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If this is true, one wonders how the ancient Black Egyptians built the pyramids or how the guild of craftsmen in Benin and other parts of the continent created the works of art produced over many centuries past. In JJD, Fela is reminding Africans travelling abroad in search of greener pastures to be proud of their original cultural values—those inherent values the JJD ‘educated’ elite have been brainwashed to despise.\u003cbr\u003e \n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp class=\"ox-57ecdfad10-MsoNoSpacing\"\u003eSIDE A\u003cbr\u003e\u003cbr\u003eJ.J.D. Part 1\u003cbr\u003e\u003cbr\u003eSIDE B\u003cbr\u003e\u003cbr\u003eJ.J.D. 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Musically lush, this was to be the last performance of the Afrika 70 – due to inner strife, mostly having to do with, ironically, complaints about pay (rumors were that Fela had announced his intention to fund a presidential run with the spoils from Berlin), the group disbanded.\u003cbr\u003e \n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp class=\"ox-57ecdfad10-MsoNoSpacing\"\u003eSIDE A\u003cbr\u003e\u003cbr\u003eV.I.P. Part 1\u003cbr\u003e\u003cbr\u003eSIDE B\u003cbr\u003e\u003cbr\u003eV.I.P. 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Musically The song’s slow, steady beat and repetitive structure mimics the march up to the barracks, while the lyrics and tone reflect Fela’s overwhelming sadness over the loss of his mother and the state of his beloved Nigeria. “Coffin For Head of State” is Fela’s somber excoriation of those that, “through Jesus Christ our Lord”, corrupt, steal and rob the African people.\u003cbr\u003e \n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp class=\"ox-57ecdfad10-MsoNoSpacing\"\u003eSIDE A\u003cbr\u003e\u003cbr\u003eCoffin For Head Of State Part 1\u003cbr\u003e\u003cbr\u003eSIDE B\u003cbr\u003e\u003cbr\u003eCoffin For Head Of State Part 2\u003c\/p\u003e","brand":"PIAS","offers":[{"title":"LP","offer_id":31116891848751,"sku":"KFR2036-1","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/fela_kuti_coffin_for_head_of_state.jpg?v=1618049553"},{"product_id":"underground-system","title":"Underground System","description":"Underground System: Fela starts the song in Underground System by saying he had sang songs for great African men: Kwame Nkrumah, the first President of Ghana was for him the greatest of all. In the same breath, he had sang songs against African thieves: Olusegun Obasanjo, Nigerian President and M.K.O. Abiola; late chairman of ITT Middle East and Africa, are the biggest thieves. He went on to explain that many young folks in Africa today may not know about Kwame Nkrumah because of the diabolic conspiracy which consists in keeping Africans away from knowing who they should look up to as role models. For Fela, those who know or read about Nkrumah will agree that there are not many like him in the history of Africa, he was African personality personified. He worked throughout his adult life for black pride and African unity. Unfortunately, because of the Underground System they try to protect, whenever Africa finds a charismatic leader determined to change things on the continent, other stooges passing as leaders will conspire to destroy such a leader. Fela mentions how Nkrumah was destroyed by the Western powers who wanted to keep Africa latched to their colonial masters. Sekou Toure suffered the same fate. Ahmed Ben Bella, Patrice Lumumba, Modibo Keita, Gamel Abdu’Nasser, even Mandela—they didn’t want him to arrive as head of a free South Africa. Everywhere in the world, people look up to their role model for inspiration. Fela then brings us to the story of Thomas Sankara. Saying Africa, since the passing of the leaders mentioned above, had not seen a charismatic leader like Sankara. He was one of the few who were not afraid to speak the truth. Calling on other African heads of state to come together and unite, living a modest life compared to those who only preoccupation was to line their pockets with money stolen from their respective countries. Fela says that, despite the attempt by corrupt African leaders to protect their crimes in an Underground System, everything in the world is in turns: they can conspire to kill Sankara today, but can never kill the ideals he lived and was murdered for.\u003cbr\u003e\u003cbr\u003ePansa Pansa: Pansa Pansa was Fela’s most defiant statement to the Nigerian military rulers of his determination to champion the cause of Pan Africanism. Mid 1976, when Fela started to play this track live, musically he was at his zenith—extremely popular throughout Africa. Politically, his message was beginning to get across. Youths in Nigeria were beginning to identify with the Fela ideals and registering en-mass at the Africa Shrine headquarters of the new grassroots movement Fela had inaugurated and called: The Young African Pioneers. Economically, it was the peak of the oil boom. Oil was selling for a minimum of $700 US dollars a barrel. Nigeria never had it better, careering along on at least two million barrels of sulphur-low oil, pumped daily and sold on the world market. Fela has just signed a twelve album a year deal withDECCA Records. The record industry was booming—people were buying records. At government’s level, it was corruption galore including those in the highest echelon of government. Denunciations and criticism from Fela had brought him in open confrontation with the military rulers on previous occasions, some of which he had sang into songs: Alagbon Close! No Bread! Monkey Banana! Zombie! Go Slow! Kalakuta Show! The release of all these songs angered the military establishment in Nigeria and most times prompted attacks on Fela and Kalakuta republic residents. For Fela however, despite all the repression: “…as long as Africa is Suffering! No Freedom! No Justice! No Happiness!, They will never hear PANSA PANSA”(meaning they will hear more and more).\u003cbr\u003e\u003cbr\u003e- Mabinuori Kayode Idowu\u003cbr\u003e \n\u003ch5\u003eTracklist\u003c\/h5\u003e\nSIDE A\u003cbr\u003e1 Underground System\u003cbr\u003eSIDE B\u003cbr\u003e1 Pansa Pansa","brand":"PIAS","offers":[{"title":"LP","offer_id":31116927696943,"sku":"KFR2045-1","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/fela_kuti_underground_system.jpg?v=1618049552"},{"product_id":"fela-kuti-gentleman-vinyl","title":"Gentleman","description":"\u003ch5\u003e\u003c\/h5\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003e'Gentleman', has often been hailed as Fela's masterpiece. The politically scathing song opposes Westernization and those who imitate Western ways. Fela had many Ghanaian friends (and Ghanaian wives and Ghanaian girlfriends) and 'Fefe Naa Efe' is sung as a tribute to Ghana. 'Igbe' again shows Fela breaking cultural taboos by singing literally and figuratively about 'sh*t'. 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Limited edition of 8000 for the world.\u003c\/p\u003e\n\u003cp\u003eThis Record Store Day item will be available to purchase in store on Saturday 12th June from 8am. Strictly one per customer \/ no pre-orders.\u003c\/p\u003e","brand":"PIAS","offers":[{"title":"LP (Red and Yellow Butterfly Effect Vinyl)","offer_id":39361804664879,"sku":"PTKF2195-1","price":28.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/sCLkklA.jpg?v=1621339595"},{"product_id":"fela-kuti-stalemate-fear-not-for-man","title":"Stalemate \/ Fear Not For Man","description":"\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003eOriginally released in 1977, this has been newly reissued and remastered on a single CD. 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The artwork for each album has been meticulously recreated from the original vinyl pressings, alongside vintage vinyl label artwork.\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e1) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhy Black Man Dey Suffer\u003cbr\u003e Ikoyi Mentality Versus Mushin Mentality\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2) \u003cbr\u003e Noise for Vendor Mouth\u003cbr\u003e Mattress\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3) \u003cbr\u003e Excuse-O\u003cbr\u003e Mr Grammarticalogylisationalism Is The Boss\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4) \u003cbr\u003e Kalakuta Show\u003cbr\u003e Don't Make Ganran Ganran (Te Je Je)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5)\u003cbr\u003e Ikoyi Blindness\u003cbr\u003e Gba Mi Leti Ki N'Dolowo (Slap Me, Make I Get Money)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6) \u003cbr\u003e Original Sufferhead\u003cbr\u003e Power Show\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e7)\u003cbr\u003e Overtake Don Overtake Overtake (Part I)\u003cbr\u003e Overtake Don Overtake Overtake (Part II)\u003c\/span\u003e\u003c\/p\u003e","brand":"PIAS","offers":[{"title":"7LP (Box Set)","offer_id":40161012875311,"sku":"KFR4006-1","price":89.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/fela.png?v=1635336707"},{"product_id":"roforofo-fight-50th-anniversary-edition","title":"Roforofo Fight (50th Anniversary Edition)","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eLimited 2LP \u003c\/strong\u003e: Yellow \u0026amp; Green Vinyl\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003eBy 1972, when Music of Fela: Roforofo Fight was originally released (on two vinyl albums, Music of Fela Volume One and Volume Two), Fela was becoming one of the most avidly followed musicians in West Africa. His audience came from among the region's urban poor, the \"sufferheads\" living in the shanty towns around the major cities, along with growing numbers of students and political dissenters. Fela championed, and sang about the problems of, oppressed and exploited people and denounced the ruling elites lording it over them, with their seemingly endemic corruption and their ready use of violence to crush dissent. Because he generally sang in Broken English rather than Yoruba, and adopted an increasingly pan-Africanist outlook, his message resonated throughout Anglophone Africa.\u003cbr\u003e\u003cbr\u003eThe 50th-anniversary reissue of Roforofo Fight is pressed on double yellow \u0026amp; green vinyl. Side D features singles \"Shenshema\" and \"Ariya\" on vinyl for the first time. The two tracks were originally released as a 7\" single in 1972 and later featured in the CD reissue of \"Roforofo Fight \/ The Fela Singles\".\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE\u003c\/strong\u003e \u003cstrong\u003eA:\u003c\/strong\u003e\u003cbr\u003e1. Roforofo Fight\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSIDE B:\u003c\/strong\u003e\u003cbr\u003e1. Go Slow\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSIDE C:\u003c\/strong\u003e\u003cbr\u003e1. Question Jam Answer\u003cbr\u003e2. Trouble Sleep Yanga Wake Am\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSIDE D:\u003c\/strong\u003e\u003cbr\u003e1. Shenshema\u003cbr\u003e2. 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A titanic musical and sociopolitical voice, Fela’s legacy spans decades and genres, touching on jazz, pop, funk, hip-hop, rock and beyond.\u003cbr\u003e\u003cbr\u003eAfrodisiac is the fifth in the series of celebratory Fela 50th Anniversary reissues. Like its predecessors in the series, this double LP edition is on colour vinyl; LP 1 is green marble and LP 2 is on red marble. The album will be wrapped in a gold foil OBI strip with a brief essay on the album and Fela's global impact on music. The songs on Afrodisiac were tracks that Fela and the Nigeria 70 (Later Africa 70) re-recorded at Abbey Road Studios in 1972 after they had become hits in Nigeria. The best known song on the album, 'Jeun Ko Ku’, is listed by its Pidgin title ‘Chop and Quench’ on this album. It’s a satire about gluttony and Fela's first major hit across West Africa. ‘Chop and Quench’ means \"\"eat and die\"\" in Standard English.\u003cbr\u003e\u003cbr\u003eAfrodisiac was first reissued on vinyl in 2014 as part of the Fela Box Set #3 curated by Brian Eno. Eno played Afrodisiac for David Byrne and it was a huge influence on Talking Heads when they recorded Remain In Light -- there is a bonus track called ‘Fela's Riff’ that nods heavily to the influence of hearing Afrodisiac and Fela's music for the first time.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eSIDE A:\u003cbr\u003e1. Alu Jon Jonki Jon\u003cbr\u003e\u003cbr\u003eSIDE B:\u003cbr\u003e1. Chop and Quench\u003cbr\u003e\u003cbr\u003eSIDE C:\u003cbr\u003e1. Eko Ile\u003cbr\u003e\u003cbr\u003eSIDE D:\u003cbr\u003e1. 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On the tracks Fela makes highly insulting, personal attacks on former Nigerian president General Obasanjo and Moshood Abiola, the local chief executive of the multinational corporations International Telephone \u0026amp; Telegraph and Decca Records.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1 International Thief Thief, Pt. 1 - Fela Kuti\u003cbr\u003e2 International Thief Thief - Fela Kuti\u003c\/p\u003e","brand":"PIAS","offers":[{"title":"LP","offer_id":44696164565309,"sku":"KFR-2038-1","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/fk_6a19627e-710c-4df1-9011-6c2ef69af199.jpg?v=1677678458"},{"product_id":"shakara-50th-anniversary-edition","title":"Shakara (50th Anniversary Edition)","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eLimited LP+7\"\u003c\/strong\u003e :\u003cstrong\u003e \u003c\/strong\u003ePink Vinyl LP+Yellow Vinyl 7\"\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\nFela Kuti (1938-1997) was a Nigerian musician, producer, arranger, political radical, outlaw and the originator of Afrobeat. A titanic musical and sociopolitical voice, Fela’s legacy spans decades and genres, touching on jazz, pop, funk, hip-hop, rock and beyond.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e “Shakara” is the 6th in the series of celebratory Fela 50th Anniversary reissues. Like its predecessors in the series, this version will be on colour vinyl and the LP will be wrapped in a gold foil obi strip with a brief essay on the album and Fela's global impact on music. Like Fela's other early 70's releases, he used each side of his LPs to create a deep groove that pulls the listener in and follows with metaphoric lyrics that call out and critique the corrupt hangover of colonialism.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e The album is the sound of Afrobeat's maturation as a global music. Fela's Pidgin English lyrics extend his music's audience beyond Yoruba speakers and make his words understandable across the Anglophone world. In \"Lady,\" Fela highlights the adoption of European social habits to the detriment of African culture. \"Shakara\" is a mainly instrumental track, with a brief lyric, sung in Yoruba, warning against boasters and braggarts. The song pacing is festive and typically up tempo, with boisterous horn arrangements, with strong solos from Fela on keyboards and the fearsome Igo Chico on tenor saxophone.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e This 50th anniversary edition is pressed on limited edition pink vinyl, with a gold foil obi strip, and is packaged with a bonus yellow 7\" featuring covers of 'Lady' and 'Shakara' by London band Ezra Collective. Out on Partisan Records on January 13th 2023.\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eLP SIDE A:\u003cbr\u003e1. Lady\u003cbr\u003e\u003cbr\u003eLP SIDE B:\u003cbr\u003e1. Shakara\u003cbr\u003e\u003cbr\u003e7\" SIDE A:\u003cbr\u003e1. 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A titanic musical and sociopolitical voice, Fela’s legacy spans decades and genres, touching on jazz, pop, funk, hip-hop, rock and beyond.\u003cbr\u003e\u003cbr\u003e1973’s Gentleman is the 7th in the series of celebratory Fela 50th Anniversary reissues. Like its predecessors in the series, this version will be available on exclusive colored vinyl (Igbo Smoke) and the LP will be wrapped in a gold foil obi strip with a brief essay on the album and Fela's global impact on music. Like Fela's other early 70's releases, he used each side of his LPs to create a deep groove that pulls the listener in and follows with metaphoric lyrics that call out and critique the corrupt hangover of colonialism.\u003cbr\u003e\u003cbr\u003eGentleman is the last of Fela's early 1970s albums recorded with the Africa 70. The title track can be interpreted literally or as a metaphor concerning a wider issue. Fela deftly addresses the colonialism-induced, inferiority complex which led many in Africa's new governing elites to reject African style, concepts of beauty, and modes of behavior in favor of European imports. Gentleman's other tracks, \"\"Fefe Naa Efe\"\" and \"\"Igbe,” have more direct, less metaphorical lyrics. On \"\"Fefe Naa Efe,” an Ashanti motto from Ghana, Fela tells a woman dumped by her boyfriend that she must get over the heartache and move on. On \"\"Igbe”, Fela declares that anyone who betrays a friend is shit, and that anybody who lacks self-respect is shit - something you want to expel from your body as soon as possible. He sings the word \"\"shit\"\" in several Nigerian languages, so there is no misunderstanding. \u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eSide A\u003cbr\u003e01. Gentleman\u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003e01. Igbe (Na Shit)\u003cbr\u003e02. 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It includes a 24 page booklet featuring lyrics, commentaries by Afrobeat historian Chris May, and never before seen photos; as well as a 16” x 24” poster designed by Lemi Ghariokwu.\u003c\/p\u003e\n\u003cp\u003eVinyl box #6 was curated by actor, producer, DJ, rapper and singer, Idris Elba, aka DJ Big Driis. This edition, out on December 1, features Open \u0026amp; Close, Music of Many Colors, Stalemate, I Go Shout Plenty!!!, Live In Amsterdam, and Opposite People. The artwork for each album has been meticulously recreated from the original vinyl pressings, alongside vintage vinyl label artwork. The box set is a limited edition of 5,000 worldwide. It includes a 24 page booklet featuring lyrics, commentaries by Afrobeat historian Chris May, and never before seen photos; as well as a 16” x 24” poster designed by Lemi Ghariokwu, the creative force behind many of Fela’s album covers. 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His political perspective had evolved during the 1969 \/ 1970 tour of the US, largely through his friendship with the black-rights activist Sandra Izsadore, who introduced him to the writings of Malcolm X, Stokely Carmichael, Angela Davis and other revolutionary thinkers. By the time Fela wrote “Why Black Man Dey Suffer,” his songwriting and public statements were becoming increasingly critical of the power structure in Nigeria and throughout post-colonial Africa. 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Each opened his mind, between them turning a playboy into a political revolutionary.\u003cbr\u003e\u003cbr\u003eFirst re-issued as part of Fela Kuti Box Set #5 curated by Chris Martin \u0026amp; Femi Kuti in 2021.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eA Noise For Vendor Mouth\u003cbr\u003eB Mattress\u003c\/p\u003e","brand":"PIAS","offers":[{"title":"Limited LP (Opaque Red Vinyl)","offer_id":47563538759997,"sku":"KFR2019-3","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/mPpXg7y7.jpg?v=1703070717"},{"product_id":"kalakuta-show-2024-reissue","title":"Kalakuta Show (2024 Reissue)","description":"\u003cp\u003eThe title track likens politicians to street hawkers and hustlers, and caused considerable controversy. So did the B-side, “Mattress,” though for different reasons. In the song, Fela likens a woman’s role to that of a mattress, there to support and comfort her man. Fela’s espousal of traditional gender roles, and his approval of polygamy, struck a discordant note with some listeners, who accused him of being “anti women.” Fela was Fela and a man of his time, but he was never hostile to women. As he often acknowledged, his two greatest political influences were women: his mother, who had been an early champion of women’s rights in Nigeria, and Sandra Izsadore, the black-rights activist he began a relationship with in the US in 1969. Each opened his mind, between them turning a playboy into a political revolutionary.\u003cbr\u003e\u003cbr\u003eFirst re-issued as part of Fela Kuti Box Set #5 curated by Chris Martin \u0026amp; Femi Kuti in 2021.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eA Kalakuta Show\u003cbr\u003eB Don't Make Ganran Ganran\u003c\/p\u003e","brand":"PIAS","offers":[{"title":"Limited LP (Opaque Blue Vinyl)","offer_id":47563548623165,"sku":"KFR2020-3","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/c6V1_AhU.jpg?v=1703070931"},{"product_id":"original-suffer-head","title":"Original Suffer Head","description":"\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003eThis edition of Original Sufferhead is a major event. With the release of box set #5, and now on this reissue, the title track of this magnificent album is presented in its full-length, 25 minutes 24 seconds glory. While preparing the master disc for the box set, our engineer Jedi, Colin Young, discovered four minutes of “lost” material on the B-side of the original pressing, including a superb keyboard solo by Fela. This had been omitted from subsequent reissues. The restored version used here starts and finishes with Fela’s keyboard work, a typically venturesome blend of futurism and visceralism.\u003cbr\u003eOriginal Sufferhead was the first album Fela released under Egypt 80’s name (he had disbanded Afrika 70 in 1979).\u003cbr\u003e\u003cbr\u003eOn the title track, arguing from the personal to the political, Fela describes the inhuman treatment and poor living conditions experienced by working class Nigerians, the people he called sufferheads. In “Power Show,” Fela sings about the two-tier system dividing Nigerian society, in which the rich get treated one way and the poor another.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eA1. Original Sufferhead\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eB1. Power Show\u003c\/p\u003e","brand":"PIAS","offers":[{"title":"LP (Opaque Light Green)","offer_id":47642624917821,"sku":"KFR2039-3","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/FELA_Box-Set-5_Original-Sufferhead_3000x3000_300dpi.jpg?v=1704726152"},{"product_id":"ikoyi-blindness","title":"Ikoyi Blindness","description":"\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003eFela used the cover of Ikoyi Blindness to announce his change of middle name from Ransome, which he now considered a slave name, to Anikulapo, which means “he who carries death in his pouch.” The front cover shows Ransome crossed out and Anikulapo added above it. Fela also used the album cover to announce the Africanisation of Africa 70’s name, changing it to Afrika 70. In the title track, Fela draws attention to the economic chasm separating the haves and have-nots of Nigerian society, contrasting the get-rich-at-all-costs mindset of the residents of the prosperous Lagos suburb Ikoyi with the more community-minded attitude of the poor inhabitants of the Mushin, Maroko, Ajegunle and Somolu neighborhoods. Ikoyi residents are blind to the sufferings of less fortunate people, says Fela.\u003cbr\u003e\u003cbr\u003eFela returns to the topic on the second track, “Gba Mi Leti Ki N’Dolowo (Slap Me Make I Get Money).” In Lagos in 1975 and 1976, there had been an upsurge in police and military personnel assaults on people in the street; motorists were commonly pulled out of their vehicles and given a whipping for minor traffic offenses. Scandalously, the police and soldiers were being allowed to get away with corruption in broad daylight. In the lyric, Fela demands that the judiciary administer the law equally, without fear or favor.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eA1. Ikoyi Blindness\u003cbr\u003e\u003cbr\u003eB1. Gba Mi Leti Ki N'Dolowo (Slap Me Make I Get Money)\u003c\/p\u003e","brand":"PIAS","offers":[{"title":"Limited LP (Opaque White)","offer_id":47642650149181,"sku":"KFR2017-3","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/FELA_Box-Set-5_Ikoyi-Blindness_3000x3000_300dpi.jpg?v=1704727048"},{"product_id":"o-d-o-o-overtake-don-overtake-overtake","title":"O.D.O.O. (Overtake Don Overtake Overtake)","description":"\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003eOvertake Don Overtake Overtake was the penultimate album of newly recorded studio material released by Fela before he passed in 1997. Like its immediate predecessor, Beasts Of No Nation (also 1989), and its followup, Underground System (1992), the album finds Fela continuing to campaign for human rights and social change despite the relentless beatings, jailings and general harassment he had received from successive military regimes since the start of the 1970s.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eA1. Overtake Don Overtake Overtake (Part I)\u003cbr\u003e\u003cbr\u003eB1. 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Expensive Shit - A kind of Part Two to 1974’s “Alagbon Close,” the title track here focuses in more detail (and with more humour) on the police’s attempt to nail Fela for possession of weed following the May 1974 raid on Kalakuta Republic.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cdiv\u003e\u003cspan\u003e Expensive Shit \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e1\u003cspan\u003e \u003c\/span\u003eFela Ransome Kuti* \u0026amp; Africa 70–\u003cspan\u003e \u003c\/span\u003eExpensive Shit\u003cspan\u003e \u003c\/span\u003e13:13\u003c\/div\u003e\n\u003cdiv\u003e2\u003cspan\u003e \u003c\/span\u003eFela Ransome Kuti* \u0026amp; Africa 70–\u003cspan\u003e \u003c\/span\u003eWater No Get Enemy\u003cspan\u003e \u003c\/span\u003e10:58\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eHe Miss Road\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e3\u003cspan\u003e \u003c\/span\u003eFela Ransome-Kuti* \u0026amp; The Africa 70*–\u003cspan\u003e \u003c\/span\u003eHe Miss Road\u003cspan\u003e \u003c\/span\u003e10:46\u003c\/div\u003e\n\u003cdiv\u003e4\u003cspan\u003e \u003c\/span\u003eFela Ransome-Kuti* \u0026amp; The Africa 70*–\u003cspan\u003e \u003c\/span\u003eMonday Morning In Lagos\u003cspan\u003e \u003c\/span\u003e11:14\u003c\/div\u003e\n\u003cdiv\u003e5\u003cspan\u003e \u003c\/span\u003eFela Ransome-Kuti* \u0026amp; The Africa 70*–\u003cspan\u003e \u003c\/span\u003eIt's No Possible\u003cspan\u003e \u003c\/span\u003e17:38\u003c\/div\u003e","brand":"PIAS","offers":[{"title":"CD","offer_id":49050541687101,"sku":"KFR1009","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/81UdFffehLL._AC_SL1500.jpg?v=1719915700"},{"product_id":"alagbon-close-50th-anniversary","title":"Alagbon Close (50th Anniversary)","description":"\u003cp\u003eAlagbon Close was the first of Fela’s albums to have a sleeve designed by Ghariokwu Lemi, whose artwork fast became an integral part of Fela's catalogue and Afrobeat's message. The disc was named after the headquarters of the Nigerian Criminal Investigation Department in Lagos.\u003c\/p\u003e\n\u003cp\u003eThe title track concerns two police raids on Fela’s house, in April and May 1974. On the first occasion, they came looking for weed but could not find any. On the second, they attempted to plant a joint on Fela, but he grabbed it and swallowed it. He was detained at Alagbon Close for three days, while the police waited for the evidence to drop into his slop bucket. Fela was locked in a communal cell the prisoners jokingly called Kalakuta Republic (“kalakuta” is Swahili for “rascal”). His cellmates engineered a 'feces switch' and Fela was pronounced innocent. 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