Pioneering Brazil’s funk fascination, Cry Babies paved the way for the likes of Jorge Ben, Dom Salvador, Trio Mocotó and Azymuth: with fat funky drum breaks, big round bass, touches of psychedelic Brazilian surf, and the kind of hazy soulful arrangements that could only emerge from Rio de Janeiro.
Produced by one of Brazil’s most prolific musical minds, Durval Ferreira - whose song writing and production credits also include Sergio Mendes, Deodato, Emilio Santiago, Ed Lincoln, Joao Bosco, Quarteto Em Cy and Dila - the Cry Babies sound, while distinctly North American in influence, carries all the sunshine warmth of the samba jazz and bossa nova records that were coming out of Brazil at the time.
With saxophonist Oberdan Magalhães responsible for the album’s arrangements, it’s no surprise that when Warner Music established themselves in Brazil in the mid-seventies, Magalhães was the man they asked to form a group (Banda Black Rio) to develop this new merging of stateside soul and Brazilian influences.
Yet while Banda Black Rio’s tight, groove-heavy sound has awarded them cult status amongst lovers of instrumental Brazilian music, their first formation as Cry Babies is a lesser-known story. Since its first and only release, the original record has remained impossibly expensive and hard to find.
It's My Thing
Kool And The Gang
Blás, Blás, Blás Soul
More Today Than Yesterday
I'll Never Fall In Love Again
Good Golly Miss Molly