{"title":"January Sale 2026","description":"\u003cp\u003eThere's tonnes of bargains to be had in Sister Ray's famous January sale! Oodles of titles knocked down to unmissable prices. Take a look...\u003c\/p\u003e","products":[{"product_id":"cuz-i-love-you","title":"Cuz I Love You","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003eSinger\/rapper Lizzo returns with her 3rd album, 3 years in the making and following from the success of 2018's \"Boys\" single.\u003cbr\u003e\u003cbr\u003eFeatures Missy Elliott on \"Tempo\". \u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eCuz I Love You\u003cbr\u003eLike A Girl\u003cbr\u003eJuice\u003cbr\u003eSoulmate\u003cbr\u003eJerome\u003cbr\u003eCry Baby\u003cbr\u003eTempo (ft. Missy Elliott)\u003cbr\u003eExactly How I Feel (ft. 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Fractured and frayed by age or by loss, by internecine politics, by trauma or depression, these 11 songs ask what remains of a body, a human spirit, a relationship, a city, a country. The narrators herein sing from the brink of madness, corruption, loss, or grief. And though they speak to us from the narrow, near desperate strands to which they are consigned by others, or upon which they’ve self-exiled—feeling small, fearing obsolescence—they ask to be heard on the most sprawling of canvasses. By couching these personal stories in a sonic palette that unabashedly takes up space, what remains is a tale of survival: a treatise on female friendship, inner strength, resilience, and community.\u003cbr\u003e\u003cbr\u003e  \u003ch5\u003eTracklist\u003c\/h5\u003e1. The Center Won’t Hold\u003cbr\u003e2. Hurry On Home\u003cbr\u003e3. Reach Out\u003cbr\u003e4. Can I Go On\u003cbr\u003e5. Restless\u003cbr\u003e6. Ruins\u003cbr\u003e7. LOVE\u003cbr\u003e8. Bad Dance\u003cbr\u003e9. 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Some even think he was abducted by aliens.\u003cbr\u003eBy coincidence–or perhaps not–Jim’s 1969 debut album was titled \"U.F.O.\". Released in tiny numbers on a\u003cbr\u003eprivate label, it too was truly lost until Light In The Attic Records began a years-long quest to re-release it–\u003cbr\u003eand to solve the mystery of Sullivan’s disappearance. Only one of those things happened, and you can\u003cbr\u003eguess which...\u003cbr\u003eLight In The Attic’s reissue of \"U.F.O.\" introduced the world to an overlooked masterwork and won him, posthumously (presumably), legions of new fans. Those new admirers are in for a real treat: a lavish reissue\u003cbr\u003eof Jim’s 1972 sophomore album, \"Jim Sullivan\".\u003cbr\u003eThe self-titled LP was originally released on Playboy mogul Hugh Hefner’s short-lived Playboy imprint. Horns\u003cbr\u003esweeten this funky and bombastic session driven by Jim’s unmistakably larger-than-life voice and\u003cbr\u003eexceptional song-writing chops, alongside a cast of legendary session musicians including Jim Hughart.\u003cbr\u003eAnother LP you’ll rarely see in the wild, it is by no means the poor relation of \"U.F.O.\", but rather a big stride into country, folk rock, and swampy blues, mesmerically finger-picked, brass-bedecked, and with that uniqueness of phrasing–part crooner, part jazz singer–that makes Sullivan such a rare performer.\u003cbr\u003eEach song could have been a bonafide radio hit, but with spotty promotion and negative connotations surrounding the Playboy name, the self-titled album suffered a fate known all too well and fizzled out. 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The album will be released amidst a selection of UK concerts where Seth will visit locations significant to The Mayflower tale, including dates in London, Plymouth, Immingham and Harwich (full details below). This stirring and beautiful record is narrated by the actor Paul McGann (Dr Who\/Withnail and I\/Hornblower\/Luther), and features a host of guest performers including Cara Dillon, Benji Kirkpatrick, Ben Nicholls and Seth’s father Geoff Lakeman. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2020 marks the 400th anniversary of The Mayflower ship setting off to the Americas. The ship carried British and Dutch passengers with hopes of fresh settlement, and who were famously met by the Wampanoag first nation tribe upon their arrival. Bottling the spirit of the 17th century pilgrimage, Seth has written and performed a selection songs that shape a fictional narrative of the journey, informed by extensive research from text such as the journals of William Bradford, conversations with modern day ancestors of the Wampanoag people at the Plymouth Plantation in Massachusetts, and information sourced at the national heritage sites that still exists in the UK.\u003cbr\u003e\u003cbr\u003eChronicling the voyage and early settlement in these songs, Seth has created a drama that celebrates the history, but doesn’t lose sight of the journey’s tribulations. It stays sensitive to important facets of the story; the religious liberation that passengers were trying to achieve, the nefarious deeds enacted upon the Wampanoag, and the deaths that followed on both sides.\u003c\/span\u003e \u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n1. Watch Out\u003cbr\u003e2. Pilgrim Brother\u003cbr\u003e3. Westward Bound\u003cbr\u003e4. 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If the previous album was the coming of age, “Radiate Like This” presents Warpaint mk II in all their glory, a luminous coalescence of sound and vision which stubbornly belies its genesis, with the quartet of Kokal, Theresa Wayman, Stella Mozgawa and Jenny Lee Lindberg all recording their parts separately in various cities.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e“It’s the first time we’ve ever made an album like that, but in a weird way, it made us take our time with everything”, muses Kokal. “The process felt more meditative, less rushed”. This new sense of quiet confidence can be heard all through the album, in the hushed, slow build of first single “Champion” the beguiling push pull of “Proof”, the delicate intricacy and complexity of tracks like “Melting” and the winking “Send Nudes”. It’s an album that pulsates with ideas, energy and- most crucially – gorgeous melodies. 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Though the band was often mistaken for a typical non sequitur-named screamo outfi­t or another “animal” indie band, the Seattle group quickly de­ed expectations and garnered a reputation for subverting the popular underground sounds of time. The group cultivated a small but fervent fanbase across multiple continents with their signature combination of synth-infused noise rock, bad-trip psychedelia, flamboyant proto-metal boogie, and unhinged basement-show hardcore before imploding at the end of 2009. And while These Arms Are Snakes’ full-length albums remain fi­tting testaments to the band’s frantic urgency and stylistic ‑ fluidity, there is a treasure trove of deep cuts buried on b-sides and split releases that further reinforce their position as one of the weirdest and wildest acts of the decade. 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This may be surprising to anyone following the recent life pursuits of the Glasgow 7-piece: a trilogy of EPs; a soundtrack for the directorial debut of The Inbetweeners’ Simon Bird; The Boaty Weekender – a 3000 capacity star-studded four-day music festival on a cruise liner sailing the Mediterranean; a live album showcasing the band’s present-day iteration as savvy main stage entertainers; and in 2020 a collaborative project with fans called ‘Protecting The Hive’. But in all these idiosyncratic endeavours, as intrinsic to the band’s DNA as the stage invasion at the end of each of their shows, a full-length has eluded us.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA Bit Of Previous\u003c\/em\u003e was recorded in Belle and Sebastian’s hometown of Glasgow when plans to fly to Los Angeles in spring of 2020 were scrapped due to the pandemic. 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The 140+ bpm ’Talk To Me Talk To Me’ is ablaze with euro synths and keyboard horns as the voices of Murdoch and Martin intertwine on a breathless chorus. ‘Working Boy in New York City’ exists in a parallel universe where the band did in fact make it to California – such is the escapist bliss of its sloping flute and bittersweet funk. On the other side of the spectrum are some of Belle and Sebastian’s most moving ballads. Tender finger-picked paean to a lover ‘Do It For Your Country’ and doo-wop-inflicted ‘Sea Of Sorrow’ showcase Murdoch’s tenor at its most bare and affecting, while Stevie Jackson contributes lovelorn country waltz ‘Deathbed of My Dreams’. \u003c\/p\u003e\n\u003cp\u003eSo what is a \u003cem\u003eA Bit of Previous\u003c\/em\u003e? It’s a bit of everything, and a lot of what makes Belle and Sebastian so special and enduring. 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Seemingly misleading commentary from Mr. Rice as he said this would be the last show for a 'while,' leading to speculation that the band were breaking up. It would seem that they're not. Nice.\u003c\/p\u003e\n\u003cp\u003eSports Team are Alex Rice (lead vocals), Rob Knaggs (rhythm guitar + vocals), Henry Young (lead guitar), Oli Dewdney (bass), Al Greenwood (drums) and Ben Mack (keyboard + percussion). 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Bad Dreams\u003c\/span\u003e\u003c\/p\u003e","brand":"Lasgo","offers":[{"title":"Limited LP (White Vinyl)","offer_id":41109479718959,"sku":"OD2V","price":4.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":41109479751727,"sku":"OD2VB","price":21.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":41109479784495,"sku":"OD2CD","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/aqualung.jpg?v=1659430326"},{"product_id":"covered-in-stars","title":"Covered In Stars","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eLimited LP\u003c\/strong\u003e : Picture Disc\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eEight new songs and several years in the making, of what can best be described as a full on sonic explosion.\u003c\/span\u003e\u003cbr role=\"presentation\"\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eMixing space\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e-\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003erock element\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003es, krautrock rhythms, punchy beats and swirling electronic sweeps and beeps that \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ewould make for a perfect soundtrack for a\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eny warp speed travelling cosmonauts with phasers set to fun!!\u003c\/span\u003e\u003cbr role=\"presentation\"\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e\u003cbr\u003eFor the past 25 years Fuxa front man Randall Nieman has no doubt been\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eon a cosmic journey in sound and \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003espace. from his early beginnings a part of Detroit locals Windy and Carl as a guitarist\/s\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eynth player, running \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eand releasing close to 100 releases on his own label Mind Expansion, to later joining Sonic Boom's \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e(Spacemen 3) g\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eroup Spectrum for close to a decade. 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