ** #\u003cbr\u003e3. War on War (The Unified Theory of Everything Version) ** #\u003cbr\u003e4. Jesus, Etc. (The Unified Theory of Everything Version) ** #\u003cstrong\u003e\u003cbr\u003eDISC 7: The Unified Theory Of Everything – Building Yankee Hotel Foxtrot (Part 3) \/ lONELY IN THE DEEP END – DEMOS, DRAFTS, ETC.\u003cbr\u003eSide M: (DRUMMER)\u003cbr\u003e\u003c\/strong\u003e1. Ashes of American Flags (Stravinsky Mix) ** #\u003cbr\u003e2. Heavy Metal Drummer (The Unified Theory of Everything Version) ** #\u003cbr\u003e3. I'm The Man Who Loves You (The Unified Theory of Everything Version) **\u003cbr\u003e4. Pot Kettle Black (The Unified Theory of Everything Version) ** #\u003cbr\u003e5. Poor Places (The Unified Theory of Everything Version) ** #\u003cstrong\u003e\u003cbr\u003eSide N: (RESERVATIONS)\u003cbr\u003e\u003c\/strong\u003e1. Reservations (The Unified Theory of Everything Version) ** #\u003cbr\u003e2. Love Will (Let You Down) [Lonely in the Deep End Version] *\u003cbr\u003e3. Lost Poem Demo (Lonely in the Deep End Version) *\u003cbr\u003e4. I’m The Only One Who Lets Her Down (Lonely in the Deep End Version) *\u003cbr\u003e5. Has Anybody Seen My Pencil? (Lonely in the Deep End Version) *\u003cstrong\u003e\u003cbr\u003eDISC 8: Lonely In The Deep End – Demos, Drafts, Etc.\u003cbr\u003eSide O: (MAGAZINE)\u003cbr\u003e\u003c\/strong\u003e1. The Good Part (Lonely in the Deep End Version) *\u003cbr\u003e2. A Magazine Called Sunset (Lonely in the Deep End Version) *\u003cbr\u003e3. A Magazine Called Sunset (Backing Track) [Lonely in the Deep End Version] *\u003cbr\u003e4. Anniversary (Nothing Up My Sleeve) (Lonely in the Deep End Version) *\u003cbr\u003e5. Kamera (Lonely in the Deep End Version) *\u003cstrong\u003e\u003cbr\u003eSide P: (DOOBY)\u003cbr\u003e\u003c\/strong\u003e1. I'm The Man Who Loves You (Lonely in the Deep End Version) *\u003cbr\u003e2. I Am Trying To Break Your Heart (Lonely in the Deep End Version) *\u003cbr\u003e3. Jesus, Etc. (Lonely in the Deep End Version) *\u003cbr\u003e4. Reservations (Backing Track) [Lonely in the Deep End Version] *\u003cbr\u003e5. Let Me Come Home (Synth) [Lonely in the Deep End Version] *\u003cbr\u003e6. Ooby Dooby (Lonely in the Deep End Version) *\u003cstrong\u003e\u003cbr\u003eDISC 9: Snoozin’ At The Pageant – 7\/23\/02 The Pageant, St. Louis, MO\u003cbr\u003eSide Q: (SNOOZIN)\u003cbr\u003e\u003c\/strong\u003e1. I Am Trying to Break Your Heart (Live at The Pageant, St. Louis, MO 7\/23\/02) **\u003cbr\u003e2. I’m the Man Who Loves You (Live at The Pageant, St. Louis, MO 7\/23\/02) **\u003cbr\u003e3. War on War (Live at The Pageant, St. Louis, MO 7\/23\/02) **\u003cbr\u003e4. Kamera (Live at The Pageant, St. Louis, MO 7\/23\/02) **\u003cstrong\u003e\u003cbr\u003eSide R: (PAGEANT)\u003cbr\u003e\u003c\/strong\u003e1. Radio Cure (Live at The Pageant, St. Louis, MO 7\/23\/02) **\u003cbr\u003e2. A Shot in the Arm (Live at The Pageant, St. Louis, MO 7\/23\/02) **\u003cbr\u003e3. She’s a Jar (Live at The Pageant, St. Louis, MO 7\/23\/02) **\u003cstrong\u003e\u003cbr\u003eDISC 10: Snoozin’ At The Pageant – 7\/23\/02 The Pageant, St. Louis, MO\u003cbr\u003eSide S: (RUSTY)\u003cbr\u003e\u003c\/strong\u003e1. I’m Always in Love (Live at The Pageant, St. Louis, MO 7\/23\/02) **\u003cbr\u003e2. Sunken Treasure (Live at The Pageant, St. Louis, MO 7\/23\/02) **\u003cbr\u003e3. Jesus, Etc. (Live at The Pageant, St. Louis, MO 7\/23\/02) **\u003cbr\u003e4. Heavy Metal Drummer (Live at The Pageant, St. Louis, MO 7\/23\/02) **\u003cstrong\u003e\u003cbr\u003eSide T: (SWING)\u003cbr\u003e\u003c\/strong\u003e1. Pot Kettle Black (Live at The Pageant, St. Louis, MO 7\/23\/02) **\u003cbr\u003e2. Ashes of American Flags (Live at The Pageant, St. Louis, MO 7\/23\/02) **\u003cbr\u003e3. Not for the Season (Laminated Cat) [Live at The Pageant, St. Louis, MO 7\/23\/02] **\u003cstrong\u003e\u003cbr\u003eDISC 11: Snoozin’ At The Pageant – 7\/23\/02 The Pageant, St. Louis, MO\u003cbr\u003eSide U: (OUTTASITE)\u003cbr\u003e\u003c\/strong\u003e1. Reservations (Live at The Pageant, St. Louis, MO 7\/23\/02) **\u003cbr\u003e2. California Stars (Live at The Pageant, St. Louis, MO 7\/23\/02) **\u003cbr\u003e3. Red-Eyed and Blue (Live at The Pageant, St. Louis, MO 7\/23\/02) **\u003cbr\u003e4. I Got You (At the End of The Century) [Live at The Pageant, St. Louis, MO 7\/23\/02] **\u003cstrong\u003e\u003cbr\u003eSide V: (WHEEL)\u003cbr\u003e\u003c\/strong\u003e1. Misunderstood (Live at The Pageant, St. Louis, MO 7\/23\/02) **\u003cbr\u003e2. Far, Far Away (Live at The Pageant, St. Louis, MO 7\/23\/02) **\u003cbr\u003e3. Outtasite (Outta Mind) [Live at The Pageant, St. Louis, MO 7\/23\/02] **\u003cbr\u003e4. 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On this, her second consecutive album of original material, following her Nonesuch debut album, Red Dirt Girl, Harris is joined by guests like Linda Ronstadt, Kate and Anna McGarrigle, Gillian Welch, Jane Siberry, Buddy Miller, and Daniel Lanois.\u003cbr\u003e\u003cbr\u003eStumble Into Grace was produced by Malcolm Burn, as was Red Dirt Girl. Like its predecessor and 1995’s Wrecking Ball, which was engineered and mixed by Burn, Stumble Into Grace shows Harris working in a sonic landscape far removed from the more traditional sound of her 1970s and '80s recordings – with her sophisticated songwriting adding an additional dimension to the music. As Newsweek says, ‘Her stellar voice takes on new depth when tied to songs this personal.’\u003cbr\u003e\u003cbr\u003eHarris’s personal history is inscribed in Stumble Into Grace via the participation of female artists from within her musical community. 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I’ll never forget the dusty hills and the grizzled old miner who showed us the nugget around his neck. Just like gold fever, music has always captivated me, captured my heart, and driven me to great lengths to explore its depths. On my new album I dug deep as a songwriter (with Ketch Secor) and co-producer (with Jerry Douglas) and surfaced with a record that celebrates the music of my heart, my life, the land where I grew up, and the stories I heard along the way. I made this record with my band Golden Highway after playing over 100 shows across the country last year. On the road and in the studio, we are inspired by artists such as John Hartford, Gillian Welch and Peter Rowan to name a few, whose records are like family albums to us. Just like them, on this album we chart some new territory along some old familiar ground. The songs span from breakdowns to ballads, fairytales and fiddle tunes, from Yosemite up to the Gold Country and out beyond the mountains. 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The Past Is Still Alive represents a new beginning in Segarra’s lauded evolution as a storyteller. During a period of pain and personal grief, they found inspiration in radical poetry, railroad culture, outsider art, the work of writer Eileen Myles, and the history of activist groups like ACT UP and Gran Fury. Discovering a stronger, more singular style of writing, Segarra uses their lyrics as memory boxes to process their trauma, identity, and dreams for the future. They immortalize and say goodbye to those they have loved and lost, illustrate the many shapes and patterns of time’s passing, and honor the heartbroken and the hopeful parts of themselves, as they deliver a first-person telling of their life so far. It is both a memoir and a roadmap, and though The Past Is Still Alive was made in North Carolina and produced by Brad Cook (Bon Iver, Kevin Morby, Waxahatchee), the Bronx-born, New Orleans-based Segarra brings listeners to places far beyond: vivid experiences of small shops and buffalo stampedes in Santa Fe, childhood road trips to Florida, struggles of addiction in the Lower East Side, days-long journeys to outrun the cops in Nebraska, and more, across their most magnetic collection of songs yet.\u003cbr\u003e\u003cbr\u003e“The Past Is Still Alive is an album grappling with time, memory, love and loss, recorded in Durham, NC a month after losing my Father. ‘Alibi’ is a plea, a last-ditch effort to get through to someone you already know you’re gonna lose. It’s a song to myself, to my Father, almost fooling myself because I know what’s done is done. But it feels good to beg. A reckoning with time and memory. The song is exhausted with loving someone so much it hurts. Addiction separates us. With memories of the Lower East Side in the early 2000s of my childhood, mixed with imagery of the endless West that calls to artists and wanderers.” – Alynda Segarra\/Hurray For The Riff Raff\u003cbr\u003e\u003cbr\u003eThe follow-up to their acclaimed Nonesuch debut, Life on Earth – which landed on Best of 2022 lists from the New York Times, Rolling Stone, NPR Music, Mojo, and Uncut, among others – The Past Is Still Alive sees Hurray For The Riff Raff reunite with Brad Cook, while further expanding their creative cast of collaborators. Anjimile, Conor Oberst, and S.G. Goodman all join Alynda Segarra on vocals at various points throughout the LP, with a band of musicians including Cook, Libby Rodenbough, Matt Douglas, Meg Duffy of Hand Habits, Mike Mogis, Phil Cook, and Yan Westerlund. Mike Mogis also mixed the album, and it was mastered by Heba Kadry.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e\u003cbr\u003e1. Alibi\u003cbr\u003e2. Buffalo \u003cbr\u003e3. Hawkmoon \u003cbr\u003e4. Colossus of Roads \u003cbr\u003e5. Snake Plant (The Past Is Still Alive) \u003cbr\u003e6. Vetiver  \u003cbr\u003e7. Hourglass \u003cbr\u003e8. Dynamo \u003cbr\u003e9. The World Is Dangerous \u003cbr\u003e10. Ogallala \u003cbr\u003e11. Kiko Forever\u003c\/p\u003e","brand":"TEN","offers":[{"title":"Limited LP (Orange Vinyl)","offer_id":47371592630589,"sku":"0075597902587","price":29.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":47371592859965,"sku":"0075597902594","price":6.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/ThePastIsStillAlive.jpg?v=1699959018"},{"product_id":"ohio-players","title":"Ohio Players","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Black Keys\u003c\/b\u003e kick off the New Year with the release of their new single \u003cb data-mce-fragment=\"1\"\u003e‘Beautiful People (Stay High)’\u003c\/b\u003e.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003eThe song arrives alongside the announcement of the multiple-Grammy Award-winning, Akron, Ohio natives’ twelfth studio album, \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eOhio Players\u003c\/i\u003e\u003c\/b\u003e.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eWritten by The Black Keys’ Dan Auerbach and Patrick Carney with longtime friends Dan “The Automator” Nakamura and Beck, the celebratory, joyful ‘Beautiful People (Stay High)’ is one of several songs on the album that feature collaborations between the band and various additional friends and colleagues, including Noel Gallagher, Greg Kurstin, and others.  Speaking on the collaborative nature of the album, Carney shares, “We had this epiphany: ‘We can call our friends to help us make music.’\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003eIt’s funny because we both write songs with other people – Dan all the time [as a solo artist and producer], me when I'm producing a record.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003eThat’s what we do.”\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eAuerbach adds, “No matter who we work with, it never feels like we're sacrificing who we are. It only feels like it adds some special flavor.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003eWe just expanded that palette with people we wanted to work with.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003eWe were there to support them and their ideas, to do whatever we could to see that moment flourish.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003eBut when it came time to finish the album, it was just Pat and me.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003eWe'd never worked harder to make a record,” he continues.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003e“It's never taken us this long to make an album. We took our time and did it right.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e“What we wanted to accomplish with this record was make something that was fun,” Carney says.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003e“And something that most bands 20 years into their career don’t make, which is an approachable, fun record that is also cool.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eWhile making \u003ci data-mce-fragment=\"1\"\u003eOhio Players\u003c\/i\u003e, a title inspired by the legendary Dayton, OH funk band of the same name, The Black Keys were also DJing dance parties in cities around the world that they called “record hangs”, spinning 45s from their own eclectic and growing collections.  \u003ci data-mce-fragment=\"1\"\u003eMojo\u003c\/i\u003e reports, ‘The spirit of those parties infused the album’s DNA.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003e‘That’s been the fun of it,’ [says] Auerbach. ‘Letting go a little bit.’”\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e2LP (Trophy Edition):\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis deluxe edition of the band’s twelfth studio album is a two LP set, in a gatefold jacket, with an alternate cover and new album sequencing.  The set includes a new song, \u003c\/span\u003e\u003cb\u003e‘Mi Tormenta’ \u003c\/b\u003e\u003cspan\u003efeaturing the band’s singer\/guitarist Dan Auerbach and \u003c\/span\u003e\u003cb\u003eDannyLux\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eboth singing in Spanish, a first on a Black Keys record.  Other special guests on the new \u003c\/span\u003e\u003ci\u003eTrophy Edition\u003c\/i\u003e\u003cspan\u003e tracks, in addition to the many collaborations on the original \u003c\/span\u003e\u003ci\u003eOhio Players\u003c\/i\u003e\u003cspan\u003e songs, include \u003c\/span\u003e\u003cb\u003eAlice Cooper\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eBeck\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eLP\/CD:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003eThis Is Nowhere    \u003cbr\u003eDon’t Let Me Go    \u003cbr\u003eBeautiful People (Stay High)    \u003cbr\u003eOn The Game    \u003cbr\u003eOnly Love Matters    \u003cbr\u003eCandy and Her Friends    \u003cbr\u003eI Forgot To Be Your Lover    \u003cbr\u003ePlease Me (Till I’m Satisfied)    \u003cbr\u003eYou’ll Pay    \u003cbr\u003ePaper Crown    \u003cbr\u003eLive Till I Die    \u003cbr\u003eRead Em And Weep    \u003cbr\u003eFever Tree    \u003cbr\u003eEvery Time You Leave\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e2LP (Trophy Edition):\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003eSide A:\u003cbr\u003e1.     This Is Nowhere\u003cbr\u003e2.     Don’t Let Me Go\u003cbr\u003e3.     Beautiful People (Stay High)\u003cbr\u003e4.     On The Game\u003c\/p\u003e\n\u003cp\u003eSide B:\u003cbr\u003e1.     Sin City*\u003cbr\u003e2.     Candy And Her Friends (feat. Lil Noid)\u003cbr\u003e3.     Read Em And Weep\u003cbr\u003e4.     I Forgot To Be Your Lover\u003cbr\u003e5.     Only Love Matters\u003c\/p\u003e\n\u003cp\u003eSide C:\u003cbr\u003e1.     Every Time You Leave\u003cbr\u003e2.     Mi Tormenta (feat. DannyLux)*\u003cbr\u003e3.     You’ll Pay\u003cbr\u003e4.     Paper Crown (feat. Beck and Juicy J)\u003c\/p\u003e\n\u003cp\u003eSide D:\u003cbr\u003e1.     Live Till I Die\u003cbr\u003e2.     Stay in Your Grave (feat. Alice Cooper)*\u003cbr\u003e3.     Please Me (Till I’m Satisfied)\u003cbr\u003e4.     Fever Tree\u003cbr\u003e5.     I’m With The Band (feat. Beck)*\u003c\/p\u003e\n\u003cp\u003e*Previously unreleased\u003c\/p\u003e","brand":"TEN","offers":[{"title":"LP","offer_id":47667634045245,"sku":"0075597906196","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"2LP (Trophy Edition) [Released: 15\/11\/24]","offer_id":49459806404925,"sku":"0075597900538","price":41.99,"currency_code":"GBP","in_stock":false},{"title":"Limited LP (Transparent Red Vinyl)","offer_id":47667634012477,"sku":"0075597900262","price":32.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":47667634078013,"sku":"0075597900149","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/OhioPlayers.jpg?v=1705065551"},{"product_id":"amelia-1","title":"Amelia","description":"\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003eNonesuch Records releases Laurie Anderson’s Amelia, the 2024 Grammy Lifetime Achievement Award recipient's first new album since 2018’s Grammy-winning Landfall.  The record comprises 22 tracks about renowned female aviator Amelia Earhart’s tragic last flight.  Anderson, who Pitchfork says, ‘sees the future, but she starts by paying attention’, wrote the music and lyrics for this subjective narrative piece.  On the album, she is joined by the Czech orchestra Filharmonie Brno, conducted by Dennis Russell Davies, and Anohni, Gabriel Cabezas, Rob Moose, Ryan Kelly, Martha Mooke, Marc Ribot, Tony Scherr, Nadia Sirota, and Kenny Wolleson.  \u003c\/p\u003e\n\u003cp\u003eEarhart was a passionate pioneer of early aviation, achieving fame as the first woman to cross the Atlantic, in 1932.  Five years later, she embarked on a flight around the world. Before she could complete the voyage, her plane disappeared without a trace; it has never been found.  “The words used in Amelia are inspired by her pilot diaries, the telegrams she wrote to her husband, and my idea of what a woman flying around the world might think about,” Anderson says.  First premiered at Carnegie Hall in 2000, the updated piece was recently performed across Europe.  \u003c\/p\u003e\n\u003cp\u003eLaurie Anderson is one of America’s most renowned – and daring – creative pioneers.  Her work, which encompasses music, visual art, poetry, film, and photography, has challenged and delighted audiences around the world for more than 40 years.  In a recent 60 Minutes profile, Anderson Cooper said she ‘is a pioneer of the avant-garde, but ... that doesn’t begin to describe what she creates.  Her work isn’t sold in galleries.  It’s experienced by audiences who come to see her perform: singing, telling stories, and playing strange violins of her own invention...  she [blends] the beautiful and the bizarre, challenging audiences with homilies and humor.  She blurs boundaries across music, theater, dance, and film.’  The Washington Post has said she ‘doesn’t just tell stories; she draws out every word with a kind of physical pleasure, tasting its flavor as she probes the everyday mysteries of life,’ and the Guardian has called Anderson ‘one of the great popular artists and storytellers of our time.’\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e    1. To Circle the World\u003cbr\u003e    2. I See Something Shining\u003cbr\u003e    3. Takeoff\u003cbr\u003e    4. Aloft\u003cbr\u003e    5. San Juan\u003cbr\u003e    6. Brazil\u003cbr\u003e    7. Crossing The Equator\u003cbr\u003e    8. The Badlands\u003cbr\u003e    9. Waves of Sand\u003cbr\u003e    10. The Letter\u003cbr\u003e    11. India And On Down to Australia\u003cbr\u003e    12. This Modern World\u003cbr\u003e    13. Flying at Night\u003cbr\u003e    14. The Word for Woman\u003cbr\u003e    15. Road to Mandalay\u003cbr\u003e    16. Broken Chronometers\u003cbr\u003e    17. Nothing But Silt\u003cbr\u003e    18. The Wrong Way\u003cbr\u003e    19. Fly Into the Sun\u003cbr\u003e    20. Howland Island\u003cbr\u003e    21. Radio\u003cbr\u003e    22. Lucky Dime\u003c\/p\u003e","brand":"TEN","offers":[{"title":"LP","offer_id":48973349355837,"sku":"0075597909340","price":29.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":48973349388605,"sku":"0075597904765","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/Amelia.jpg?v=1718722681"},{"product_id":"a-ghost-is-born-deluxe-edition","title":"A Ghost Is Born (Deluxe Edition)","description":"\u003cp class=\"MsoNormal\" align=\"center\"\u003e\u003cspan\u003e'Another engrossing, unorthodox record.  With the low-key yet magnificent \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eA Ghost Is Born\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e Tweedy's offering plenty more reasons to believe in the redemptive powers of Wilco.’ – \u003c\/span\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eMojo \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\"\u003e\u003cspan\u003e‘There's a sense that every note and sound on\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e Ghost\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, even the spontaneous ones, have been selected for private but rigorous reasons.  A drum tap here, a glimmering hammer dulcimer there, a jab of distorted guitar, an echo suddenly opening new spaces – on Ghost, they say what words cannot.’ – \u003c\/span\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eRolling Stone\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\"\u003e\u003cspan\u003e‘Spectacular.  Their most engaging album yet.  Wilco are getting closer and closer to their essence.’ – \u003c\/span\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eUncut \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eNonesuch releases a deluxe edition of \u003cb\u003eWilco\u003c\/b\u003e’s 2004 Grammy Award–winning album \u003cb\u003e\u003ci\u003eA Ghost Is Born\u003c\/i\u003e\u003c\/b\u003e.  The box set comprises either nine vinyl LPs and four CDs or nine CDs – including the original album, alternates, outtakes, and demos, charting the making of \u003ci\u003eA Ghost Is Born\u003c\/i\u003e – plus the complete 2004 concert recording from Boston’s Wang Center and the band’s “fundamentals” workshop sessions.  It includes 65 previously unreleased music tracks as well as a 48-page hardcover book with previously unpublished photos and a new liner note by Grammy-winning writer Bob Mehr.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eA Ghost Is Born \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003ewas released commercially on June 22, 2004, debuting at No. 8 on the \u003ci\u003eBillboard \u003c\/i\u003echart.  The album, which Mehr calls ‘an eclectic array of dark ballads, upbeat pop songs, Krautrock chug, noise rock freakouts, and roots rock abandon,’ was widely acclaimed as one of 2004’s best, appearing in year-end lists of \u003ci\u003eMojo\u003c\/i\u003e, NPR, \u003ci\u003eNME\u003c\/i\u003e, the Associated Press, \u003ci\u003eThe \u003c\/i\u003e\u003ci\u003eWire\u003c\/i\u003e, \u003ci\u003eRolling Stone\u003c\/i\u003e, the \u003ci\u003eVillage Voice\u003c\/i\u003e, and \u003ci\u003eUncut\u003c\/i\u003e, among many others.  The album earned the band its first Grammy, for Best Alternative Music Album.  The album also won a Grammy for Best Recording Package.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFor the \u003ci\u003eA Ghost Is Born \u003c\/i\u003erecording, Wilco was Jeff Tweedy, John Stirratt, Leroy Bach, Glenn Kotche, and Mikael Jorgensen; Jim O’Rourke, who mixed the band’s previous release \u003ci\u003eYankee Hotel Foxtrot\u003c\/i\u003e, co-produced the album with Wilco.  Leroy Bach left Wilco at the completion of the sessions and the band announced the addition of two new members: Pat Sansone and Nels Cline.  Sansone and Cline toured with Wilco to promote\u003ci\u003e A Ghost Is Born\u003c\/i\u003e and that lineup has remained unchanged since 2004.  As Tweedy said to Mehr for his new liner note, “Making that record, and then finding this lineup, that was the start of something – of having a band that can play anything.  That’s why, 20 years later, we’re still here and still going.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWilco first began sessions for what would become \u003ci\u003eA Ghost Is Born \u003c\/i\u003ein early 2002 at Chicago’s Soma E.M.S., where they had mixed \u003ci\u003eYankee Hotel Foxtrot\u003c\/i\u003e.  Much of the album was tracked live in the studio with O’Rourke and engineer Chris Shaw.  They also reunited there with engineer and soon-to-be-bandmate Mikael Jorgensen.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAt Soma, the band began sketching out music using Tweedy’s notebooks of lyrics, poetry, and prose.  Mehr notes: ‘In between more traditional song tracking, the group would engage in a series of conceptual improvisations in the studio.  These musical experiments, broadly known as ‘Fundamentals’… were part of what Kotche said was ‘an attempt to search for a new group identity. To see what we could make this band into.’’\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIn the fall of 2003, the band relocated to New York to finish recording at Sear Sound.  “It seemed like the band needed to get out of Chicago, get out of the working mode they’d been in, and only be thinking about making a record,” O’Rourke told Mehr.  There, playing together in the corner of a large studio, the album began to take its final shape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEmerging from a period of addiction and rehab, Tweedy discussed how he feels about \u003ci\u003eA Ghost Is Born \u003c\/i\u003ein retrospect.  As he told Mehr, “I was worried the album was going to feel like something dark and not me anymore.  But the album was ahead of me as a person.  It was the part of me that I was trying to preserve – enthusiastic and furious about the world, as well as open and loving.  I reached that in the music, before I could get there emotionally on my own.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eA Ghost Is Born \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003ewas the second Wilco release on Nonesuch Records, preceded by the landmark \u003ci\u003eYankee Hotel Foxtrot\u003c\/i\u003e.  The relationship with Nonesuch would last nearly a decade and include two more studio albums – \u003ci\u003eSky Blue Sky\u003c\/i\u003e and \u003ci\u003eWilco (the album)\u003c\/i\u003e – along with a live album and a live DVD, plus reissues of earlier records, before Wilco began its own label, dBpm.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"gmail-WordSection2\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eLP Disc 1: A Ghost Is Born\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003eSide A:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e1. \u003c\/span\u003e\u003cspan\u003eAt Least That’s What You Said\u003c\/span\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e2. Hell Is Chrome\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e3. \u003c\/span\u003e\u003cspan\u003eSpiders (Kidsmoke)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003eSide B:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e4. \u003c\/span\u003e\u003cspan\u003eMuzzle of Bees\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e5.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eHummingbird\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e6.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eHandshake Drugs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eLP Disc 2: A Ghost Is Born\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003eSide C:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e7. Wishful Thinking\u003c\/span\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e8. Company in My Back\u003c\/span\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e9. I’m a Wheel\u003c\/span\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e10. Theologians\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003eSide D:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e11. Less Than You Think\u003c\/span\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e12. The Late Greats\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eLP Disc 3: \u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003edBpm: Outtakes\/Alternates 1\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003eSide E:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e13. At Least That’s What You Said (8\/13\/02 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e14. Hell Is Chrome (10\/5\/03 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e15. Spiders (Kidsmoke) (9\/28\/03 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e16. Muzzle Of Bees (7\/15\/03 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003eSide F:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e17. Hummingbird (2\/8\/02 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e18. Handshake Drugs (11\/13\/03 Sear Sound-NYC)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e19. Wishful Thinking (11\/1\/03 Sear Sound-NYC)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e20. Company In My Back (2\/8\/03 Hothouse-St. Kilda, Melbourne, Australia)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eLP Disc 4: \u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003edBpm: Outtakes\/Alternates 1\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003eSide G:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e21. I’m A Wheel (August 2002 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e22. Theologians (3\/19\/03 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e23. Less Than You Think (11\/11\/03 Sear Sound-NYC)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e24. The Late Greats (7\/19\/03 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e25. Kicking Television (3\/18\/03 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e26. The High Heat (2\/5\/02 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003eSide H:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e27. \u003c\/span\u003e\u003cspan\u003ePanthers\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(March 2003 SOMA-Chicago)\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e28. \u003c\/span\u003e\u003cspan\u003eDiamond Claw\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(3\/21\/03 SOMA-Chicago)\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e29. \u003c\/span\u003e\u003cspan\u003eBob Dylan’s 49th Beard\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(June 2002 SOMA-Chicago)\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e30. \u003c\/span\u003e\u003cspan\u003eMore Like The Moon \u003c\/span\u003e\u003ca name=\"_Hlk182931655\"\u003e\u003c\/a\u003e\u003cspan\u003e(2\/8\/02 SOMA-Chicago)\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e31.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eImprobable Germany\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(10\/7\/03 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eLP Disc 5: Unstitched: Outtakes\/Alternates 2\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003eSide I:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e32. Handshake Drugs (First Version) (6\/26\/02 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e33. Hummingbird (February 2002 recorded live during tracking at SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e34. The High Heat (2\/4\/02 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e35. Spiders (Kidsmoke) (February 2002 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003eSide J:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e36. Diamond Claw (March 2003 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e37. Muzzle Of Bees (October 2003 Sear Sound-NYC)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e38. Like A Stone (11\/10\/03 Sear Sound-NYC)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e39. Leave Me (Like You Found Me) (6\/26\/02 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e40. Losing Interest (11\/11\/03 Sear Sound-NYC)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eLP Disc 6: Unstitched: Outtakes\/Alternates 2\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003eSide K:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e41. Old Maid (6\/26\/02 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e42. Spiders (Kidsmoke) (August 2002 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e43. Panthers (October 2003 Sear Sound-NYC)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e44. Muzzle Of Bees (7\/16\/03 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e45. Diamond Claw (10\/9\/03 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003eSide L:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e46. Losing Interest\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(7\/20\/03 SOMA-Chicago)\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e47. Spiders (Kidsmoke)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(October 2003 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e48. The Thanks I Get\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(6\/26\/02 SOMA-Chicago)\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e49. Two Hat Blues\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(March 2003 SOMA-Chicago)\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e50. Improbable Germany\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(January 2002 Pre-Production Loft session-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eLP Disc 7: \u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eThe Hook at The Wang (Live October 1, 2004 at the Wang Center-Boston, MA)\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003eSide M:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e51. Muzzle Of Bees\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e52. Company In My Back\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e53. I Am Trying To Break Your Heart\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e54. A Shot In The Arm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003eSide N:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e55. Hell Is Chrome\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e56. Handshake Drugs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e57. Jesus, Etc.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e58. Hummingbird\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eLP Disc 8: \u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eThe Hook at The Wang (Live October 1, 2004 at the Wang Center-Boston, MA)\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003eSide O:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e59. I’m Always In Love\u003c\/span\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e60. At Least That’s What You Said\u003c\/span\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e61. Ashes Of American Flags\u003c\/span\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e62. Theologians\u003c\/span\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003eSide P:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e63. I’m The Man Who Loves You\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e64. Poor Places\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e65. Spiders (Kidsmoke)\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eLP Disc 9: \u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eThe Hook at The Wang (Live October 1, 2004 at the Wang Center-Boston, MA)\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003eSide Q:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e66. She’s A Jar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e67. A Magazine Called Sunset\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e68. Kingpin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e69. The Late Greats\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003eSide R:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e70. I’m A Wheel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e71. Via Chicago\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e72. California Stars\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e73. Christ For President\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eCD 1: \u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eFundamentals 1 \u0026amp; 2\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e74. Fundamental 1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e75. Fundamental 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eCD 2: \u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eFundamentals 3 \u0026amp; 4\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e76. Fundamental 3\u003cb\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e77. Fundamental 4\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eCD 3: \u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eFundamentals 5 \u0026amp; 6\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e78. Fundamental 5\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e79. Fundamental 6\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eCD 4: \u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eFundamental 7\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e80. Fundamental 7\u003ca name=\"_heading=h.30j0zll\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eA Ghost Is Born (EXPANDED EDITION) | 2CD (\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003e0075597899023)\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cb\u003e\u003cu\u003e\u003cspan\u003e\u003cbr clear=\"all\"\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\n\u003cdiv class=\"gmail-WordSection3\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eCD 1: A GHOST IS BORN\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e1. \u003c\/span\u003e\u003cspan\u003eAt Least That’s What You Said\u003c\/span\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e2. Hell Is Chrome\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e3. \u003c\/span\u003e\u003cspan\u003eSpiders (Kidsmoke)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e4. \u003c\/span\u003e\u003cspan\u003eMuzzle of Bees\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e5.\u003c\/span\u003e\u003cspan\u003e Hummingbird\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e6.\u003c\/span\u003e\u003cspan\u003e Handshake Drugs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e7. Wishful Thinking\u003c\/span\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e8. Company in My Back\u003c\/span\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e9. I’m a Wheel\u003c\/span\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e10. Theologians\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e11. Less Than You Think\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e12. The Late Greats\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003ecd 2: \u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003edBpm: Outtakes\/Alternates\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e13. At Least That’s What You Said (8\/13\/02 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e14. Hell Is Chrome (10\/5\/03 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e15. Spiders (Kidsmoke) (9\/28\/03 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e16. Muzzle Of Bees (7\/15\/03 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e17. Hummingbird (2\/8\/02 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e18. Handshake Drugs (11\/13\/03 Sear Sound-NYC)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e19. Wishful Thinking (11\/1\/03 Sear Sound-NYC)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e20. Company In My Back (2\/8\/03 Hothouse-St. Kilda, Melbourne, Australia)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e21. I’m A Wheel (August 2002 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e22. Theologians (3\/19\/03 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e23. Less Than You Think (11\/11\/03 Sear Sound-NYC)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e24. The Late Greats (7\/19\/03 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e25. Kicking Television (3\/18\/03 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e26. The High Heat (2\/5\/02 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e27. \u003c\/span\u003e\u003cspan\u003ePanthers\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(March 2003 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e28. \u003c\/span\u003e\u003cspan\u003eDiamond Claw\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(3\/21\/03 SOMA-Chicago)\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e29. \u003c\/span\u003e\u003cspan\u003eBob Dylan’s 49th Beard\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(June 2002 SOMA-Chicago)\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e30. \u003c\/span\u003e\u003cspan\u003eMore Like The Moon \u003c\/span\u003e\u003cspan\u003e(2\/8\/02 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e31.\u003c\/span\u003e\u003cspan\u003e Improbable Germany\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(10\/7\/03 SOMA-Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cspan\u003e\u003cbr clear=\"all\"\u003e\u003c\/span\u003e\n\u003cdiv class=\"gmail-WordSection4\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eA Ghost Is Born | 2LP (\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003e0075597899047)\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cb\u003e\u003cu\u003e\u003cspan\u003e\u003cbr clear=\"all\"\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eLP Disc 1: A Ghost Is Born\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003eSide A:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e1. \u003c\/span\u003e\u003cspan\u003eAt Least That’s What You Said\u003c\/span\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e2. Hell Is Chrome\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e3. \u003c\/span\u003e\u003cspan\u003eSpiders (Kidsmoke)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003eSide B:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e4. \u003c\/span\u003e\u003cspan\u003eMuzzle of Bees\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e5.\u003c\/span\u003e\u003cspan\u003e Hummingbird\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e6.\u003c\/span\u003e\u003cspan\u003e Handshake Drugs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan\u003eLP Disc 2: A Ghost Is Born\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003eSide C:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e7. Wishful Thinking\u003c\/span\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e8. Company in My Back\u003c\/span\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e9. I’m a Wheel\u003c\/span\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e10. Theologians\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cu\u003e\u003cspan\u003eSide D:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e11. Less Than You Think\u003c\/span\u003e\u003cu\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e12. The Late Greats\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"TEN","offers":[{"title":"2LP","offer_id":49600718700861,"sku":"0075597899047","price":38.99,"currency_code":"GBP","in_stock":true},{"title":"2CD","offer_id":49600718733629,"sku":"0075597899023","price":16.99,"currency_code":"GBP","in_stock":true},{"title":"9LP+4CD","offer_id":49600718635325,"sku":"0075597899009","price":214.99,"currency_code":"GBP","in_stock":false},{"title":"9CD","offer_id":49600718668093,"sku":"0075597899016","price":119.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/AGhostIsBorn_2024.jpg?v=1732121790"},{"product_id":"collected-works","title":"Collected Works","description":"\u003cp align=\"center\" class=\"MsoNormal\"\u003e\u003cspan\u003e‘There’s just a handful of living composers who can legitimately claim to have altered the direction of musical history and Steve Reich is one of them.’ – \u003cb\u003e\u003ci\u003eGuardian\u003c\/i\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eNonesuch Records releases \u003cb\u003e\u003ci\u003eSteve Reich Collected Works\u003c\/i\u003e\u003c\/b\u003e, a 27-disc box set featuring music recorded during his 40 years on the label. The collection represents six decades of Reich’s compositions, ranging from \u003ci\u003eIt’s Gonna Rain\u003c\/i\u003e (1965) to first recordings of his two latest works: \u003cb\u003e\u003ci\u003eJacob’s Ladder\u003c\/i\u003e \u003c\/b\u003e(2023) and \u003cb\u003e\u003ci\u003eTraveler’s Prayer\u003c\/i\u003e\u003c\/b\u003e (2020). \u003ci\u003e \u003c\/i\u003eTwo extensive booklets contain new essays by longtime Nonesuch President Robert Hurwitz, conductor Michael Tilson Thomas, Steve Reich and Musicians percussionist Russell Hartenberger, producer Judith Sherman, and composer Nico Muhly, as well as a comprehensive listener’s guide by pianist and composer Timo Andres.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eNonesuch made its first record with Steve Reich in 1985.  He was signed exclusively to the label that year, and since then the company has released 22 all-Reich albums, two retrospectives, and two remix releases.  Among his many honours, two of \u003c\/span\u003e\u003cspan\u003eReich’s Nonesuch records, \u003ci\u003eDifferent Trains \u003c\/i\u003eand \u003ci\u003eMusic for 18 Musicians\u003c\/i\u003e, won Grammy Awards and his \u003ci\u003eDouble Sextet \u003c\/i\u003erecording for the label won a Pulitzer Prize. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e“I first heard \u003ci\u003eMusic for 18 Musicians\u003c\/i\u003e when I was in my mid-twenties, at a moment when I was still in the process of figuring out my own taste in contemporary music.  I wasn’t yet certain what modern classical music really meant, nor was I sure how it stacked up against work from the past.”   Hurwitz says in his liner note.  “\u003ci\u003eMusic for 18 Musicians\u003c\/i\u003e was an event of such immense importance that it changed how I felt not only about Steve, but about minimalism, modernism and, in some respects, classical music.  \u003ci\u003eMusic for 18\u003c\/i\u003e was a piece that could sweep listeners up with its non-stop kinetic activity, its opulent sound, its rhythmic invention, its stunning architecture.  But only years later did I recognize what drew me in to such an intense degree: it was harmony.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e“Here were the kinds of colors and voicings I loved in the earlier twentieth-century music of Stravinsky and Bartók and others, but had found missing in practically all of the new music I had been hearing for years.  It was the key that unlocked the music of modern times for me,” Hurwitz continues.  “It now seemed possible to love contemporary music.  With \u003ci\u003eMusic for 18 Musicians\u003c\/i\u003e, Steve suddenly flung open a door to the possibilities of what a modern composer could be in our time.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eReich also has become a significant mentor of the younger generation of American composers.  “This music is as part of my artistic ecosystem as air is to my respiratory system, and I can’t imagine saying anything about it which wouldn’t somehow get its importance wrong,” composer Nico Muhly says in his liner note.  “Steve once told me that the trick is to ‘find your band’, the group of instruments that form the core of your musical language, and this is advice I pass on to all younger composers who cross my path.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eComposer and pianist Timo Andres adds, “It is Steve Reich, perhaps more than any other musician, who prefigured our ideas of a twenty-first-century composer...  For audiences, too, Reich has proven that contemporary music can thrive outside the insular world of its own practitioners. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e“On initial approach, Reich’s music appears both friendly and a little forbidding, its surfaces immaculate, polished, yet also playful and viscerally beautiful...  It exudes a specific kind of energy in live performance as well,” he continues.  “Watching an ensemble play \u003ci\u003eMusic for 18 Musicians\u003c\/i\u003e, for example, one has the sense of observing a utopian society in miniature, a mass of people working towards a common goal with no apparent leader.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSteve Reich has been called ‘the most original musical thinker of our time’ (\u003ci\u003eNew Yorker\u003c\/i\u003e) and ‘among the great composers of the century’ (\u003ci\u003eNew York Times\u003c\/i\u003e).  Starting in the 1960s, his pieces \u003ci\u003eIt’s Gonna Rain\u003c\/i\u003e, \u003ci\u003eDrumming\u003c\/i\u003e, \u003ci\u003eMusic for 18 Musicians\u003c\/i\u003e, \u003ci\u003eTehillim\u003c\/i\u003e, \u003ci\u003eDifferent Trains\u003c\/i\u003e, and many others helped shift the aesthetic center of musical composition worldwide away from extreme complexity and towards rethinking pulsation and tonal attraction in new ways.  He continues to influence younger generations of composers and mainstream musicians and artists all over the world.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIn addition to his Grammy Awards and Pulitzer Prize, Reich received the Praemium Imperiale in Tokyo, the Polar Music Prize in Stockholm, the Golden Lion at the Venice Biennale, the BBVA Foundation Frontiers of Knowledge award in Madrid, the Debs Composer’s Chair at Carnegie Hall, and the Gold Medal in Music from the American Academy of Arts and Letters.  He has been named Commandeur de l’Ordre des Arts et des Lettres in France, and awarded honorary doctorates by the Royal College of Music in London, the Juilliard School in New York, and the Liszt Academy in Budapest, among others.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eOne of the most frequently choreographed composers, several noted choreographers have created dances to his music, including Anne Teresa de Keersmaeker, Jirí Kylián, Jerome Robbins, Justin Peck, Wayne McGregor, Benjamin Millepied, and Christopher Wheeldon.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eReich’s documentary video opera works – \u003ci\u003eThe Cave\u003c\/i\u003e and \u003ci\u003eThree Tales\u003c\/i\u003e, done in collaboration with video artist Beryl Korot – opened new directions for music theater and have been performed on four continents.  His work \u003ci\u003eQuartet\u003c\/i\u003e, for percussionist Colin Currie, sold out two consecutive concerts at Queen Elizabeth Hall in London shortly after tens of thousands at the Glastonbury Festival heard Jonny Greenwood (of Radiohead) perform \u003ci\u003eElectric Counterpoint\u003c\/i\u003e, followed by the London Sinfonietta performing his \u003ci\u003eMusic for 18 Musicians\u003c\/i\u003e. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eNonesuch Records has historically had close relationships with modern composers.  During the years of the label’s first president, Tracey Sterne, it made multiple recordings of Elliott Carter, George Crumb, Charles Wuorinen, and William Bolcom.  Since 1985, Nonesuch has made multiple recordings of works by Philip Glass, Stephen Sondheim, Laurie Anderson, Caroline Shaw, Louis Andriessen, John Zorn, Adam Guettel, Henryk Górecki, Timo Andres, Nico Muhly, and Donnacha Dennehy.  For John Adams, like Steve Reich, Nonesuch has recorded every new piece of his music since 1985; the label released a collection of his complete works in 2022.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWhile Nonesuch recordings comprise 24 of the 27 discs in \u003ci\u003eCollected Works\u003c\/i\u003e, the set also includes recordings licensed from other labels: Mahan Esfahani’s recording of \u003ci\u003ePiano Phase \u003c\/i\u003e(Deutsche Grammophon); Ensemble Avantgarde’s recording of \u003ci\u003ePendulum Music \u003c\/i\u003e(Wergo); Art Murphy, Jon Gibson, Steve Chambers, Philip Glass, and Steve Reich’s recording of \u003ci\u003eFour Organs \u003c\/i\u003eand Murphy, Gibson, Chambers, and Reich’s recording of \u003ci\u003ePhase Patterns \u003c\/i\u003e(Shandar); Andreas Hartmann and Waltraut Wächter’s recording of \u003ci\u003eDuet\u003c\/i\u003e with MDR-Sinfonieorchester led by Kristjan Järvi (Sony Classical); Steve Reich and Musicians’ recordings of \u003ci\u003eMusic for Mallet Instruments, Voices and Organ \u003c\/i\u003eand\u003ci\u003e Six Pianos \u003c\/i\u003e(Deutsche Grammophon); San Francisco Symphony and conductor Edo de Waart’s recording of \u003ci\u003eVariations for Winds, Strings and Keyboards \u003c\/i\u003e(Philips); Ransom Wilson’s recording of \u003ci\u003eVermont Counterpoint \u003c\/i\u003e(Angel); and Ensemble Signal’s recording of \u003ci\u003eMusic for 18 Musicians \u003c\/i\u003e(Harmonia Mundi).\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 1 – Early Works\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eCome Out\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1966)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003ePiano Phase\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1967)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDouble Edge\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eNurit Tilles, Edmund Niemann, pianos\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eClapping Music\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1972)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRussell Hartenberger, Steve Reich, hand claps \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eIt’s Gonna Rain (\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e1965)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePart I\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePart II\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 2 – Early Works II\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003ePiano Phase\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1967)\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eVersion for harpsichord by Mahan Esfahani (2014)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMahan Esfahani, harpsichord\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003ePendulum Music\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1968)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEnsemble Avantgarde\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMartin Demmler, Steffen Schleiermacher, performers\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eFour Organs\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1970)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eArt Murphy, Philip Glass, Steve Chambers, Steve Reich, electric organs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJon Gibson, maracas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003ePhase Patterns\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1970)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eArt Murphy, Jon Gibson, Steve Chambers, Steve Reich, electric organs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 3 – Drumming\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eDrumming\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1970–71)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePart I\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePart II\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePart III\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePart IV\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSteve Reich and Musicians\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBob Becker, Ben Harms, Russell Hartenberger, Garry Kvistad, James Preiss, Steve Reich, Gary Schall, Glen Velez, Thad Wheeler, tuned drums, marimbas, glockenspiels\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePamela Wood Ambush, Jay Clayton, voices\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSteve Reich, whistling\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMort Silver, piccolo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 4 – Early Works III\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eDuet \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(1993)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAndreas Hartmann, Waltraut Wächter, violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMDR-Sinfonieorchester\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eKristjan Järvi, conductor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eMusic for Mallet Instruments, Voices and Organ\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1973)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSteve Reich and Musicians\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRussell Hartenberger, Bob Becker, Tim Ferchen, Steve Reich, marimbas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGlen Velez, Ben Harms, glockenspiels\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJames Preiss, metallophone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJanice Jarrett, Joan LaBarbara, voices (long tones)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJay Clayton, voice (melodic patterns)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSteve Chambers, electric organ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eSix Pianos\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1973)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSteve Reich and Musicians\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSteve Chambers, James Preiss, Russell Hartenberger, Bob Becker, Steve Reich,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGlen Velez, pianos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eVariations for Winds, Strings and Keyboards (1979)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSan Francisco Symphony\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEdo de Waart, conductor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eVermont Counterpoint\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1982)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRansom Wilson, piccolo, flute, alto flute\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 5 – Music For 18 Musicians\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eMusic for 18 Musicians\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1974–76)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePulses\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection I\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection II\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection IIIA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection IIIB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection IV\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection V\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection VI\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection VII\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection VIII\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection IX\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection X\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection XI\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePulses II\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSteve Reich and Musicians\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRebecca Armstrong, Marion Beckenstein, Cheryl Bensman-Rowe, voices\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJay Clayton, voice, piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRussell Hartenberger, Bob Becker, Tim Ferchen, marimbas, xylophones\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJames Preiss, vibraphone, piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGarry Kvistad, marimba, xylophone, piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSteve Reich, marimba, piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThad Wheeler, marimba, maracas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eNurit Tilles, Edmund Niemann, pianos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePhilip Bush, piano, maracas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eElizabeth Lim, violin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJeanne LeBlanc, cello\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLeslie Scott, Evan Ziporyn, clarinets, bass clarinets\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 6 – New York Counterpoint, Eight Lines, Four Organs\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eNew York Counterpoint\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1985)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eI. Fast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eII. Slow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIII. Fast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEvan Ziporyn, clarinet, bass clarinet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eEight Lines (Octet)\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e [1979] \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBang on a Can\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eTodd Reynolds, Gregor Kitzis, Jaqueline Carrasco, Elizabeth Knowles, violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMartha Mook, Ron Lawrence, violas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMark Stewart, Greg Passelink, cellos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePatti Monson, David Fedele, flutes, piccolos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMichael Lowenstern, Evan Ziporyn, clarinets, bass clarinets\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEdmund Niemann, Nurit Tilles, pianos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBrad Lubman, conductor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eFour Organs\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1970)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBang on a Can\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMichael Gordon, Lisa Moore, Mark Stewart, Evan Ziporyn, electric organs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJames Preiss, maracas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 7 – Tehillim \/ Three Movements\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eTehillim\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1981)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePart I (Fast)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePart II (Fast)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePart III (Slow)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePart IV (Fast)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSchönberg Ensemble\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ewith Percussion Group The Hague\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBarbara Borden, Tannie Willemstijn, sopranos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eYvonne Benschop, Ananda Goud, mezzo-sopranos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eReinbert de Leeuw, conductor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eThree Movements\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1986)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMovement I: \u003c\/span\u003e\u003cspan\u003e♩\u003c\/span\u003e\u003cspan\u003e= 176\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMovement II: \u003c\/span\u003e\u003cspan\u003e♩\u003c\/span\u003e\u003cspan\u003e= 88\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMovement III: \u003c\/span\u003e\u003cspan\u003e♩\u003c\/span\u003e\u003cspan\u003e= 176\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLondon Symphony Orchestra\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eNeil Percy, Simon Carrington, Ray Northcott, Frank Ricotti, Clive Malabar, percussion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMichael Tilson Thomas, conductor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 8 – The Desert Music\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eThe Desert Music\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1983)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eText by William Carlos Williams\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFirst Movement (Fast)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSecond Movement (Moderate)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThird Movement: Part One (Slow)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThird Movement: Part Two (Moderate)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThird Movement: Part Three (Slow)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFourth Movement (Moderate)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFifth Movement (Fast)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSteve Reich and Musicians\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eChorus and members of the Brooklyn Philharmonic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRussell Hartenberger, Robert Becker, Glen Velez, Garry Kvistad, principal percussion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJulie Rosenfeld*, concertmaster\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDeborah Redding*, principal second violin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFrancesca Martin*, principal viola\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSharon Palmer*, principal cello\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDonald Palma, principal bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e* Colorado Quartet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eCheryl Bensman-Rowe, choral contractor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMichael Tilson Thomas, conductor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 9 – Sextet \/ Six Marimbas\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eSextet \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(1985)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eI.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eII.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIII.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIV.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eV.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSteve Reich and Musicians\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ewith members of Nexus*\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBob Becker*, Russell Hartenberger*, Garry Kvistad, Glen Velez, marimbas, vibraphones,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ebass drums, crotales, tam-tam, sticks\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEdmund Niemann, Nurit Tilles, pianos, synthesizers\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eSix Marimbas\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1986) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eTranscribed from Six Pianos (1973) by James Preiss\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSteve Reich and Musicians\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ewith members of Manhattan Marimba Quartet*\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBob Becker, Russell Hartenberger, Kory Grossman*, James Preiss*, Bill Ruyle*,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWilliam Trigg*, marimbas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 10 – Different Trains \/ Electric Counterpoint\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eDifferent Trains\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1988)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAmerica – Before the war\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEurope – During the war\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAfter the war\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eKronos Quartet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDavid Harrington, violin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJohn Sherba, violin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eHank Dutt, viola\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJoan Jeanrenaud, cello\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eElectric Counterpoint\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1987)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eI. Fast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eII. Slow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIII. Fast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePat Metheny, electric guitar, bass guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 11 – The Four Sections \/ Music For Mallet Instruments, Voice And Organ\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eThe Four Sections\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1987)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eI. Strings (with Winds and Brass): \u003c\/span\u003e\u003cspan\u003e♩\u003c\/span\u003e\u003cspan\u003e= 80\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eII. Percussion: \u003c\/span\u003e\u003cspan\u003e♩\u003c\/span\u003e\u003cspan\u003e= 80\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIII. Winds and Brass (with Strings): \u003c\/span\u003e\u003cspan\u003e♩\u003c\/span\u003e\u003cspan\u003e= 120\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIV. Full Orchestra: \u003c\/span\u003e\u003cspan\u003e♩\u003c\/span\u003e\u003cspan\u003e= 180\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLondon Symphony Orchestra\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ewith\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBob Becker, Russell Hartenberger, Garry Kvistad, James Preiss, percussion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEdmund Niemann, Nurit Tilles, pianos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMichael Tilson Thomas, conductor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eMusic for Mallet Instruments, Voices and Organ\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1973) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSteve Reich and Musicians\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBob Becker, Tom Ferchen, Russell Hartenberger, Steve Reich, marimbas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGarry Kvistad, Thad Wheeler, glockenspiels\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJames Preiss, vibraphone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eNurit Tilles, electric organ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePamela Wood Ambush, Rebecca Armstrong, voices (long tones)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJay Clayton, voice (melodic patterns)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 12 \u0026amp; 13 – The Cave\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eThe Cave \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(1990–93)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMusic by Steve Reich\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eVideo\/Text by Beryl Korot\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDISC 12\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAct 1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eTyping Music (Genesis XVI)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWho Is Abraham?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGenesis XII\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWho Is Sarah?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWho Is Hagar?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eTyping Music Repeat\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWho Is Ishmael?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGenesis XVIII\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWho Is Isaac?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGenesis XXI\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe Casting Out of Ishmael and Hagar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMachpelah Commentary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGenesis XXV\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e(chanted in Hebrew from the Torah by Ephraim Isaac)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eInterior of the Cave\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAct 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEast Jerusalem \/ Hebron (June 1989 and June 1991)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSurah 3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e(chanted in Arabic from the Koran by Sheikh Dahoud Atalah, Muqri of Al-Aksa mosque)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDISC 13\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAct 2 (continued)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWho Is Ibrahim?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWho Is Hajar?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe Near Sacrifice\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEl Khalil Commentary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eInterior of the Cave\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAct 3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eNew York City \/ Austin (April–May 1992)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWho Is Abraham?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWho Is Sarah?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWho Is Hagar?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWho Is Ishmael?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe Binding of Isaac\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe Cave of Machpelah\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe Steve Reich Ensemble\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eCheryl Bensman-Rowe, Marion Beckenstein, sopranos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJames Bassi, tenor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eHugo Munday, baritone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBob Becker, Russell Hartenberger, Garry Kvistad, Thad Wheeler, percussion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eNurit Tilles, Edmund Niemann, Philip Bush, pianos, keyboards\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eElizabeth Lim, Todd Reynolds, violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eScott Rawls, viola\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJeanne LeBlanc, cello\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLeslie Scott, Al Hunt, flutes, oboe, English horn, clarinet, bass clarinet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePaul Hillier, conductor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 14 – Proverb \/ Nagoya Marimbas \/ City Life\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eProverb\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1995)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eText by Ludwig Wittgenstein\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eTheatre of Voices\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAndrea Fullington, Sonja Rasmussen, Allison Zelles Lloyd, sopranos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAlan Bennett, Paul Elliott, tenors\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ewith members of The Steve Reich Ensemble\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRussell Hartenberger, Bob Becker, vibraphones\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eNurit Tilles, Edmund Niemann, electric organs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePaul Hillier, conductor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eNagoya Marimbas\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1994)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBob Becker, James Preiss, marimbas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eCity Life\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1995)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e“Check it out”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePile Driver \/ alarms\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e“It’s been a honeymoon — Can’t take no mo’”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eHeartbeats \/ boats \u0026amp; buoys\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eV. “Heavy smoke”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe Steve Reich Ensemble\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDavid Fedele, Gen Shin Kai, flutes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJackie Leclair, Matthew Sullivan, oboes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLeslie Scott, Mike Lowenstern, clarinets\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRussell Hartenberger, Bob Becker, vibraphones\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGarry Kvistad, percussion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eNurit Tilles, Philip Bush, sampling keyboards\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEdmund Niemann, Lisa Moore, pianos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eElizabeth Lim, Todd Reynolds, violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLois Martin, viola\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJeanne LeBlanc, cello\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJay Elfenbein, bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBrad Lubman, conductor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 15 – Triple Quartet\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eTriple Quartet\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1998)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFirst Movement\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSecond Movement\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThird Movement\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eKronos Quartet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDavid Harrington, violin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJohn Sherba, violin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eHank Dutt, viola\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJennifer Culp, cello\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eElectric Guitar Phase\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2000)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eArranged from \u003ci\u003eViolin Phase\u003c\/i\u003e (1967) by Dominic Frasca\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDominic Frasca, electric guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eMusic for a Large Ensemble\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1978)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAlarm Will Sound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eand Ossia\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAlan Pierson, vibraphone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDennis DeSantis, Chris Vatalaro, Payton MacDonald, Mike Robbins, marimbas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAlexander Postelnek, Clay Greenberg, xylophones\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIan Quinn, Thomas Rosenkranz, Paul Vasile, Fang-Tzu Liu, pianos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBrianna Winters, Martha Cluver, voices\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLaura Motchalov, Paul Yaeger, Caleb Burhans, Yasmin Craig, violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAmelia Hollander, Paul Miller, violas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eStefan Freund, Susie Kelly, cellos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIke Sturm, Brent Bulmann, basses\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBrian Hermanson, Miranda Dohrman, clarinets\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJessica Johnson, flute\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eTodd Rewoldt, Josh Rutner, soprano saxophones\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJason Price, Eli Asher, Brent Madsen, Will Jennings, trumpets\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAlan Pierson, conductor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eTokyo\/Vermont Counterpoint\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2000)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eArranged from Vermont Counterpoint (1982) by Mika Yoshida\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMika Yoshida, MIDI marimba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDiscs 16-17 – Three Tales\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eThree Tales\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2002)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMusic by Steve Reich\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eVideo by Beryl Korot\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDISC 16 \u003ci\u003eThree Tales\u003c\/i\u003e (CD)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePart I: Hindenburg\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIt Could Not Have Been a Technical matter (DVD Only)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eNibelung Zeppelin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eA Very Impressive Thing to See\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eI Couldn’t Understand It\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePart II: Bikini\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIn the Air – 1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe Atoll – 1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eOn the Ships – 1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIn the Air – 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe Atoll – 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eOn the Ships – 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIn the Air – 3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe Atoll – 3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eOn the Ships – 3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eCoda\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePart III: Dolly\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eCloning\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDolly\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eHuman Body Machine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDarwin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eInterlude\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRobots\/Cyborgs\/Immortality\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe Steve Reich Ensemble\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBob Becker, Russell Hartenberger, Garry Kvistad, James Preiss, percussion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eElizabeth Lim Dutton, Todd Reynolds, violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eScott Rawls, viola\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJeanne LeBlanc, cello\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEdmund Niemann, Nurit Tilles, pianos, keyboards\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSynergy Vocals\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMicaela Haslam, director\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e“Hindenburg”:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eOlive Simpson, Micaela Haslam, sopranos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAshley Catling, Stephen Trowell, Rob Kearley, tenors\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e“Bikini,” “Dolly”:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAmanda Morrison, Micaela Haslam, sopranos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGerard O’Beirne, Andrew Busher, Phillip Conway-Brown, tenors\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBrad Lubman, conductor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDISC 17 \u003ci\u003eThree Tales \u003c\/i\u003e(DVD)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThree Tales\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eA Theater of Ideas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSteve Reich and Beryl Korot interviewed by David Allenby\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDolly Interviewees\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBrief biographies, in order of appearance\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eOuttake\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eOriginal Act I, Scene 2 (deleted)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBrad Conducting\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eVideo recorded in December 2002 at Hebbel Theater, Berlin, Germany\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePerformed by Ensemble Modern\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 18 – You Are (Variations)\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eYou Are (Variations)\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2004)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eYou Are Wherever Your Thoughts Are\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eShiviti Hashem L’Negdi\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e(I Place the Eternal Before Me)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eExplanations Come to an End Somewhere\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEhmor M’aht, V’ahsay Harbay\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e(Say Little and Do Much)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLos Angeles Master Chorale\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePhoebe Alexander, Tania Batson, Claire Fedoruk, Rachelle Fox, Marie Hodgson, Emily Lin, sopranos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSarona Farrell, Amy Fogerson, Alice Murray, Nancy Sulahian, Kim Switzer, Tracy Van Fleet, altos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePablo Corá, Joseph Golightly, Shawn Kirchner, Sean McDermott, Fletcher Sheridan,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eKevin St. Clair, tenors\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGeri Ratella, Sara Weisz, flutes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJoan Elardo, Joel Timm, oboes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJames Faschia, Helen Goode-Castro, Larry Hughes, clarinets\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGloria Cheng, Lisa Edwards, Brian Pezzone, Vicki Ray, pianos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWade Culbreath, Michael Englander, John Magnussen, Tom Raney, marimbas, vibraphones\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eTamara Hatwan, Ralph Morrison, Susan Reddish, first violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSamuel Fischer, Julie Rogers, Steve Schart, second violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDarren McCann, Victoria Miskolcsky, Catherine Reddish, violas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDelores Bing, Maurice Grants, Roger LeBow, cellos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eOscar Hidalgo, bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGrant Gershon, conductor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eCello Counterpoint\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2003)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMaya Beiser, cello\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 19 – Daniel Variations\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDaniel Variations (2006)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eI saw a dream\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMy name is Daniel Pearl\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e(I’m a Jewish American from Encino, California)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLet the dream fall back on the dreaded\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eI sure hope Gabriel likes my music, when the day is done\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLos Angeles Master Chorale\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eTania Batson, Karen Hogle Brown, Claire Fedoruk, Rachelle Fox, Marie Hodgson,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEmily Lin, sopranos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePablo Corá, Jody Golightly, Shawn Kirchner, Michael Lichtenauer, Kevin St. Clair,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGeorge Sterne, tenors\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGary Bovyer, Michael Grego, clarinets\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGloria Cheng, Vicki Ray, Brian Pezzone, Lisa Edwards, keyboards\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eTheresa Dimond, Thomas Raney, Wade Culbreath, Michael Englander, John Magnussen,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMark Zimoski, percussion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eElizabeth Lim Dutton*, Todd Reynolds*, violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eScott Rawls*, viola\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEugene Moye*, cello\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e* members of The Steve Reich Ensemble\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGrant Gershon, conductor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eVariations for Vibes, Pianos and Strings\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2005)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSlow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLondon Sinfonietta\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eQuartet 1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDavid Alberman, Jonathan Morton, violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePaul Silverthorne, viola\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eTimothy Gill, cello\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eQuartet 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJoan Atherton, Simon Smith, violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJane Atkins, viola\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLionel Handy, cello\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eQuartet 3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMiranda Fulleylove, Elizabeth Wexler, violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJames Boyd, viola\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSally Pendlebury, cello\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJohn Constable, Shelagh Sutherland, pianos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDavid Hockings, Owen Gunnell, Sam Walton, Alex Neal, vibraphones\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAlan Pierson, conductor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 20 – Double Sextet \/ 2x5\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eDouble Sextet\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2007)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSlow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eeighth blackbird\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eTim Munro, flute\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMichael J. Maccaferri, clarinet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMatt Albert, violin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eNicholas Photinos, cello\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMatthew Duvall, vibraphone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLisa Kaplan, piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003e2x5\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2008)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSlow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBang on a Can\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBryce Dessner, Mark Stewart, electric guitars\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRobert Black, electric bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEvan Ziporyn, piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDavid Cossin, drums\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 21 – WTC 9\/11, Mallet Quartet, Dance Patterns\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eWTC 9\/11\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2010)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eI. 9\/11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eII. 2010\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIII. WTC\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eKronos Quartet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDavid Harrington, violin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJohn Sherba, violin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eHank Dutt, viola\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJeffrey Zeigler, cello\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eMallet Quartet\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2009)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eI. Fast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eII. Slow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIII. Fast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSō Percussion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEric Beach, Jason Treuting, vibraphones\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJosh Quillen, Adam Sliwinski, marimbas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eDance Patterns\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2002)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJames Preiss, Thad Wheeler, vibraphones\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFrank Cassara, Garry Kvistad, xylophones\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEdmund Niemann, Nurit Tilles, piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 22 – Radio Rewrite\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eElectric Counterpoint\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (1987)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eI. Fast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eII. Slow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIII. Fast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJonny Greenwood, guitar, bass guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003ePiano Counterpoint\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2011)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eArrangement of Six Pianos (1973) for piano and tape by Vincent Corver\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eVicky Chow, piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eRadio Rewrite\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2012)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eI. Fast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eII. Slow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIII. Fast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIV. Slow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eV. Fast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAlarm Will Sound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eErin Lesser, flute\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eElisabeth Stimpert, clarinet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eChristopher Thompson, Matt Smallcomb, vibraphones\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJohn Orfe, Michael Harley, pianos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eCourtney Orlando, Caleb Burhans, violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eNathan Schram, viola\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eStefan Freund, cello\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMiles Brown, electric bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAlan Pierson, conductor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 23 – Pulse \/ Quartet\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003ePulse\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2015)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eInternational Contemporary Ensemble\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJosh Modney, Gabby Diaz, Michi Wiancko, Pauline Kim, violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eKyle Armbrust, Wendy Richman, violas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eClaire Chase, Alice Teyssier, flutes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJoshua Rubin, Campbell MacDonald, clarinets\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJacob Greenberg, piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGreg Chudzik, bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eQuartet\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2013)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eI. Fast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eII. Slow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIII. Fast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eColin Currie Group\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eColin Currie, Sam Walton, vibraphones\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePhilip Moore, Simon Crawford-Phillips, pianos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 24 – Runner \/ Music For Ensemble And Orchestra\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eRunner\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2016)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eI. Sixteenths\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eII. Eighths\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIII. Quarters\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIV. Eighths\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eV. Sixteenths\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLos Angeles Philharmonic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMartin Chalifour, Nathan Cole, first violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMark Kashper, Kristine Whitson, second violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eTeng Li, Dale Hikawa Silverman, violas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRobert deMaine, Ben Hong, cellos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eChristopher Hanulik, bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDenis Bouriakov, Elise Shope Henry, flutes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJonathan Fischer, Anne Marie Gabriele, oboes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBurt Hara, Andrew Lowy, clarinets\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMatthew Howard, Wesley Sumpter, percussion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJoanne Pearce Martin, Vicki Ray, keyboards\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSusanna Mälkki, conductor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eMusic for Ensemble and Orchestra\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2018)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eI. Sixteenths\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eII. Eighths\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIII. Quarters\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIV. Eighths\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eV. Sixteenths\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLos Angeles Philharmonic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEnsemble\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMartin Chalifour, Nathan Cole, first violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLyndon Johnston Taylor, Mark Kashper, second violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eTeng Li, Dale Hikawa Silverman, violas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRobert deMaine, Ben Hong, cellos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eChristopher Hanulik, Oscar M. Meza, basses\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eTheodore Henry III, electric bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDenis Bouriakov, Elise Shope Henry, flutes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRamón Ortega, Anne Marie Gabriele, oboes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBoris Allakhverdyan, Andrew Lowy, clarinets\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMatthew Howard, Eduardo Meneses, percussion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJoanne Pearce Martin, Gavin Martin, keyboards\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eOrchestra\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAkiko Tarumoto, Rebecca Reale, Michele Bovyer, Camille Avellano, Jin-Shan Dai, Mischa Lefkowitz,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEdith Markman, Stacy Wetzel, Eduardo Rios, Cheryl Brick-Norman, first violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDale Breidenthal, Ingrid Chun, Tianyun Jia, Nickolai Kurganov, Johnny Lee, Varty Manouelian,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMichelle Tseng, Sooah Kim, second violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBen Ullery, Dana Lawson, Michael Larco, Hui Liu, Minor L. Wetzel, Andrew François, violas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDahae Kim, Barry Gold, Jason Lippmann, Gloria Lum, cellos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThomas Hooten, James Wilt, Christopher Still, Marissa Benedict, trumpets\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eStephen Biagini, Kenneth Bonebrake, Kazue Asawa McGregor, Benjamin Picard, KT Somero,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003elibrarians\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSusanna Mälkki, conductor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 25 – Reich\/Richter\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eReich\/Richter\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2019)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eOpening\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePatterns \u0026amp; scales\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eCross fades\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEnding\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEnsemble intercontemporain\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEmmanuelle Ophèle, Sophie Cherrier, flutes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePhilippe Grauvogel, Didier Pateau, oboes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMartin Adámek, Jérôme Comte, clarinets\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBenoît Maurin, Samuel Favre, vibraphones\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eHidéki Nagano, Géraldine Dutroncy, pianos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDiego Tosi, Jeanne-Marie Conquer, violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJohn Stulz, viola\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEric-Maria Couturier, cello\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGeorge Jackson, conductor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 26 – Jacob’s Ladder \/ Traveler’s Prayer\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eJacob’s Ladder\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2023)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGenesis 28:12\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eVayachalom\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e(And he dreamed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eV’hinei, sulam mutzav artza\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e(And behold, a ladder set up on the Earth)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eV’rosho magia hashamayima\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e(And its top reached heaven)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eV’hinei, malachei Elokim olim v’yordim bo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e(And behold, messengers of G-d ascending and descending on it)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSynergy Vocals\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eTara Bungard, Micaela Haslam, sopranos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBenedict Hymas, Will Wright, tenors\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eNew York Philharmonic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFrank Huang, Sheryl Staples, first violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eQianqian Li, Lisa Eunsoo Kim, second violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRebecca Young, Cong Wu, violas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eCarter Brey, Matthew Christakos, cellos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRobert Langevin, Mindy Kaufman, flutes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRobert Botti, John Upton, oboes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAnthony McGill, Barret Ham, clarinets\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eChristopher S. Lamb, Daniel Druckman, percussion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEric Huebner, piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLawrence Tarlow, Sara Griffin, Viola Chan, librarians\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJaap van Zweden, conductor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eTraveler’s Prayer\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2020)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSynergy Vocals\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAmanda Morrison, Micaela Haslam, sopranos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBenedict Hymas, Will Wright, tenors\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eColin Currie Group\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSam Walton, Owen Gunnell, percussion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSiwan Rhys, piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJonathan Morton, Greta Mutlu, Clio Gould, Beatrix Lovejoy, violins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eNicholas Bootiman, Meghan Cassidy, violas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRobin Michael, Zoe Martlew, cellos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eColin Currie, conductor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDisc 27 – Music For 18 Musicians (Signal)\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMusic for 18 Musicians (modular version)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePulses\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection 1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection 3a\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection 3b\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection 4\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection 5\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection 6\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection 7\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection 8\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection 9\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection 10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSection 11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePulses \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEnsemble Signal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eOlivia De Prato, violin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLauren Radnofsky, cello\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eKen Thomson, Bill Kalinkos, clarinets, bass clarinets\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDavid Friend, Lisa Moore, Red Wierenga, Thomas Rosenkranz, pianos\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDoug Perkins, Bill Solomon, marimbas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBrad Lubman, marimba (Section VII)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJames Deitz, maracas, marimba (Section IllB)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMartha Cluver, Caroline Shaw, Mellissa Hughes, Kirsten Sollek, voices\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eOwen Clayton Condon*, xylophone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRobert Dillon*, xylophone, marimba (Section IllB)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePeter Martin*, vibraphone, piano (Sections II, IX, X)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDavid Skidmore*, marimba, piano (Sections IX, X)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e* members of Third Coast Percussion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBrad Lubman, music director\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePaul Coleman, live sound director\u003c\/span\u003e\u003c\/p\u003e","brand":"TEN","offers":[{"title":"26CD+DVD Box Set","offer_id":49667376382269,"sku":"0075597904185","price":109.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/CollectedWorks.jpg?v=1733933326"},{"product_id":"saving-grace","title":"Saving Grace","description":"\u003cp\u003eRobert Plant’s Saving Grace is the first album featuring a new band of distinguished players, which he calls “a song book of the lost and found”.  The genesis of Saving Grace began during the lockdown in “The Shire”, when Plant’s customary wandering was all but forbidden.  While his recent adventures have centred around Nashville, having reunited with Alison Krauss for 2021’s chart-topping, multi GRAMMY-nominated Raise The Roof, it was in the English countryside that Robert Plant connected closely to this diverse group of musicians, who through their own experiences had a shared lean towards his much-loved corners of evocative song.  Together, Plant and Saving Grace – vocalist Suzi Dian, drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley, cellist Barney Morse-Brown – have spent the past six years growing into a wide-ranging workshop of styles and personalities, weaving through time and circumstance with joy and abandon. \u003c\/p\u003e\n\u003cp\u003e“We laugh a lot, really.  I think that suits me. I like laughing,” Plant says.  “You know, I can't find any reason to be too serious about anything.  I'm not jaded.  The sweetness of the whole thing… These are sweet people and they are playing out all the stuff that they could never get out before.  They have become unique stylists and together they seem to have landed in a most interesting place.”\u003c\/p\u003e\n\u003cp\u003eFollowing his previous acclaimed releases on Nonesuch Records – 2014’s lullaby and… The Ceaseless Roar and 2017’s Carry Fire – Saving Grace brings yet another chapter of Robert Plant’s ceaseless roar into the daylight.  Produced by Robert Plant and Saving Grace – and recorded between April 2019 and January 2025 in the Cotswolds and on the Welsh Borders – Saving Grace breathes fresh life into a collection of century-old music.  A treasury of songs featured back in time by Memphis Minnie, Bob Mosley (Moby Grape), Blind Willie Johnson, The Low Anthem, Martha Scanlan, Sarah Siskind, and Mimi Parker and Alan Sparhawk’s Low. \u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1.   Chevrolet\u003cbr\u003e2.   As I Roved Out\u003cbr\u003e3.   It’s A Beautiful Day Today\u003cbr\u003e4.   Soul Of A Man\u003cbr\u003e5.   Ticket Taker\u003cbr\u003e6.   I Never Will Marry\u003cbr\u003e7.   Higher Rock\u003cbr\u003e8.   Too Far From You\u003cbr\u003e9.   Everybody's Song\u003cbr\u003e10. Gospel Plough\u003c\/p\u003e","brand":"TEN","offers":[{"title":"Limited LP (\"Fruit Punch\" Coloured Vinyl)","offer_id":50501458723133,"sku":"0075597895322","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50501458788669,"sku":"0075597895384","price":11.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50501458755901,"sku":"0075597895704","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/SavingGrace.jpg?v=1752680159"},{"product_id":"honora","title":"Honora","description":"\u003cp\u003eAfter a nearly five-decade (and counting) career as one of his generation’s defining rock bassists, Flea releases his first full-length solo album, Honora, on Nonesuch Records.  Time and space have finally allowed him to return to his first musical loves: jazz and playing the trumpet.  The album features the track ‘Traffic Lights’, co-written with Thom Yorke and Josh Johnson, as well as the previously released ‘A Plea’.  Flea and the Honora band embark on an international tour, playing intimate venues in select cities, this May.\u003c\/p\u003e\n\u003cp\u003eFor Honora, which takes its name from a beloved family member, Flea composed and arranged the music, and also plays trumpet and bass throughout, joined by an elite crew of modern jazz visionaries: album producer and saxophonist Josh Johnson, guitarist Jeff Parker, bassist Anna Butterss, and drummer Deantoni Parks.  The record features vocals from Flea, as well as friends Thom Yorke and Nick Cave.  Mauro Refosco (David Byrne, Atoms for Peace) and Nate Walcott (Bright Eyes), among others, also join the band.  The album comprises six original songs – including one co-written by Flea, Johnson, and Yorke – as well as interpretations of tunes by George Clinton and Eddie Hazel, Jimmy Webb, Frank Ocean and Shea Taylor, and Ann Ronell.\u003c\/p\u003e\n\u003cp\u003e“Deantoni and I played what became ‘Traffic Lights’ the first day,” Flea explains.  “Something about it reminded me of Atoms for Peace, so I sent it to Thom.  Just knowing him, I thought it would be a rhythm and a sensibility that he would relate to.  And I was right, he did.  With a gorgeous melody and the words, you know, about living in the ‘upside down’ and how do you make sense of things when we’re getting all this fake shit and real shit?  Everyone has their ways of dealing with the world.  But he’s just the warmest, free flowing, jamming motherf*cker.”\u003c\/p\u003e\n\u003cp\u003eBest known as a founding member and bassist for the Red Hot Chili Peppers, Flea was first introduced to live jazz as a child, when family friends played the music together in his own living room.  “It was the greatest thing I ever saw,” he recalls.  “The wildness, warmth and we of it.  Straight Bebop.  Boom.  I knew there were higher things on this earth, way above the pettiness that had left me disheartened.  The holy trifecta of my life, music, sports and nature was complete.”\u003c\/p\u003e\n\u003cp\u003eThough he dreamed of being like his heroes Dizzy Gillespie, Miles Davis, and Clifford Brown, Flea’s path went a different direction: His close friend Hillel Slovak asked him to pick up the bass and join his rock band when he was sixteen, leading Flea into a decades-long career with the hugely successful Chili Peppers.\u003c\/p\u003e\n\u003cp\u003eBut late one night in 1991, in the midst of that band’s ascent, Flea was acting in the now-classic Gus Van Sant film My Own Private Idaho when he shared with a friend, “I want to make an instrumental record with deep hypnotic grooves, trippy melodies layered on top, meditations on a groove.”  The caveat was that he first needed to get his trumpet-playing together.\u003c\/p\u003e\n\u003cp\u003eAs Flea neared his sixtieth birthday, he realized if he did not pick up the trumpet again, he probably never would. So he resolved to practice every day for two years–in the midst of a stadium tour with Red Hot Chili Peppers, with a wife and newborn at home. At the end of those two years, he would make an album, regardless of where his knowledge or talents ended up.\u003c\/p\u003e\n\u003cp\u003eUntil Honora, Flea had never been scared of making music before.  He worried that the all-star band he had assembled would think he was “a non-playing motherf*cker, charlatan, rock poseur or fan.”  But, he says, “It turns out they were all the most genuinely supportive people, moving me deeply and daily with their generous spirits…  Sitting in a room and playing the music with them made me feel like I was on drugs.  I was buzzing, tripping and floating around the studio.  I love them, they truly gave of themselves.  I bow all the way down.”\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1. Golden Wingship\u003cbr\u003e2. A Plea\u003cbr\u003e3. Traffic Lights\u003cbr\u003e4. Frailed\u003cbr\u003e5. Morning Cry\u003cbr\u003e6. Maggot Brain\u003cbr\u003e7. Wichita Lineman\u003cbr\u003e8. Thinkin Bout You\u003cbr\u003e9. Willow Weep for Me\u003cbr\u003e10. 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We deserve so much more from an industry built to exploit us.  It’s a thank you to all the fans supporting live music, you who believe songs made by human beings are a vital life force.\u003c\/p\u003e\n\u003cp\u003eThank you.”\u003c\/p\u003e\n\u003cp\u003e– Alynda Segarra\u003c\/p\u003e\n\u003cp\u003eFronted by Alynda Segarra (they\/them), Live Forever features the musicians from Hurray for the Riff Raff’s latest touring lineup – Parker Grogan (electric guitar, vocals), Nnamdi Ogbonnaya (bass, backing vocals), Marcus Drake (drums) and Sen Morimoto (saxophone, keyboards), produced by Johnny Wilson.  In addition to hundreds of tour dates behind The Past Is Still Alive, they have played the stages of Jimmy Kimmel Live!, Austin City Limits, The Kelly Clarkson Show, CBS Saturday Morning, Newport Folk Festival and more, while recently sharing bills with everyone from Waxahatchee and MJ Lenderman to Ani DiFranco, Bright Eyes, Orville Peck, Soccer Mommy and The Head and the Heart.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1. Alibi (Live)\u003cbr\u003e2. Hawkmoon (Live)\u003cbr\u003e3. Rhododendron (Live)\u003cbr\u003e4. Dynamo (Live)\u003cbr\u003e5. Buffalo (Live)\u003cbr\u003e6. Colossus of Roads (Live)\u003cbr\u003e7. Snake Plant (The Past Is Still Alive) (Live)\u003cbr\u003e8. Precious Cargo (Live)\u003cbr\u003e9. Pyramid Scheme (Live)\u003cbr\u003e10. Vetiver (Live)\u003cbr\u003e11. The World Is Dangerous (Live)\u003cbr\u003e12. Hourglass (Live)\u003cbr\u003e13. Ogallala (Live)\u003cbr\u003e14. Pa’lante (Live)\u003c\/p\u003e","brand":"TEN","offers":[{"title":"2LP","offer_id":51421516661053,"sku":"0075597893205","price":38.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":51421516693821,"sku":"0075597893199","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/LiveForever.jpg?v=1771861675"},{"product_id":"let-x-x-live","title":"Let X=X (Live)","description":"\u003cp\u003e‘Laurie Anderson gets back to having a good time: with the jazz combo Sexmob, this enduring avant-gardist revisited vintage and recent songs with a grooving spirit.’ – New York Times\u003c\/p\u003e\n\u003cp\u003e‘[Anderson is] one of the great popular artists and storytellers of our time’ – Guardian\u003c\/p\u003e\n\u003cp\u003eNonesuch Records releases Let X=X, by Laurie Anderson with Sexmob.  This triple-LP\/double-CD set was recorded live during a 2023 tour by Anderson and the jazz band Sexmob – Steven Bernstein and Briggan Krauss on brass, Kenny Wollesen on percussion, Douglas Wieselman on winds and guitar, and Tony Scherr on bass.  Its cover and interior packaging feature paintings by Anderson.  The album features 23 songs, including many favourites from throughout Anderson’s career, performed in new arrangements – plus one by Lou Reed and Metallica, ‘Junior Dad’.  Anderson and Sexmob play more US and international dates this spring and summer (details below).\u003c\/p\u003e\n\u003cp\u003eThe New York Times said Anderson and Sexmob’s concert at the Brooklyn Academy of Music (BAM) ‘wasn’t a historical recreation of past recordings; Sexmob’s sound is a beefier one than on Anderson’s albums.  With musicians who can double on electric guitar and bass clarinet, its members offered a rich range of textural variation throughout the evening.’ \u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003col start=\"1\" type=\"1\"\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eFrom the Air\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eGood Evening\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eCloud\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eLet X=X\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eIt Tango\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eDrum Solo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eTeachers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eStory to No One\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eGravity’s Angel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eRamon\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eNew Angels\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eWalk the Dog\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eLooking at the Moon\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eChurch of Panic\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eDog Show\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eJunior Dad\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eO Superman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eThe Lake\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eSwimming\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eIt’s Not the Bullet that Kills You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eOnly an Expert\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eWhat Are Days For?\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eHow to Feel Sad Without Being Sad\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"TEN","offers":[{"title":"3LP","offer_id":51490808922429,"sku":"0075597893304","price":53.99,"currency_code":"GBP","in_stock":true},{"title":"2CD","offer_id":51490808955197,"sku":"0075597893298","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/LetX_X_Live.jpg?v=1773424000"},{"product_id":"with-every-breath-i-take","title":"With Every Breath I Take","description":"\u003cp\u003e‘Cécile McLorin Salvant ... sings standards, show tunes and old novelties in a taut, flinty, elusively beautiful voice, erring toward material with difficult lyrics and tough places in history. Salvant wins over her audiences by tweaking them slightly: daring them to go there with her—not just into the archive, but toward the darkness of the past.’ – New York Times\u003c\/p\u003e\n\u003cp\u003e‘Although Salvant is known as a jazz musician, her approach to music is defined by her instinct for experimentation ... Her music is beloved for ... embracing theatre and subverting classics with playful renditions.’ – Guardian\u003c\/p\u003e\n\u003cp\u003eCécile McLorin Salvant’s first album with orchestra, With Every Breath I Take features The Netherlands’ Metropole Orkest conducted by Jules Buckley. Salvant and the ensemble perform timeless songs newly arranged by composer and bandleader Darcy James Argue. \u003cbr\u003e\u003cbr\u003eSalvant, who has performed with orchestras regularly over the last decade-and-a-half and intended to make an album with one sooner in her career, but logistics and her abundant creative ideas led to other new projects intervening. Having finally found time to make this album, With Every Breath I Take is a different sort of record than it might have been even ten years ago.\u003c\/p\u003e\n\u003cp\u003e“It is a rare opportunity to be able to make an album at this scale, which has been a dream of mine for many years,” Salvant says. “Darcy James Argue wrote stunning arrangements and the Metropole Orkest, conducted by the extraordinary Jules Buckley, gave these stories a cinematic dimension. We overcame quite a few obstacles to even get into the recording studio for this project; it took almost four years for us to do so, and I am so incredibly proud to share it.\u003cbr\u003e\u003cbr\u003e“I did not choose these songs because they are beautiful, but because they are crucial to me,” she adds.\u003c\/p\u003e\n\u003cp\u003eCécile McLorin Salvant, a 2020 MacArthur Fellow and three-time Grammy Award winner, is a singer and composer bringing historical perspective, a renewed sense of drama, and an enlightened musical understanding to both jazz standards and her own original compositions. Classically trained, steeped in jazz, blues, and folk, and drawing from musical theater and vaudeville, Salvant embraces a wide-ranging repertoire that broadens the possibilities for live performance.\u003c\/p\u003e\n\u003cp\u003eSalvant’s performances range from spare duets for voice and piano to instrumental trios to orchestral ensembles. Her unreleased work Ogresse is an ambitious long-form musical fairy tale that is being made into a feature length animated film. She has performed at national and international venues and festivals such as the Newport Jazz Festival, the Monterey Jazz Festival, the Village Vanguard, and the North Sea Jazz Festival. Her previous Nonesuch albums, Ghost Song (2022) Mélusine (2023), and Oh Snap (2025) received critical accolades; the former two were both nominated for Grammy Awards. Salvant is also a visual artist, and Oh Snap was named a best album of 2025 by the Guardian, Jazzwise, JazzTimes, and the Francis Davis Jazz Critics Poll.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eWith Every Breath I Take (Cy Coleman and David Zippel)  \u003cbr\u003eSophisticated Lady (Music by Duke Ellington, lyrics by Mitchell Parish and Irving Mills)  \u003cbr\u003eSend in the Clowns (Stephen Sondheim)  \u003cbr\u003eBarbara Song (Music by Kurt Weill, lyrics by Bertolt Brecht)  \u003cbr\u003eLeft Over (Cécile McLorin Salvant)  \u003cbr\u003eEver Since the One I Love’s Been Gone (Buddy Johnson)  \u003cbr\u003eLes Parapluies de Cherbourg (Music by Michel Legrand, lyrics by Jacques Demy)  \u003cbr\u003eI’ll See You Again (Noël Coward)  \u003cbr\u003eBeing Alive (Stephen Sondheim)  \u003cbr\u003eLush Life (Billy Strayhorn)  \u003c\/p\u003e","brand":"TEN","offers":[{"title":"2LP","offer_id":51649925579069,"sku":"0075597896138","price":34.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":51649925611837,"sku":"0075597896121","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/WithEveryBreathITake.jpg?v=1777467155"}],"url":"https:\/\/sisterray.co.uk\/collections\/nonesuch.oembed?page=2","provider":"Sister Ray","version":"1.0","type":"link"}