{"title":"Dinked Editions --- Pre Orders \u0026 In Stock","description":"\u003cp\u003e\u003cstrong\u003eSister Ray\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis proud to be part of the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDinked Collective\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eof record stores. Dinked is committed to releasing\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ebespoke, beautifully designed and highly limited editions\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eof new albums by emerging artists and classic albums that deserve a loving reissue. All are created in close collaboration with the artists and labels involved. The editions are often on a uniquely coloured vinyl and frequently contain exclusive bonus material such as extra tracks and artwork.\u003c\/p\u003e\n\u003cp\u003eIn this collection you will find the latest Dinked releases that we have available to pre-order and past releases that we (for the moment) have a copy or two left in stock.\u003c\/p\u003e","products":[{"product_id":"every-inch-of-earth-pulsates","title":"Every Inch of Earth Pulsates","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eDinked\u003c\/strong\u003e : Orange Vinyl \/ Bonus 2 Track 7” - I Dream Of The Sea \/ How to Walk (Salford Version) \/ DIY Pop-Up Card Cube \/ Sticker Sheet \/ Limited Numbered Pressing of 1000\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP\u003c\/strong\u003e : Clear Vinyl\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003eA meticulously composed, delicately layered and pristinely produced piece of work that, in true W.H. Lung style, runs the gauntlet from dance to pop to indie while still capturing energy, spirit and dynamism of their live shows. What you have on this record are deeply considered and well-crafted songs, then recorded with blistering intensity in the moment, and then given a touch of experimentation afterwards. \u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eSide A\u003cbr\u003eLilac Sky\u003cbr\u003eBliss Bliss\u003cbr\u003eThinner Wine\u003cbr\u003eBloom and Fade\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eHow to Walk\u003cbr\u003eFlowers in the Rain\u003cbr\u003eI Can’t Lie\u003cbr\u003eThe Painting of the Bay\u003cbr\u003eI Will Set Fire to the House\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eBonus 7\" (Dinked Edition Only)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003eA: I Dream Of The Sea\u003cbr\u003eB: How to Walk (Salford Version) \u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003eSoundwave\u003c\/h5\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ehttps:\/\/www.youtube.com\/watch?v=724dSJxSKV0\u0026amp;ab_channel=W.H.Lung\u003c\/span\u003e\u003c\/p\u003e","brand":"SRD","offers":[{"title":"Dinked (Orange Vinyl+Bonus 7\")","offer_id":49065871737149,"sku":"MELO141D","price":14.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":49065871802685,"sku":"MELO141CD","price":10.99,"currency_code":"GBP","in_stock":true},{"title":"LP (Clear Vinyl)","offer_id":49065871769917,"sku":"MELO141LP","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/WH_COVER_EVERY_INCH_OF_EARTH_PULSATES_PACKSHOT.jpg?v=1720170740"},{"product_id":"utopia-2","title":"Utopia","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eDinked\u003c\/strong\u003e : Gold Nugget Vinyl \/ Gold Mirri-Board Alternative Artwork Outer Sleeve \/ Signed Double-Sided A4 Playing Card \/ Printed Inner Sleeve \/ 12” x 12” Lyric Sheet Insert \/ Limited Pressing of 1000\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP\u003c\/strong\u003e : Standard Dusky Pink Vinyl\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003eWe’ve been long-time fans of Gwenno and this year’s Utopia delighted us. Blending classic songwriting (in English which is a first for Gwenno) and lush instrumentals, it’s a complete feast for the ears. It’s her voice which seals the deal though, it’s absolute magic and Utopia is the perfect example of quite how wonderful it is!\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eSide A\u003cbr\u003e1 – London 1757\u003cbr\u003e2 – Dancing on Volcanoes\u003cbr\u003e3 – Utopia\u003cbr\u003e4 – Y Gath \u003cbr\u003e5 – War  \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e6 – 73\u003cbr\u003e7 – The Devid \u003cbr\u003e8 – Ghost Of You\u003cbr\u003e9 – St Ives New School\u003cbr\u003e10 – Hireth \u003cbr\u003e\u003c\/p\u003e","brand":"PIAS","offers":[{"title":"Dinked (Gold Nugget Vinyl)","offer_id":50192056615229,"sku":"HVNLP234D","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50192056680765,"sku":"HVNLP234CD","price":10.99,"currency_code":"GBP","in_stock":true},{"title":"LP (Dusky Pink Vinyl)","offer_id":50192056647997,"sku":"HVNLP234C","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/17Gwenno.jpg?v=1763993622"},{"product_id":"mccartney-it-ll-be-ok","title":"McCartney, It’ll Be OK","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eDinked\u003c\/strong\u003e : Half Black \/ Half Red Coloured Vinyl \/ 3 Track Bonus 7” Containing Single ‘Can’t Breathe’ \u0026amp; fan favourites ‘Synth Song’ \u0026amp; ‘SO WHAT WE ET UNK OKE EE’ \/ Obi-Strip \/ Limited Pressing of 500\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP\u003c\/strong\u003e : Standard Black Vinyl\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eUNIVERSITY\u003c\/span\u003e\u003cspan\u003e, the Crewe-based four-piece formed of \u003c\/span\u003e\u003cspan\u003eZak Bowker\u003c\/span\u003e\u003cspan\u003e (vocals\/guitar), \u003c\/span\u003e\u003cspan\u003eEwan Barton \u003c\/span\u003e\u003cspan\u003e(bass), drummer \u003c\/span\u003e\u003cspan\u003eJoel Smith \u003c\/span\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cspan\u003eEddie\u003c\/span\u003e\u003cspan\u003e (mascot), announce their debut album, ‘\u003c\/span\u003e\u003cspan\u003eMcCartney, It’ll Be OK’\u003c\/span\u003e\u003cspan\u003e, following last year's incredible debut EP and a slew of shows that have them firmly established as one of the best live bands in the UK right now.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eWith influences from the 80's DIY noise underground, emo-core, Burroughs and obscure arthouse cinema and the likes of 'Windmill' scenesters Black Midi they're the most exciting group to emerge from Crewe since, well, ever. The tightest of friendships thrust them together in a void of culture, where in-jokes, a fourth member who plays computer games on stage whiles they thrash out (and maybe writes all the songs!?!?!), these charismatic young upstarts invite you into their gang, where the riffs are melodic, the lyrics emotional yet humorous and the drums are set to eleven.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRecorded with producer \u003c\/span\u003e\u003cspan\u003eKwes\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eDarko\u003c\/span\u003e\u003cspan\u003e (Sampa The Great, Denzel Curry) at Damon Albarn’s Studio 13 in London, ‘\u003c\/span\u003e\u003cspan\u003eMcCartney, It’ll Be OK’\u003c\/span\u003e\u003cspan\u003e furthers the extremely exciting beginnings of \u003c\/span\u003e\u003cspan\u003eUNIVERSITY\u003c\/span\u003e\u003cspan\u003e’s 2023 debut EP,\u003c\/span\u003e\u003cspan\u003e ‘\u003c\/span\u003e\u003cspan\u003eTitle Track’\u003c\/span\u003e\u003cspan\u003e, with the hooks now brighter and more melodic, the breakdowns heavier and the lyrics more refined. The band\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003erecorded ‘\u003c\/span\u003e\u003cspan\u003eMcCartney, It’ll Be Alright’ \u003c\/span\u003e\u003cspan\u003etotally live, and it retains the delightfully unhinged energy that’s defined their work so far, with everything thrillingly close to falling apart at any minute.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cspan\u003ean explosion of energy unlike anything you’ve heard this year\" \u003c\/span\u003e\u003cspan\u003e- NME\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cspan\u003ea band trying to pummel their way out of a cage\u003c\/span\u003e\u003cspan\u003e”\u003c\/span\u003e\u003cspan\u003e - DIY Mag\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e“glorious desolation” - So Young\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eMassive Twenty One Pilots Tattoo\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eCurwen\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eGorilla Panic\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eHustler’s Metamorphosis\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eGTA Online\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eDiamond Song\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eHistory of Iron Maiden Pt. 1\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eHistory of Iron Maiden Pt. 0.5\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Proper","offers":[{"title":"Dinked (Half Black \/ Half Red Coloured Vinyl+Bonus 7\")","offer_id":50192609837373,"sku":"TRANS868XD","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50192609870141,"sku":"TRANS868X","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50192609902909,"sku":"TRANS868CD","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/Unialbumartworkfinal-digital.jpg?v=1744031269"},{"product_id":"the-new-eve-is-rising-heavy-rotation-edition","title":"The New Eve Is Rising (Heavy Rotation Edition)","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eDinked\u003c\/strong\u003e : Violet\/Blue Marbled Vinyl \/ Alternative Photo Art Gatefold Sleeve \/ Signed Postcard \/ Limited Pressing of 500\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003eThe New Eves’ extraordinary debut The New Eve Is Rising was released on 1 August 2025 to critical acclaim. Written in Brighton and at an artistic residency at The Cornish Bank and recorded at Rockfield Studios and Bristol’s Cotham Parish Church, The New Eve Is Rising takes the four-piece’s untamed melting pot of musical styles - an instinctive, incendiary mix of Patti Smith radical poetry, rock’n’roll recklessness, freak folk experimentalism and plenty more - and somehow turns it into a collection of clarion calls that you can still hum. It’s completely immersive; a whole world to dive into that’s taken on a life of its own. “We’re all adhering to The New Eve entity of the band,” Ella notes. “The band knows what it wants.”\u003cbr\u003e\u003cbr\u003eAcross its nine tracks are references to highwayman’s caves and 12th Century lovers Heloise and Abelard; to krautrock and Swedish cow calls and even lyrics whispered into a bat detector. The band call what they make Hagstone Rock. “There’s a lot of mythology around a hagstone, and it’s different in different places, but generally if you look through the hole of hagstone you can see the truth,” says Ella. “We see ourselves as a rock band, but there’s a lot of depth in there and putting hagstone in front of it felt better.” Pause. “It also has the word ‘hag’ in it, which we really identify with…”\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eThe New Eve\u003cbr\u003eHighway Man\u003cbr\u003eCow Song\u003cbr\u003eMid Air Glass\u003cbr\u003eAstrolabe\u003cbr\u003eCircles\u003cbr\u003eMary\u003cbr\u003eRivers Run Red\u003cbr\u003eVolcano\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003eSoundwave\u003c\/h5\u003e\n\u003cp\u003ehttps:\/\/youtu.be\/MovNWuNPXXE?si=edmb9H644rvWM9I7\u003c\/p\u003e","brand":"Proper","offers":[{"title":"Dinked (Violet\/Blue Marbled Vinyl+Alt. Sleeve+Signed Postcard)","offer_id":51088274489661,"sku":"TRANS913XX","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/AltartworkDinkedcover.jpg?v=1764589596"},{"product_id":"somersaults","title":"Somersaults","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eDinked\u003c\/strong\u003e : 140g Fog White Vinyl \/ Alternative Sleeve Design \/ 12 Page Full Colour 12” x 12” Lyric Booklet \/ Limited Pressing of 500\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP\u003c\/strong\u003e : Standard Black Vinyl\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003edeathcrash’s third album, Somersaults, glimmers with an everyday euphoria. The London-based slowcore\/ post-rock quartet has always had an affinity for building worlds only to crush them. From their breakout EP, People thought my windows were stars (2021), through two critically acclaimed studio albums, Return (2022) and Less (2023), they have been both the architects and the destroyers, the creationists and the ones manning the flood barrier. But, recorded between Black Box Studio in the Loire Valley and Haggerston’s Holy Mountain, Somersaults is almost joyful. \u003c\/p\u003e\n\u003cp\u003eIts ten tracks are more vocal heavy than any of the band’s catalogue – think Mark Linkous via The Kinks – but lyrically, Somersaults resists revelation. For all its abrasion, phrases appear half-swallowed, broken off at the edge of meaning, consumed by the smaller textures of living. “Thirty, no career, it fucking worries me \/ And doing the band doesn’t help,” Banks sings in ‘NYC’. But, “This life is the best life,” he finishes in ‘CMC’ on top of the ambient white noise of an office printer, thankful that the band is still there, “still making noise in the doorway.” \u003c\/p\u003e\n\u003cp\u003eMusical abstractions jettison the same way sunlight might catch the broken glass of a ransacked liquor store. Within those prisms are songs crafted from real hurt, but reflect beautifully. Their role as caretakers of Duster, Low and Codeine’s slowcore lineage is all across Somersaults – songs scud to a narcotic crawl, sound monolithic and inwards before spotlighting a crystalline nothing. Cathartic builds are muddied with tenderness, the bass a heavy grounding, the drums an exhausted heartbeat grasping for air. But more so than ever, even the silence feels collaborative – a gesture of communal trust – friends celebrating the room they’ve made for each other’s ghosts, and some of the biggest, brightest songs they’ve made to date.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eSide A\u003cbr\u003e01. Somersaults \u003cbr\u003e02. NYC \u003cbr\u003e03. CMC \u003cbr\u003e04. Triumph \u003cbr\u003e05. Bella\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e01. The Thing You Did \u003cbr\u003e02. Wrong To Suffer \u003cbr\u003e03. Stay Forever \u003cbr\u003e04. Love For M \u003cbr\u003e05. Marie’s Last Dance \u003c\/p\u003e","brand":"LASGO","offers":[{"title":"Dinked (Fog White Vinyl w\/ Alt. 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Clara’s lyrics frame fixation as bodily and inescapable, from dirt under fingernails to crumbs in bedsheets and thoughts that won’t leave your chest.\u003c\/p\u003e\n\u003cp\u003e\"It's about being completely obsessed with something or someone, but not in a cute way, more in a 'your whole body is under attack' kinda way. It's sort of disordered, chaotic, overwhelming,\" Clara explains.\u003c\/p\u003e\n\u003cp\u003eThe new single follows July 2025 release ‘I Love This!’ (also set to feature on the EP) – a wide-eyed surge of feeling that reinforced PUNCHBAG’s instinct for pairing pop immediacy with emotional overload.\u003c\/p\u003e\n\u003cp\u003eSpeaking more on their upcoming second EP, the band said:\u003c\/p\u003e\n\u003cp\u003e\"If our first EP was a selfie, these new songs are like zooming in and thinking, 'fucking hell my pores look huge'. This EP is turning up the contrast on everyday life, rinsing the disgusting dish towel so far that all the gunk comes out. It’s pushing PUNCHBAG’s sonic world even further, into a grander landscape, and dramatising the everyday more than ever before.\"\u003c\/p\u003e\n\u003cp\u003eWith each release, Clara and Anders continue to push their instincts further, tightening their sound and leaning harder into the extremes that define it - all part of a wider mission to distil the most intense, concentrated version of who they are as artists.\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eSide A\u003cbr\u003e1. FUCK IT\u003cbr\u003e2. I’M NOT YOUR PUNCHBAG\u003cbr\u003e3. PRETTY YOUTH\u003cbr\u003e4. YOU USED TO BE SO SEXY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e1. WHAT’S IN MY BAG\u003cbr\u003e2. PILE OF CLOTHES\u003cbr\u003e3. PLAYING GOD\u003cbr\u003e4. I LOVE THIS!\u003cbr\u003e5. 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On \u003c\/span\u003e\u003cspan\u003eABSTRACT \/ NATURAL\u003c\/span\u003e\u003cspan\u003e, that world expands further still. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLead single ‘The Dollywaggon’ stands as a compelling entry point to the record as a whole. Built on razor-sharp guitars, swirling synths and lightning-quick, surgically precise drumming, the track finds frontman Mez Sanders-Green delivering near stream-of-consciousness reflections from a protagonist caught between escape and self-reckoning (“\u003c\/span\u003e\u003cspan\u003eI never wanted to leave myself, but I’m leaving now\u003c\/span\u003e\u003cspan\u003e”), and driven by a restless sense of adventure: “\u003c\/span\u003e\u003cspan\u003ethe placard reads right to roam, and the boy is roaming\u003c\/span\u003e\u003cspan\u003e”. Written while Mez was walking the 193-mile UK coast-to-coast route, the song traces a physical and emotional journey from the West Coast, over the Lake District and Yorkshire Dales, across the moors and finally home to the East Coast.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThat sense of movement runs throughout \u003c\/span\u003e\u003cspan\u003eABSTRACT \/ NATURAL\u003c\/span\u003e\u003cspan\u003e. Characters rooted in folklore and landscape sit alongside reflections on fatherhood, freedom and personal evolution, forming a body of work that feels both intimate and outward-looking. The album began life not in a rehearsal room, but on the pages of a poetry book frontman Mez has been writing; a collection of musings on landscape, nature, love, acceptance and letting go. Hearing melodies embedded in his words, Mez began presenting fragments to the band as “\u003c\/span\u003e\u003cspan\u003ewonky lullabies\u003c\/span\u003e\u003cspan\u003e”, turning hills, ridges and landmarks into characters: Hen Comb, Pavey Arc, Sergeant Man, The Grey Friar and The Dollywaggon. From there, bandmates Stewart Baxter, Lydia Palmeira and Mick Sanders shaped the music around these narratives, instinctively weaving them into vivid arrangements that collectively present a fully-realised universe. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eProduced by Stewart Baxter and Oliver Varga, mixed by James Kenosha and mastered by Stephen Kerrison, \u003c\/span\u003e\u003cspan\u003eABSTRACT \/ NATURAL\u003c\/span\u003e\u003cspan\u003e was recorded at LIFE’s own studio in Hull (The Moon Factory); a space the band built themselves on the banks of the river and now run as a creative hub for emerging Northern artists.  \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cb id=\"docs-internal-guid-f7792086-7fff-69dc-d952-7f770924f3ff\"\u003e\u003c\/b\u003eThe result is LIFE’s most expansive and experimental work to date: story-rich, exploratory and beautifully rooted in a sense of place. \u003cb id=\"docs-internal-guid-f7792086-7fff-69dc-d952-7f770924f3ff\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eSide A\u003cbr\u003eWild Grasses\u003cbr\u003eThe Dollywaggon \u003cbr\u003eTurning In\u003cbr\u003eThistles Kiss\u003cbr\u003eMermaid Feet\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eMy Yan\u003cbr\u003eDrinking Games\u003cbr\u003eSun In Nancy\u003cbr\u003eBuried Giant\u003cbr\u003eMorning Fog\u003cbr\u003e\u003c\/p\u003e","brand":"UNIVERSAL","offers":[{"title":"Dinked (Blue \/ Green \/ Yellow Splatter Vinyl)","offer_id":51394796716349,"sku":"LPLUS074e","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"LP (“Wild Grass” Green Vinyl)","offer_id":51394796749117,"sku":"LPLUS074d","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":51394796781885,"sku":"LPLUS074f","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/Standardalbumsleeve_75beb651-4943-4d5f-b45d-b8f3ecf7ff4f.jpg?v=1771241399"},{"product_id":"teleportations","title":"Teleportations","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eDinked\u003c\/strong\u003e\u003cstrong\u003e : \u003c\/strong\u003eBlue \u0026amp; Green Vortex Effect Vinyl \/ Signed Postcard \/ 24\" x 24” Sized Fold Out Poster of Album Artwork \/ Limited Pressing of 300\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP\u003c\/strong\u003e : Standard \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRed and Yellow Fade Effect Vinyl\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003eFollowing an illustrious tenure as founding member of acclaimed, boundary-defying trio The Comet Is Coming, alongside output as half of electronic psych jazzers Soccer96, the producer and synthesist Dan Leavers, aka Danalogue, announces his debut solo LP, Teleportations. Conceived as a continuous, journey-based piece, Teleportations is a warm, playful and immersive album that transforms endings, grief and personal upheaval into a vivid science-fictional voyage of escape, healing and renewal.\u003cbr\u003e\u003cbr\u003eA self-contained sonic world performed entirely by Danalogue, Teleportations unfolds like a single trip rather than a collection of standalone tracks. Moving seamlessly between celestial ambience, shimmering kosmische, euphoric space disco, liquid jazz funk and the deepest Detroit house, the album invites listeners to enrol in what Dan describes as a “teleportation programme” – a musical technology designed to sublimate difficult emotions, allowing sound, texture and motion to carry the listener through shifting states of feeling and emerge transformed on the other side.\u003c\/p\u003e\n\u003cp\u003eScience fiction provides both the language and architecture of the record. Inspired by astral travel, theta brainwaves, collective consciousness, the artist Jean Giraud, the writer Ernst Bloch and the film maker Miyazaki, Danalogue imagines music as a shared act of transportation – not unlike the experience of an audience tuning into a gig as one unified organism. A short story written alongside the album expands this mythology, depicting an advanced lifeform capable of converging brainwaves into an iridescent stream of consciousness and slingshotting across space. Throughout Teleportations, travel becomes metaphor: a way of escaping fixed realities in order to return with renewed perspective.\u003c\/p\u003e\n\u003cp\u003eThe album’s universe draws heavily from the legacy of 1970s German kosmische and other outsider electronic pioneers who used synthesis as a tool for imagination and resistance. Danalogue cites figures such as Joe Meek, Wendy Carlos, Isao Tomita, Laurie Spiegel, Mort Garson and Terry Riley, and groups Harmonia and Kluster, as influences - all artists who operated outside rigid genre boundaries. Their influence is felt not as pastiche, but as spirit: exploratory, improvisational, emotional and defiantly human.\u003c\/p\u003e\n\u003cp\u003eThis ethos extends to the album’s production. Teleportations was created using a largely vintage analogue setup, centred around the Roland Juno-60 and SH-09, Jupiter 4, Oberheim and old samplers (not to mention Dan’s first foray on wax into drumming). For Danalogue, working with older instruments is both an aesthetic and philosophical choice; embracing limitation, tactility and imperfection as a means of focus and identity, while forming a “time bridge” to earlier eras of electronic experimentation. Rather than recreating the past, the album imagines travelling back with modern sensibilities and telling the future through old machines.\u003c\/p\u003e\n\u003cp\u003eThe record’s sequencing is integral to its effect. Opening with the mesmeric overture ‘Awakening On the Planet’, the album gradually ascends through blissed-out interstellar drift, sci-fi electro, krautrock-inflected interludes and propulsive dancefloor release, before descending into serene ambient suspension and wistful closure.\u003c\/p\u003e\n\u003cp\u003eLead single ‘Far Beyond The Sun’ is a space age ballad, playfully exploring the concept of crossing the galaxy to meet a treasured person in the afterlife. Resplendent with layers of woozy synthesizers, the track brings the addition of Danalogue’s yearning, lo-fi vocals, leading us on a journey towards a cascading synth solo.\u003c\/p\u003e\n\u003cp\u003e‘Moebius Triptych’ blends driving, hypnotic dancefloor energy with catchy synth melodies, as its progressive dream-logic structure unfolds. Tracks such as ‘Theta Wave Convergence’ channel ecstatic momentum and collective energy, while ‘Arrival at Rho Ophiuchi’ and ‘Earth Remembrance Day’ offer moments of reflection, melancholy and cosmic stillness. The closing track feels like a long goodbye: sad, grateful and quietly hopeful.\u003c\/p\u003e\n\u003cp\u003eBeyond its personal origins, Teleportations is also a response to the wider cultural moment. In an era defined by constant noise, ideological conflict and digital overload, Danalogue positions imagination as a radical act. The album seeks to create space – for reflection, inner travel and the sovereignty of human experience – proposing that hope begins with the ability to dream new realities. As Danalogue suggests, the end of imagination is the end of hope; Teleportations exists to keep that door open.\u003c\/p\u003e\n\u003cp\u003eTeleportations is a love letter to deep listening, to albums that function as worlds, and to music as a vehicle for transformation. It is an invitation to step outside regular programming, leave gravity behind, and travel – together – somewhere else.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eSide A  \u003cbr\u003eAwakening On The Planet  \u003cbr\u003eMother of Mars  \u003cbr\u003eFar Beyond The Sun  \u003cbr\u003eMoebius Triptych  \u003cbr\u003eYou Are On The Right Track \u003c\/p\u003e\n\u003cp\u003eSide B  \u003cbr\u003eTheta Wave Convergence  \u003cbr\u003eArrival At Rho Ophiuchi  \u003cbr\u003eFallen Out Of Phase  \u003cbr\u003eOnto The Next Dimension  \u003cbr\u003eEarth Remembrance Day \u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003eSoundwave\u003c\/h5\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003ehttps:\/\/youtu.be\/IneYKuLTiyM\u003c\/p\u003e","brand":"CARGO","offers":[{"title":"Dinked (Blue \u0026 Green Vortex Effect Vinyl+Signed Postcard)","offer_id":51462374097213,"sku":"CIS211LPX","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"LP (Red and Yellow Fade Effect Vinyl)","offer_id":51479188930877,"sku":"CIS211LPC1","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/ALBUMARTWORK_d4618ff5-782d-4706-82ee-da53640782ec.jpg?v=1773057203"},{"product_id":"the-dance-of-death","title":"The Dance of Death","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eDinked\u003c\/strong\u003e : Green \u0026amp; Red Quad Effect Vinyl \/ Bonus 2 Track Black Vinyl 7\" with Hand-Stamped label (features an exclusive instrumental + Frankie's debut single 'Over The Border' available physically for the first time) \/ Limited Pressing of 300\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP\u003c\/strong\u003e : Standard Yellow Vinyl\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFrankie Archer has exploded onto the electro folk scene with music that transcends stereotypes. Frankie has been featured on ‘Later... With Jools Holland’ and championed by tastemakers at BBC Radio 2 and BBC 6 Music. Following the release of her debut EP ‘Never So Red’ (November, 2023), she has supported the likes of The Futureheads and The Last Dinner Party on tour. On 'The Dance Of Death', Archer channels these experiences and reconstructs some of the oldest songs in the English canon with fractured, future-facing production. Working from archival ballads of obsession, devotion and loss, she warps fiddle lines, processes her own vocals and drives the material with pulsing drum machines and colourful synth arrangements. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCo-produced with Guy Massey (Kylie Minogue, Spiritualized, Richard Hawley), the record expands English folk into something immersive and modern. Influenced by the work of Little Dragon, Hannah Peel, Rosalía, Björk and Bat for Lashes, Archer approaches folk as a producer first. Inspired by the medieval Danse Macabre, 'The Dance Of Death' is, in Archer’s words, “a collection of nu-ancient trad bangers” - stark narratives of mortality and longing rebuilt through meticulous studio experimentation.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eSide A\u003cbr\u003e1. Death and The Maiden \u003cbr\u003e2. The Dance of Death \u003cbr\u003e3. The Outlandish Knight \u003cbr\u003e4. In Brunton Town\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e5. The Unquiet Grave \u003cbr\u003e6. The Demon Lover \u003cbr\u003e7. Young Edwin of the Lowlands Low \u003cbr\u003e8. Oxford City \u003cbr\u003e9. 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Following an embryonic performance of the piece, Deal secured a grant to expand it to include music created especially for the work. \u003ci\u003e“The idea was to mix spoken-word with punk music”\u003c\/i\u003e explains Deal, who hooked up with \u003cb\u003edrummer Shane Zweygardt\u003c\/b\u003e and \u003cb\u003eguitarist Abe Brennan\u003c\/b\u003e during lockdown and began kicking the concept around.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBut what became \u003cb\u003eDead Pioneers\u003c\/b\u003e didn’t truly take shape until Deal connected with \u003cb\u003ebassist Lee Tesche\u003c\/b\u003e, who you may know from righteous Atlantan post-punks \u003cb\u003eAlgiers\u003c\/b\u003e. Unlikely as it sounds, a conversation between Tesche and Deal about \u003cb\u003eSleaford Mods\u003c\/b\u003e evolved into a creative connection that’s now three albums deep; the arrival of \u003cb\u003eguitarist Joshua Rivera\u003c\/b\u003e made the quintet quorate. \u003ci\u003e“Josh is Mexican-American,”\u003c\/i\u003e says Deal. \u003ci\u003e“He is also inherently indigenous, under a different set of circumstances within colonialism. But I consider him to be my indigenous brother. We spend a lot of time trying to figure out how all of this fits together.”\u003c\/i\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eA miraculous, natural chemistry made this supposed one-off project an actual band almost as soon as they cut what became their \u003cb\u003e2023 self-titled debut album\u003c\/b\u003e (\u003ci\u003e“We approached it like I approach my visual art: execute quickly, first thought is best thought,” \u003c\/i\u003eDeal says), but they didn’t necessarily take it seriously until, unexpectedly, the outside world did. \u003ci\u003e“I was like, we’ve made this record – what should I do with it? Put it online?”\u003c\/i\u003e Deal remembers. The response was vigorously positive, and soon came demands to commit this noise to vinyl. A first thousand-copy pressing sold out in minutes. \u003ci\u003e“So then we pressed another thousand,”\u003c\/i\u003e he adds, still marvelling at it all. \u003ci\u003e“And then they were gone, too.”\u003c\/i\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWhat followed was \u003ci\u003e“a series of strange accidents”\u003c\/i\u003e that led to the group signing to Hassle, befriending \u003cb\u003eJello Biafra\u003c\/b\u003e and touring with kindred spirits like \u003cb\u003ePennywise\u003c\/b\u003e, \u003cb\u003ePropaghandi\u003c\/b\u003e, even \u003cb\u003ePearl Jam\u003c\/b\u003e. \u003ci\u003e“Punk-rock had made everything seem so accessible when I was a kid,”\u003c\/i\u003e says Deal. \u003ci\u003e“Like, simply having the balls to get up on stage and stage dive and then be carried off by people that become your best friends once they get your feet back on the ground.”\u003c\/i\u003e Now, punk-rock was reaching out its hands to \u003cb\u003eDead Pioneers\u003c\/b\u003e and pulling them onto larger and larger stages. The group returned that favour by simply getting better and better: their second album, \u003cb\u003e2025’s PO$T AMERICAN\u003c\/b\u003e, was sharper, angrier, funnier than the debut, a riot riveted with punch-a-Nazi thrills.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAnd now, \u003cb\u003eWagon Burner,\u003c\/b\u003e their fearsome third album. Described by Deal as \u003ci\u003e“more collaborative”,\u003c\/i\u003e it’s a heavier, harder but also more accessible set, vicious hooks scattered among the punk-rock melee and guest appearances by kindred spirits \u003cb\u003eCheap Perfume\u003c\/b\u003e (on the righteous\u003cb\u003e ‘Nazi Teeth’\u003c\/b\u003e), \u003cb\u003eThe Interrupters \u003c\/b\u003e(on the shout-a-long anthem \u003cb\u003e‘Never Alone’\u003c\/b\u003e) and, bringing it back to the group’s beginnings, \u003cb\u003eSleaford Mods\u003c\/b\u003e (on the searing slow-burn of \u003cb\u003e‘The Worst Among Us’\u003c\/b\u003e). The world might be darkening by the day, but\u003cb\u003e Dead Pioneers\u003c\/b\u003e are rising to that miserable occasion, casting their empowering light into the gloom.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDead Pioneers:\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eGregg Deal\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e – vocals\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eJosh Rivera\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e – guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eAbe Brennan\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e - guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eLee Tesche\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e – bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eShane Zweygardt\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e – drums\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cdiv\u003e\n\u003ch3\u003eSIDE A\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003eDead Presidents\u003c\/li\u003e\n\u003cli\u003eNazi Teeth (feat. Stephanie Byrne \/ Cheap Perfume)\u003c\/li\u003e\n\u003cli\u003eA Message From Mr. Bell\u003c\/li\u003e\n\u003cli\u003eNo Kings\u003c\/li\u003e\n\u003cli\u003eAnimals That Roam The Earth\u003c\/li\u003e\n\u003cli\u003eNever Alone (feat. The Interrupters)\u003c\/li\u003e\n\u003cli\u003eThe Worst Among Us (feat. Jason Williamson \/ Sleaford Mods)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eSIDE B\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col start=\"8\"\u003e\n\u003cli\u003eSeeing Red\u003c\/li\u003e\n\u003cli\u003eCircle Jerk The Wagons\u003c\/li\u003e\n\u003cli\u003eZealots\u003c\/li\u003e\n\u003cli\u003eNobody\u003c\/li\u003e\n\u003cli\u003eLFG\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"PIAS","offers":[{"title":"Dinked (Black \u0026 White Splatter Vinyl)","offer_id":51516728082749,"sku":"HOFF496LPDINK","price":30.99,"currency_code":"GBP","in_stock":true},{"title":"LP (Crystal Clear Vinyl)","offer_id":51516728115517,"sku":"HOFF496LPB","price":25.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":51516728148285,"sku":"HOFF496CDA","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/Albumartwork_fd532642-00c2-4b4b-83b5-29f64717b9f6.jpg?v=1774275784"},{"product_id":"sungazer","title":"Sungazer","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eDinked\u003c\/strong\u003e : ‘Deep Ocean’ Blue \u0026amp; Black Marble Vinyl \/ Deluxe High Gloss Art Card \/ Gatefold Sleeve \/ Bumper Sticker \/ Limited 500 Pressing\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited\u003c\/strong\u003e \u003cstrong\u003eLP\u003c\/strong\u003e : Indies Exclusive Blue Vinyl\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP\u003c\/strong\u003e : Standard Black Vinyl\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIndie-rock group The Temper Trap make a triumphant return with \u003c\/span\u003e\u003cspan\u003eSungazer\u003c\/span\u003e\u003cspan\u003e, nearly a decade on from their last album. An explosive, anthemic new record that looks to the future as much as embodying their wildly successful past. Includes singles 'Giving Up Air', 'Lucky Dimes' and 'Into The Wild'.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe album \u003c\/span\u003e\u003cspan\u003eSungazer \u003c\/span\u003e\u003cspan\u003eveers from yearning intimacy to full-throttle catharsis, from guitar-riffing indie tunes to heavy electronica, all anchored in Dougy’s expansive, instantly recognisable voice. 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Her latest record, Picking Petals, is the culmination of that hard graft and bold vision — an album rooted in her Scottish upbringing and shaped by the creative community she has built around her in Glasgow and beyond, featuring collaborations with Lauren Mayberry of CHVRCHES and Abigail Morris of The Last Dinner Party.\u003c\/p\u003e\n\u003cp\u003eLucia’s debut, Burning Castles, was streamlined and statuesque, built on metronomic beats and synth-led pop. The intention behind Picking Petals sharpened into focus in the face of this. This time, it was crucial to capture the essence of Lucia \u0026amp; The Best Boys’ live shows— loud and electric. In recent years, Fairfull has shared bills with a new wave of women in alternative music: joining Wolf Alice on their Blue Weekend tour in 2022 and, more recently, opening for the aforementioned The Last Dinner Party. 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Featuring longtime collaborator Marta, the track pairs Marta’s restrained vocal with Tricky’s urgent, almost punk-like delivery. The contrast between the two creates a dynamic finale that captures the album’s stripped back intensity. Originally written for Marta’s own album, Tricky ultimately reclaimed “Out Of Place” for Different When It’s Silent.\u003c\/p\u003e\n\u003cp\u003eDifferent When It’s Silent follows a prolific period of activity. Since 2020’s Fall to Pieces, Tricky has released music under several different guises, including the collaborative project Lonely Guest, the Fifteen Days project with producer Mike Theis under the name Theis Thaws, and last year’s joint record Out The Way with Marta, al via his own label, False Idols. Yet returning to an album under his own name took on a different shape.\u003c\/p\u003e\n\u003cp\u003e“In my mind it was another side project” he explains. 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What happens when your numbers come in? What are the consequences of luck? Should you listen to the birds, or are you only ever going to hear what you want to hear? To help us explore this: a heron, dice, a plummeting airplane, the late-night TV show Aussie Gold Hunters and a fibreglass replica of Godzilla.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDecoding Birdsong follows the wild success of his debut album, 2025’s Service Station at the End of the Universe, which launched Antony into a whirlwind of Glastonbury, Jools Holland, and repeat BBC airplay. He’s sold out venues across the UK and Europe, and in February 2026 performed to 20,000 while closing Solomun’s Alexandra Palace shows. 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His third album, ‘Stories They Don’t Teach You At School’, serves as an alternative form of education, delivered through a visceral blend of factual soundbites and raw emotion, loops and samples, guitars and bass. The lyrics resonate with core values of compassion, resilience, and community—themes rarely explored within a classroom setting or seen in today's fragmented society. By prioritising conviction over commercial success, the Dublin artist's outspokenness may invite controversy. Yet beneath the fervor lies a profound desire for positive social change at home in Ireland, and beyond.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMeryl Streek returned to Darkland Studios in Dublin to fine-tune the recordings previously made in a shed at the back of his ma's garden. Here he continued the genre-blurring nature of his earlier work, enticing listeners toward dissonant landscapes and hypnotic rhythms. Gentle piano tones collide with abrasive synths, creating a striking tension between beauty and noise. Streek tempers his rage when appropriate, integrating atmospheric textures and pop sensibilities into his ever-expanding sonic collage.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAs is tradition with any Meryl Streek record, ‘Stories They Don’t Teach You At School’ unearths many uncomfortable truths. ‘Rotten Fruit’ examines media manipulation and the numbing proliferation of misinformation, all soundtracked by synth-punk. With gliding keys and a crunchy bassline, ‘Council Estates’ critiques systemic government failures affecting the working class. ‘Kelly’ is a slice of electronica that details an ongoing criminal investigation, currently classified as a “Contested Cause of Death”. The indie pop of 'The Chancer' brings much-needed attention to landlord politicians. As the album progresses, the mission remains absolute: to provide a voice for the voiceless.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTo amplify these narratives, Meryl Streek handpicked a diverse group of collaborators for the project. ‘Rotten Fruit’ features Steve Ignorant of anarcho-punk collective CRASS. ‘Depression’ opens with a touching recording of the late Liam Norton, close friend and former touring companion, while Pete Holidai of The Radiators From Space contributes guitars on the song. Comedian Phill Jupitus provides the spoken outro for ‘The Chancer'. ‘Housing For All’ incorporates audio from Derelict Ireland campaigners Frank O’Connor and Jude Sherry. Venn Records owner and Gallows guitarist Laurent ‘Lags’ Barnard joins forces with Adebisi Shank bassist Vinny McCreith on the aggressive ‘Bullet,’ while Sophie Porter of Other Half provides bass guitar for ‘Life is Not a Rehearsal’. 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The band continued to work with Gil Norton after collaborating to such success on their platinum-selling second album Doolittle. Their third album in as many years, 1990 was a particularly fertile time for the band with Kim Deal also having success with The Breeders, who released their debut album Pod just a few months prior.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeaturing the singles ‘Allison’ (a tribute to jazz and blues pianist Mose Allison), ‘Dig For Fire’ and ‘Velouria’, plus the first cover to feature on one of their albums ‘Cecilia Ann’ (originally by The Surftones), Bossanova showed a less primal side to the band, with surf and space rock rising to the fore. Lyrically, Black Francis is even more cryptic with a recurring sci-fi theme running throughout, which in turn influenced Vaughan Oliver’s classic planet design for the sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cdiv\u003e1\/A1. 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Somewhere in between, life happened. Lily spent six months in Sri Lanka and Indonesia, trading songs for surfboards and stepping back from music for the first time in years. When Jack went out on the road with CMAT, Lily started a band of her own. ‘3’ is the sound of this magnetic songwriting duo finding each other again.\u003c\/p\u003e\n\u003cp\u003eWritten on a monthlong surf trip to Lagos, Portugal, these are songs with sandy feet and sunburnt shoulders, hooks that glow and harmonies that ache. Beauty built carefully, like a perfect sandcastle on a summer holiday, only to be flattened in an instant by your auntie’s passing cruelty. There's sweetness here, but it comes with teeth.\u003c\/p\u003e\n\u003cp\u003eA year later, the band flew to the Isle of Lewis off Scotland’s northwest coast to record the album live at Black Bay Studio. 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The group’s goal was, “Let’s go back to melodic tunes, let’s be more of a proper rock band,” Hozie explains. Sonically, the band aimed for “this late ’80’s \/ early 90’s Stone Roses-meets-Janes Addiction thing, with more riffing and guitar solos.” Where the band’s earlier material took a more explicitly sociopolitical bent, Hozie and Belfilgio’s writing on ‘All Inside Aquarium’ is deliberately more concerned with the personal, poetics, and play.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWith each single from the album, the band have created a limited edition 7” singles series. Each 7” has a unique colour and individual exclusive artwork that corresponds to a section of the ‘All Inside Aquarium’ album cover designed by Nikki. BODEGA, passionate defenders of the lost art of curating B-sides, made sure that each disc comes with an exclusive B-side track that’s not available digitally, or on the album. 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La Route du Rock - Non-album track\u003c\/p\u003e","brand":"PROPER","offers":[{"title":"Dinked (Cloudy Effect Sea Blue \u0026 Transparent Light Blue Vinyl)+7\" (Clear Vinyl)","offer_id":51856420634941,"sku":"BRV562X","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"Limited LP (Indies Transparent Green Vinyl)","offer_id":51856420667709,"sku":"BRVC562","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":51856420700477,"sku":"BRV562","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":51856420733245,"sku":"BRC562","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/BODEGA-AllInsideAquarium_3000x3000_bf9f8adc-9001-486e-9d4e-d695660b9420.jpg?v=1781868448"},{"product_id":"the-singer-in-my-band","title":"The Singer In My Band","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eDinked\u003c\/strong\u003e : Orange\/White\/Red ‘Muscle’ Vinyl \/ Bonus 7” with Two Non-Album Tracks \/ Numbered edition \/ Limited Pressing of 1000 * (600 UK)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited LP\u003c\/strong\u003e : Indies Exclusive Bone White Vinyl\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP\u003c\/strong\u003e : Standard Black Vinyl\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe last few years have been transformative for \u003c\/span\u003e\u003cspan\u003eNate Amos\u003c\/span\u003e\u003cspan\u003e. Between delivering breakout records both as a solo artist — under his \u003c\/span\u003e\u003cspan\u003eThis Is Lorelei \u003c\/span\u003e\u003cspan\u003emoniker — and with his band \u003c\/span\u003e\u003cspan\u003eWater From Your Eyes\u003c\/span\u003e\u003cspan\u003e, sold out shows across multiple continents, to seeing some of today’s most influential artists cover his songs, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records, \u003c\/span\u003e\u003cspan\u003eThe Singer in My Band \u003c\/span\u003e\u003cspan\u003etakes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes, at once both strangely familiar and endearingly offbeat in Amos’ signature style.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWritten while touring the globe in support of releases from both his bands,\u003c\/span\u003e\u003cspan\u003e The Singer in My Band\u003c\/span\u003e\u003cspan\u003e arrives as the first true “road record” in Amos’ discography.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e“The ideas incubated while daydreaming in the car without access to any instruments,” he recalls, “so instead of being home and writing on the guitar or a computer, they developed slowly and subconsciously, existing as a sort of intangible thing while looking out the van window.”\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2024’s \u003c\/span\u003e\u003cspan\u003eBox for Buddy, Box for Star\u003c\/span\u003e\u003cspan\u003e was Amos’ first attempt at an intentionally written full-length solo album, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success, spawning a deluxe version with covers and collaborations including MJ Lenderman, Hayley Williams, Jeff Tweedy, Cameron Winter and many more.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Singer in My Band\u003c\/span\u003e\u003cspan\u003e came together in the same apartment Amos has produced much of his music, with final touches made at his parents’ house in St. Johnsbury, Vermont. Amos engineered, produced, and performed everything on \u003c\/span\u003e\u003cspan\u003eSinger\u003c\/span\u003e\u003cspan\u003e, save for a blistering banjo lead on the title track courtesy of his father, bluegrass musician Bob Amos, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with, and the ways they could contribute were things that I had in mind as I was writing the songs,” he explains.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere’s an economy of style to \u003c\/span\u003e\u003cspan\u003eSinger\u003c\/span\u003e\u003cspan\u003e that’s distinct in the Lorelei catalog, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me,” he says, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass, where there are very particular rules and a very particular box - songs have to stand up by themselves in terms of melody, lyrics and chord progression.”\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eInspired by the textured and organic production of Gordon Lightfoot, songs like “\u003c\/span\u003e\u003cspan\u003eBilly Came Back\u003c\/span\u003e\u003cspan\u003e” and “\u003c\/span\u003e\u003cspan\u003eThe Kid With the Crown\u003c\/span\u003e\u003cspan\u003e” feature richly layered choruses made all the more effective by their spartan verses. The glitchy vocal harmonies on “\u003c\/span\u003e\u003cspan\u003eOh No Now My\u003c\/span\u003e\u003cspan\u003e” feel beamed in from some distant future, fleetingly captured on decaying equipment for the album’s most anthemic song, second only to the widescreen climax of “\u003c\/span\u003e\u003cspan\u003eHey Sarah Is It Gonna Rain Forever.\u003c\/span\u003e\u003cspan\u003e” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere’s Joey, Billy, Genevieve, Sarah, and the ever present Buddy, an Altman-esque ensemble cast who populate the album’s stories, scattered through distinctly American scenes and landmarks. As narrators go, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once weirdly specific and just a bit blurry, mirroring Amos’ experience of these last several years.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e“It’s funny, I sent my dad the album after I finished it, and he said it was kind of an “on the road beatnik” album and that kind of reframed it for me,”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003esays Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.”\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor many years, Amos’ This Is Lorelei project was known only to a close knit group of creatives in Chicago, where he relocated in his early 20s and produced hundreds of albums and EP’s, tracing the outlines for both of his prolific projects before relocating to New York. In the time since, he’s flourished as a wildly creative polymath who is equally adept at slinging heartworn hooks and eyeball-exploding art-pop. 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Now signed to Fat Possum Records, their debut album \u003c\/span\u003e\u003cspan\u003eAdult DVD\u003c\/span\u003e\u003cspan\u003e, establishes their landing point, an irreverent new voice existing in the space between electronic euphoria and spiky hardcore energy. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBoth unique in their approach and thrilling in impact, the band’s music has been shown love by Stereogum, Rolling Stone UK and The Line of Best Fit among others. Their breakout moment came with the single “Bill Murray,” an incessantly catchy distillation of people on the internet believing Tom Hanks and Bill Murray are the same person. More recently, the glitchy and anthemic “Real Tree Lee” was an A-list record at BBC 6Music and had support from BBC Radio 1.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAt both Brighton’s The Great Escape and SXSW in Austin this year the band were championed as one of the buzziest acts of the festival with snaking queues of people waiting hours to see them perform . A relentless touring schedule in 2025 saw them hone their status as festival headliners in waiting, picking up a global army of new fans and playing to huge crowds at Glastonbury, Green Man, End Of The Road and more. The band recently toured Japan where they were greeted by fans in homemade Adult DVD merch, played a series of sold-out shows and saw posts about their performances go viral with millions of views. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn the making of their exhilarating debut album, vocalist Harry Hanson and synth-player Greg Lonsdale, alongside Danny Blackburn (guitar\/synth), Jake Williams (synth), Jonathan Newell (drums), and George Manson (bass), went harder on what was already working for them: witty observational songwriting based in real-life characters and a pulsating synth-punk sound perfect for both the rave and the mosh pit. Fusing together an intense musical workout with depictions of a motley crew of figures ranging from 5G conspiracy theorists to an existential cowboy, \u003c\/span\u003e\u003cspan\u003eAdult DVD\u003c\/span\u003e\u003cspan\u003e is the electrifying sound of a band exceeding their own expectations while going just as hard, if not harder than their adrenaline-fuelled live shows. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOn \u003c\/span\u003e\u003cspan\u003eAdult DVD\u003c\/span\u003e\u003cspan\u003e Hanson and Lonsdale continue to take a screenwriter’s approach to songwriting, filling their lyrics with stories pulled from the outskirts of society yet painting a vivid and comic picture of modern Britain.  “We don't take things too seriously,” Lonsdale explains. “The lyrics have got sillier, the songs have got sillier. We make music for people to enjoy, so let them have a laugh.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eProduced by the band at The Nave Studios Leeds , t\u003c\/span\u003e\u003cspan\u003ehe general theme of the album is to let go and take life a little less seriously. “Cowboy On Aisle Three” conjures an image of a wrangler swapping the rodeo for a supermarket over a swaggering synth riff . It’s an EQ-pushing beast that merges an existential crisis with the band’s playful spirit and relentless pursuit of bangers. Speaking about the song, Hanson says: “I came up with the idea when I was in Lidl. I’m sure everyone has thought, ‘Imagine if I just went nuts now,’ to get out of doing the big shop.”  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAdult DVD might favour fiction over facts but that’s not to say these songs don’t tap into something real. Album opener “Do As I Please” unpicks the myth of community spirit and zeroes in on the post-pandemic sensation of the self-serving individual. “World’s Best Boss,” meanwhile, rages against authority figures warped by tiny amounts of power (“I’m shaking your hand just because I get paid”) and the importance of establishing an identity outside work. Another hit of pure unbridled energy, the industrial clatter of “Jesus Christ Supercar” finds the band taking aim at life’s bullshitters all too quick to explain away their lack of adventure. It stands as the opposite to their song “Do Something,” one of a few occasions when \u003c\/span\u003e\u003cspan\u003eAdult DVD\u003c\/span\u003e\u003cspan\u003e tips its cap to the band’s  older material. “‘Do Something’ was about somebody trying things,” Lonsdale explains. “‘Jesus Christ Supercar’ is about always putting an excuse in the way.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSimmering with boredom, wasted time, scams and a preoccupation with death and sex, the Adult DVD universe is a place to escape to and also get lost. These are songs that untangle the complicated ways in which people find themselves living, mining both laughter and energy from thinking. “There isn't that much down time on the album,” Hanson says in reference to its pulsating energy and high BPM count. “It's got harder in both directions. It’s like the EPs but on steroids.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eAdult DVD closes with a two song salvo that pushes things to new heights. “Real Tree Lee” shows what happens when questioning the truth leads to falling down the “\u003c\/span\u003e\u003cspan\u003ecretin side” of the internet and into a bog of conspiracy theories. “\u003c\/span\u003e\u003cspan\u003eI remember my mate from school whose dad used to make his own diesel in his shed,” says Lonsdale. “There was another guy who had loads of guns, too. We were interested in writing about these old boys with wild shit going on and where they go when they spend too much time online.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e“Rolling Face”—an acid house exploration of a wild night out that ends with its main character out of his mind — brings the album to a close. Its frantic pace, heavy breakbeats, and chanted vocals captures the band’s pulsating live show, concluding a journey that hurtles out of the screen and into real life. “The album starts in the evening and by the end of it, it's like it’s 3am,” says Hanson. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThat release, from the twin streams of mundanity and chaos of modern life, makes Adult DVD one of the most entertaining and essential albums of the year. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eSide A\u003cbr\u003e1.⁠ ⁠Do As I Please\u003cbr\u003e2.⁠ ⁠Coffin Dodger\u003cbr\u003e3.⁠ ⁠Cold Caller\u003cbr\u003e4.⁠ ⁠Minimal Criminal\u003cbr\u003e5.⁠ ⁠Jesus Christ Supercar\u003cbr\u003e6.⁠ ⁠Cowboy On Aisle Three\u003cbr\u003e7.⁠ ⁠The Steaks Are High\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e8.⁠ ⁠World’s Best Boss\u003cbr\u003e9.⁠ ⁠All I Need\u003cbr\u003e10.⁠ ⁠Ghillie Suit\u003cbr\u003e11.⁠ ⁠Real Tree Lee\u003cbr\u003e12.⁠ ⁠Rolling Face\u003cbr\u003e\u003c\/p\u003e","brand":"ORCHARD","offers":[{"title":"Dinked (Transparent Blue Vinyl)","offer_id":51888434970941,"sku":"FP1890-3","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":51888435003709,"sku":"FP1890-1","price":21.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":51888435036477,"sku":"FP1890-2","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/AdultDVD-Packshot3000px.jpg?v=1782558709"},{"product_id":"the-early-days-animalism-pool-party-crybaby","title":"The Early Days: Animalism, Pool Party, Crybaby","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eDinked\u003c\/strong\u003e : Half Blue\/Half Yellow | Half Blue\/Half Violet 2LP \/ Special D-side screenprint \/ Bonus 7” featuring “July” \/ Dinked Archive gold foil sticker \u0026amp; obi-strip \/ Limited pressing of 500\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LP\u003c\/strong\u003e : Standard \"Poseidon\" Coloured Vinyl\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003eChicago band Beach Bunny revisits their first three original releases, Animalism, Pool Party, and Crybaby. Featuring fan-favorite tracks “February,” “July,” and “6 Weeks,” this revamped edition reintroduces the band’s roots over a decade later.\u003c\/p\u003e\n\u003cp\u003eBegun a decade ago as a Trifilio solo project, Beach Bunny have amassed a loyal fanbase thanks to things such as constant touring and collaborations with artists like Tegan and Sara and Marina. And today, Beach Bunny continues to nurture their community with appearances at Coachella and Lollapalooza and by curating their own Pool Party festivals in their hometown of Chicago. \u003c\/p\u003e\n\u003cp\u003eSo far, this approach has worked like a charm. The band - the name refers interchangeably to both Trifilio and the full band that also features bassist\/lead guitarist Anthony Vaccaro and drummer Jon Alvarado - has landed viral hits such as the RIAA-certified Platinum \"Prom Queen\" and \"Cloud 9” and the RIAA-certified Gold \"Sports,\" and earned over a billion streams on Spotify alone plus countless appearances on critics' best of the year lists. 2022’s Emotional Creature, which debuted at No. 1 on Billboard’s Heatseekers Albums chart, while “Vertigo,\" the first single released from Tunnel Vision, became their highest charting song at AAA radio to date upon its 2024 release.\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eSide A\u003cbr\u003eIntro\u003cbr\u003e6 Weeks\u003cbr\u003eOozin\u003cbr\u003eCalifornia \u003cbr\u003eBaby\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eJuly\u003cbr\u003eDeja Vu\u003cbr\u003eWaves\u003cbr\u003eShoegazer\u003cbr\u003eGhost\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSide C\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eFeb\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBoys\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eJenny\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSide D\u003cbr\u003eScreen-printed D-Side\u003c\/p\u003e","brand":"ROM","offers":[{"title":"Dinked (Half Blue\/Half Yellow \u0026 Half Blue\/Half Violet 2LP+Bonus 7\")","offer_id":51897372377405,"sku":"BUNNY-004X","price":34.99,"currency_code":"GBP","in_stock":true},{"title":"2LP (\"Poseidon\" Coloured Vinyl)","offer_id":51897372410173,"sku":"BUNNY-004LP","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/Albumartwork_b20e7bb5-9f02-4b4a-9b15-addb2dafc10d.jpg?v=1782823001"},{"product_id":"mother-earths-plantasia-50th-anniversary-edition","title":"Mother Earth's Plantasia (50th Anniversary Edition)","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eDinked\u003c\/strong\u003e : Spruce coloured vinyl \/ 4.5\" x 7\" Plant Journal \/ 11” x 11” liner notes \/ Limited pressing of 1500 (700 UK)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP\u003c\/strong\u003e : \u003cspan\u003eMulticolour Eco Mix Vinyl\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003eBefore Brian Eno did it, Mort Garson was making discreet music. Julliard-educated and active as a session player in the post-war era, Garson wrot\u003cimg\u003ee lounge hits, scored the 1969 moon-landing and plush arrangements for Doris Day, and garlanded weeping countrypolitan strings around Glen Campbell’s By the Time I Get to Phoenix.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn the mid-1970s, a force of nature swept across the continental United States, cutting across all strata of race and class, rooting in our minds, our homes, our culture. It wasn’t The Exorcist, Goodbye Yellow Brick Road, or even bellbottoms, but instead a book called The Secret Life of Plants. The work of occultist\/ former OSS agent Peter Tompkins and former CIA agent\/dowsing enthusiast Christopher Bird, the book shot up the bestseller charts and spread like kudzu across the landscape, becoming a phenomenon.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSeemingly overnight, the indoor plant business was in full bloom and photosynthetic eukaryotes of every genus were hanging off walls, lording over bookshelves, and basking on sunny window ledges. The science behind Secret Life was specious: plants can hear our prayers, they’re lie detectors, they’re telepathic, able to predict natural disasters and receive signals from distant galaxies. But that didn’t stop millions from buying and nurturing their new plants.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePerhaps the craziest claim of the book was that plants also dug music. And whether you purchased a snake plant, asparagus fern, peace lily, or what have you from Mother Earth on Melrose Avenue in Los Angeles (or bought a Simmons mattress from Sears), you also took home Plantasia, an album recorded especially for them. Subtitled “warm earth music for plants…and the people that love them,” it was full of bucolic, charming, stoner-friendly, decidedly unscientific tunes enacted on the new-fangled device called the Moog.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe album gained an enormous cult following decades after its release. Sacred Bones’ 2019 reissue helped introduce Plantasia to a wider global audience, sparking a remarkable second life for Garson’s unlikely masterpiece.\u003cbr\u003e\u003cbr\u003eWhat was once a strange artefact of 1970s plant-mania has become a beloved evergreen, rediscovered and re-embraced by a new generation of listeners and flourishing far beyond its original moment, evolving from obscure novelty into a beloved cult classic and streaming-era touchstone.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNow, 50 years after its original release, Mother Earth’s Plantasia marks a major anniversary moment. Half a century on, it continues to resonate - an enduring reminder of Mort Garson’s ability to make the synthetic feel strangely alive and the whimsical feel oddly profound.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e01. Plantasia (3:23)\u003cbr\u003e02. Symphony for a Spider Plant (2:41)\u003cbr\u003e03. Baby’s Tears Blues (3:03)\u003cbr\u003e04. Ode to an African Violet (4:04)\u003cbr\u003e05. Concerto For Philodendron And Pothos (3:09)\u003cbr\u003e06. Rhapsody In Green (3:28)\u003cbr\u003e07. Swingin’ Spathiphyllums (2:59)\u003cbr\u003e08. You Don’t Have To Walk A Begonia (2:31)\u003cbr\u003e09. A Mellow Mood For Maidenhair (2:17)\u003cbr\u003e10. Music To Soothe The Savage Snake Plant (3:23)\u003c\/p\u003e","brand":"CARGO","offers":[{"title":"Dinked","offer_id":51958628090173,"sku":"SBR3030lp-C19","price":37.99,"currency_code":"GBP","in_stock":true},{"title":"LP (Multicolour Eco Mix Vinyl)","offer_id":51958628122941,"sku":"SBR3030LP-C18","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/MortGarson-Plantasia.jpg?v=1783685497"},{"product_id":"secret-love-deluxe-edition","title":"Secret Love (Deluxe Edition)","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eDinked\u003c\/strong\u003e : Album on purple vinyl \/ Bonus 12” on mint vinyl, with 3 new tracks \/ Alternative sleeve artwork \/ 12” x 12” full colour 8pp updated booklet \/ Limited pressing of 1,000 (750 UK)\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAt the beginning of this year, \u003c\/span\u003e\u003cspan\u003eDry Cleaning\u003c\/span\u003e\u003cspan\u003e released their new album, \u003c\/span\u003e\u003cspan\u003eSecret Love\u003c\/span\u003e\u003cspan\u003e. The third album from the London-based group consisting of lyricist Florence Shaw, guitarist Tom Dowse, drummer Nick Buxton and bassist Lewis Maynard received glowing accolades across the globe. 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This is the first time we've released a deluxe edition, and we're especially excited because it includes some of our favourite songs from the session.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFlorence Shaw says: \u003c\/span\u003e\u003cspan\u003e“The three new songs have a lot of tenderness and vulnerability to them. They’re about feelings of love and loss but also humour that comes along with those heavy feelings.  \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e‘Sliced by a Fingernail’ is about looking for places to hide; fantasies like packing yourself into the centre of a huge flower bud, but also more everyday ones like being part of the crowd at a karaoke bar.   \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e‘Grass’ is about grieving for someone still alive. 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There was no big conversation about their new direction, but they were all listening to that type of music, with Josh mainlining Neil Young and other “early ’70s stuff” too.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan class=\"s1\"\u003eFor ‘Somewhere Between’, they got together in a room with their featured vocalists and created magic, as the singers conjured their own lyrics after tuning into the trio’s music. “Writing with GSP is always a pleasurable experience,” says Rosie Lowe. “The music is so emotive that songs seem to flow with ease.”\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eWake Me Up ft. Olive Jones\u003cbr\u003eFlowers ft. Pip Millett\u003cbr\u003eNico’s Theme\u003cbr\u003eSome Birds Don’t Fly ft. Matt Maltese\u003cbr\u003eShape Of America ft. Sofia and The Antoinettes\u003cbr\u003eEasy ft. Celeste\u003cbr\u003eLay Low\u003cbr\u003eBelow The Water ft. Rosie Lowe\u003cbr\u003eDon’t Give Up ft. anaiis\u003cbr\u003eSlippy\u003cbr\u003eGoing Home\u003c\/p\u003e","brand":"PIAS","offers":[{"title":"Dinked (Tri-Colour Effect Vinyl)","offer_id":52020844069181,"sku":"PIASR1680LPS","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":52008851341629,"sku":"PIASR1680LP","price":25.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":52008851374397,"sku":"PIASR1680CD","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/GOTTSSTREETPARK_SOMEWHERE_BETWEEN_ARTWORK.jpg?v=1784550367"},{"product_id":"all-set-the-bone","title":"All Set The Bone","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eDinked\u003c\/strong\u003e : 140g “Dusk” coloured 2LP \/ Signed 12” x 12” insert \/ Hand-numbered belly band \/ Gatefold sleeve \/ Limited pressing of 500\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited 2LP \u003c\/strong\u003e: Indies Exclusive Coke Bottle Clear Vinyl\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LP\u003c\/strong\u003e : Standard Black Vinyl\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003eCritically acclaimed US musician Greg Freeman returns with his third album, All Set The Bone. Freeman was barely done making his breakthrough album, Burnover, which was released to wide acclaim and landed in The New York Times Best Albums of 2025 list and received the coveted ‘Best New Album’ distinction from Pitchfork, when he started writing its successor. \u003c\/p\u003e\n\u003cp\u003eOn All Set The Bone, he embraces friction instead of refusing it, using scant rehearsal times and urgent, self-appointed deadlines to fill his third album with ambitious whims: smile-stretching guitar scorchers, cosmic percussive surges, near-baroque piano riffs, psych-rock noodles, brass cutouts, and enough key changes to build an unsolvable musical maze. \u003c\/p\u003e\n\u003cp\u003eAll Set The Bone was finished quickly, in a real Hollywood studio with one of rock’s best modern architects, John Congleton, and with minimal separation between idea and outcome. \u003cbr\u003e\u003cbr\u003eFor Freeman, uncertainty has become his wealthiest currency. “It should never feel comfortable,” he says. “Every album should scare you.”\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eSide A\u003cbr\u003e1. Cahokia\u003cbr\u003e2. Totaled\u003cbr\u003e3. Culture\u003cbr\u003e4. Withdrawn\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e1. Indu\u003cbr\u003e2. Loser’s Prize\u003cbr\u003e3. Hail Mary\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide C\u003cbr\u003e1. Decade\u003cbr\u003e2. Marooned\u003cbr\u003e3. Untitled 10\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide D\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1. Next To Nothing\u003cbr\u003e\u003c\/span\u003e2. Costs\u003cbr\u003e3. 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Despite economic instability and restrictive political conditions in the 1980's, Nigeria’s music industry flourished, driven by a growing network of independent labels such as Tabansi and Phonodisk, which championed local artists and expanded creative freedom. The 1980s also marked a significant rise in visibility for female artists, with trailblazers like Onyeka Onwenu helping to reshape the landscape and open doors for a new generation of performers, writers, and producers.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNigeria 80 showcases the extraordinary breadth of this era, with all tracks reissued here for the first time. The compilation brings together essential recordings from across Nigeria’s musical spectrum: highlife greats Victor Uwaifo and Nico Mbarga appear alongside Paulson Kalu, whose personal favourite “Akugbue Nwa Ewu” stands out as a prime example of the style. Prince David Bul’s “Soko Soko” (later reinterpreted in Starboy’s Afrobeats hit “Soco”) features as a key touchpoint between eras. Segun Adewale delivers a driving juju workout, while Lekan Animashaun, longtime bandleader of Africa 70, contributes a late-era Afrobeat classic produced in collaboration with Fela Kuti.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe compilation also highlights more experimental and hybrid sounds, from I.C. Rock’s proto–hip hop gem “Advice” to Evi-Edna Ogholi’s self-produced reggae statement “The World”. The set closes with “Apama” by Ibealaoke Chukwukeziri, the “Apama Boy” from Achi in eastern Nigeria, featuring hypnotic vocals and percussion from his Anaedeonu band.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNigeria 80 is available as a 2LP housed in a gatefold sleeve or CD digipak, which includes a 16-page booklet with artist photos and liner notes by Francis Gooding. Compiled by Duncan Brooker. Audio restoration by See Why Audio. Mastered by The Carvery.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eSide A\u003cbr\u003e1. Akugbue Nwa Ewu – Paulson Kalu \u0026amp; His Stars 25 International\u003cbr\u003e2. Ocheme Mia – Prince Nico Mbarga \u0026amp; His New Rocafil Jazz\u003cbr\u003e3. Ayubele – Sir Victor Uwaifo \u0026amp; His Titibitis\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e1. Advice \/ Oge Chi Kanma – I.C. Rock\u003cbr\u003e2. We Have Got It – Mansour\u003cbr\u003e3. 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Apama – Ibealaoke Chukwukeziri \u0026amp; His Anaedeonu Band\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eSoundwave\u003c\/h5\u003e\n\u003cp\u003ehttps:\/\/youtu.be\/rguno_9n3Fg?si=MVzo-i043oUbU5lC\u003c\/p\u003e","brand":"ROM","offers":[{"title":"Dinked (Red \u0026 White\/Black \u0026 White Inksplosion 2LP+Poster)","offer_id":52009420980541,"sku":"STRUT344LPD","price":34.99,"currency_code":"GBP","in_stock":true},{"title":"2LP","offer_id":52009421013309,"sku":"STRUT344LP","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":52009421046077,"sku":"STRUT344CD","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/N80_3000.jpg?v=1784557443"},{"product_id":"if-i-don-t-love-you-who-will","title":"if i don’t love you, who will ?","description":"\u003ch5\u003eProduct Info\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eDinked\u003c\/strong\u003e : \u003cspan\u003eYellow \u0026amp; red splatter double vinyl \/ \u003c\/span\u003e\u003cspan\u003eIncludes bonus 6 track 12” (‘Stupid Kids' EP - only available digitally) \/ \u003c\/span\u003e\u003cspan\u003eLimited pressing of 300\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP\u003c\/strong\u003e : Standard Yellow Lime Vinyl\u003c\/p\u003e\n\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFrom the streets of South East London to the quiet suburbs of Surrey, Peace Okezie, the creative force behind Master Peace, is the product of a cultural collision that is uniquely his own. \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRaised between indie discos, grime cyphers and FIFA soundtracks which he now finds himself featured on, his makeup is one of contrast and conviction. This duality is not just in his upbringing, it is the driving force behind his sound, a gutsy fusion of raucous indie, punk energy, \u003c\/span\u003e\u003cspan\u003erazor-sharp lyricism and an undeniable sense of fun, built for stages rather than boxes. \u003cbr\u003e\u003cbr\u003eNever one to fit neatly into a singular scene, Peace grew up with Skepta and Giggs in his brother’s headphones, and The Kooks, Bloc Party and Vampire Weekend in his own. By the time he was making music himself, he had already learned to navigate both worlds. \"I always had my foot in each door but never felt like I fit in with either crowd, so I decided I needed to create something new,\" he says. That split identity birthed a sound that is impossible to categorise and impossible to ignore.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003eMaster Peace's 2024 debut album How To Make A Master Peace announced one of British music's most original new voices, earning him the Ivor Novello Rising Star Award, Zane Lowe recognition, MTV Push honours, a Rolling Stone nomination and standout appearances at Glastonbury, alongside tours and shows with Franz Ferdinand and Kasabian. \u003cbr\u003e\u003cbr\u003eSince then, an exhaustive touring schedule has only strengthened his reputation as one of the UK's most exhilarating live performers. From headline tours across the UK and his first headline US run to a European tour supporting 5 Seconds Of Summer, Peace has shared stages with the likes of Duckwrth, Bastille, Franz Ferdinand and Mike  Skinner, building a loyal following through his electrifying live shows.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEarlier this year, Master Peace released Stupid Kids, a deeply personal EP that confronted the labels placed upon him growing up. Living with undiagnosed autism and ADHD, leaving school with no qualifications and being repeatedly dismissed by teachers, Peace reclaimed the phrase \u003c\/span\u003e\u003cspan\u003ethat had followed him throughout his childhood, turning it into a rallying cry for anyone who has ever been underestimated. Honest without losing its humour or energy, Stupid Kids cemented his ability to pair fearless storytelling with euphoric indie-soaked anthems.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eNow, Master Peace enters his next chapter with his second album If I Don't Love You, Who Will? arriving on October 2nd. Introduced by the singles \"Love Hate\" and \"ONE Of ONE\", the record expands his world once again, pushing his songwriting further while retaining the emotional directness and restless energy that have become his trademark. It is his most ambitious statement yet, a record about identity, connection, self-worth and finding belonging, delivered with the genre-defying confidence that has become synonymous with Master Peace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA genuine musical chameleon, Peace moves effortlessly between rap, indie, punk and alternative without ever feeling like he is borrowing from any one world. Equally at home alongside a new generation of artists like Malcolm Todd and Royel Otis as he is helping define the UK's indie sleaze resurgence, he continues to dismantle expectations around genre, audience and identity. Few artists make those worlds feel as naturally connected.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThat same spirit defines his live shows. A Master Peace crowd is remarkably diverse, bringing together fans from every walk of life and every generation, united by his infectious charisma and genre-fluid stompers. His concerts are celebrations of individuality as much as they are gigs, a space where indie kids, rap fans and everyone in between find common ground. Master Peace has emerged as a voice for a generation that often feels overlooked, proof that there is not one route into music, success or belonging. Growing up surrounded by crime, losing friends to violence and prison, and navigating a world that frequently misunderstood him, Peace could easily have become another statistic. Instead, he has built a career on refusing convention, creating music that gives people permission to embrace every part of themselves.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eSide A\u003cbr\u003e1. save your love xx\u003cbr\u003e2. new boyfriend\u003cbr\u003e3. falling in love with your friends\u003cbr\u003e4. back at me\u003cbr\u003e5. act like you know ?\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e6. Love Hate (feat. Thomas Day)\u003cbr\u003e7. stay on me ! (feat. Diamond Cafe)\u003cbr\u003e8. ONE of ONE\u003cbr\u003e9. sucker punch !\u003cbr\u003e10. never moved on ?\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBonus 12\" (Dinked Edition Only)\u003c\/strong\u003e\u003cbr\u003eSide C\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1. There’s No More Underground\u003cbr\u003e\u003c\/span\u003e2. My Guitar\u003cbr\u003e3. Spin The Block\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide D\u003cbr\u003e4. Good Times\u003cbr\u003e5. Stupid Kids\u003cbr\u003e6. Fuck It Up (feat. 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She is now poised to continue her impressive rise in 2026 with a bold new look and sound. 2026; the year of Nieve.\u003c\/p\u003e\n\u003cp\u003eNieve has picked up fans in acts like Beabadoobee, Yungblud and Grian from Fontaines DC. Her summer has included performances at BST Hyde Park, Crystal Palace Park with Snow Patrol, Bludfest and upcoming performances at Lollapalooza Berlin and Electric Picnic. \u003c\/p\u003e\n\u003cp\u003eLONG BIO: \u003c\/p\u003e\n\u003cp\u003eDebut albums either arrive as a statement or instead pose a question. The question Nieve Ella has found herself asking echoes back, not only through her own life, but through the anxious existentialism of an entire two generations. How Long Will It Take? It’s a vulnerable question for the audience that has grown up alongside Nieve, gravitating towards her self-depreciating humour and straight-talking attitude. \u003c\/p\u003e\n\u003cp\u003eOne image haunted her through the album writing process, and it’s one that is behind the album’s visual world: the staircase. “I feel like I’m on one neverending set of stairs and I don’t know how long it’s going to take me to get to the top, and there’s no bottom anymore,” she muses. “You might stop and have a breather but you’re always on those stairs. My legs are wobbly now but I’ve got no choice but to carry on.” That staircase represents her career and the possibility of success, but it also represents her becoming more herself, a version that’s more together and less self-sabotaging. When is she going to get there? It doesn’t matter if you’re a teenager or in your late-30s, you’ll know the constant trying to keep up while being exhaustingly stagnant. Her thrillingly ungovernable debut alt pop album explores that frustrating journey, every metaphorical step of the way. \u003c\/p\u003e\n\u003cp\u003eEven as a young rebellious teen Nieve Ella could sense that staircase ahead. At school, she landed in serious trouble for making TikTok videos during lessons. “I was just chitchatting about my teachers or making jokes about Ofsted,” she laughs. “I’d get hundreds of thousands of views and had about 30,000 followers. It was all because I wanted to build a following so I could start posting singing videos.” Only a couple of years later, singing live every single day on that very TikTok account got her discovered by a young A\u0026amp;R and signed. “I think the school system really failed me and hundreds of thousands of other kids like me who are energetic, or creative, or anyone who breaks the mold,” Nieve says. “But if my brain wasn’t wired the way it is I would not be here today making music.” \u003c\/p\u003e\n\u003cp\u003eGrowing up in a small village in Shropshire, Nieve loved Hannah Montana for the idea that a normal girl could switch into a popstar without anyone questioning her. “I used to go to sleep every single night wishing that we won the lottery so that I could have the money to be famous and live in a big house and have music lessons,” she says. Her musical father left the family and moved to Spain when she was four. When she was ten, he passed away, leaving behind two guitars. As a young adult, she began to learn guitar herself, and with it came a different understanding of her purpose: she wanted to make it in music for the both of them.\u003c\/p\u003e\n\u003cp\u003eAfter three painfully catchy EPs of guitar-driven alt-rock, in the vein of Wolf Alice, beabadoobee, Wet Leg and The Last Dinner Party, Nieve Ella has built serious momentum: a support slot with girl in red, a performance at Reading and Leeds Festival, over 20 million streams, and praise from Rolling Stone UK, who called her a “leader in the next generation of indie.” But when it came to writing her debut album, she pushed her voice into new spaces. “I want to create a sound that people aren’t listening to yet and change culture,” she says passionately. \u003c\/p\u003e\n\u003cp\u003eIn this original reimagining of alt pop, How Long Will It Take? experiments with dynamics flipping up and down at the same time, and is full of tiny intrigues and textures, reflective of Nieve’s “creatively chaotic brain”. “I’m not stable or put together. I’m 23 years old and this is the state of my being,” she says excitedly, of idiosyncratic music that has the slant of a rockier, grungier Lola Young. \u003cbr\u003eThe album opens with the optimistic indie rock sound of “101” – we’re on the way somewhere! – but then Nieve calls out repeatedly: “TV falling.” For her, the sparse track was to lay out her state of mind immediately: “My brain is like a TV thrown out of a window, carrying all these stories and voices before it smashes.” At times, she admits, she is the one throwing herself out of the window, self-sabotaging and hurting those closest to her. \u003c\/p\u003e\n\u003cp\u003eFirst groove-led single “Drive” reintroduced Nieve Ella with a quiet swagger – heavy on the bass and drums, it pulses with attitude. The deliberately cheeky chorus “You wanna talk talk talk and blah blah blah” leans into the simplicity of pop boldness rather than shying away from it. On the brash second single, “Bite Back”, she cusses out two people who wronged her. But those flashes of self-assurance are always undercut with insecurity. Surprising third single, “Standing on a Pane of Glass”, is an alt rock anthem that brings a heavy operatic intensity to the stomach-churning feeling of being trapped in a mental headspace. She rides that same rock ‘n’ roll edge into “Back To Basics”, a brooding fourth single about trying, failing and admitting the damage. “Artists are normal people that love and hate and feel so much, and I wrote that song to make it clear that I’m not always the victim; I do handle shit wrongly sometimes,” she explains. \u003c\/p\u003e\n\u003cp\u003eGlitchy electro-pop ballad “Love:Hate” and mid-tempo dance-pop contemplation “At Any Cost” sit in the same emotional room. “They talk about how I feel in my current relationship, and friendships – I know that I take myself out on people and I’m not helping myself by doing that,” she says. Sunny indie rock bop “Romance Is A Desert” with hot riffs and sultry vocals could almost suggest reprieve in the form of a love song. But listen closer and the seduction and the dread are entwined in the images of the lyrics: “I imagine ‘you quench my thirst with your tongue in my mouth’ and it’s so sexy but there’s a snapshot of worry in my eyes – it’s almost like a horror movie,” she explains. \u003c\/p\u003e\n\u003cp\u003eThis tornado of emotions spiral into the eye of the storm: the expansive title-track ballad, “How Long Will It Take?”. With a billowing vocal, she claws and grasps at the album’s biggest ask – “How long will it take to change?” – leaving the listener suspended between sadness, determination, resignation and hope. \u003c\/p\u003e\n\u003cp\u003eNieve doesn’t want people to only know the light, fun parts of her. “I want them to know the mess behind the scenes,” she says proudly of this debut album, a record more interested in proof than polish. Proof that the drama in her head is survivable, maybe even useful: “I want to be that voice for people to feel like it’s going to be OK because I’m going through it too.” Nieve Ella doesn’t have the answers yet and she’s refusing to fake them – but the first step to salvation is always asking the right question. \u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eSide A\u003cbr\u003e1) 101\u003cbr\u003e2) Drive\u003cbr\u003e3) Standing On A Pane Of Glass\u003cbr\u003e4) Romance Is A Desert\u003cbr\u003e5) Bite Back\u003cbr\u003e6) At Any Cost\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e1) Angie\u003cbr\u003e2) Love:Hate\u003cbr\u003e3) I'M NOT DEAD\u003cbr\u003e4) Back To Basics\u003cbr\u003e5) How Long Will It Take?\u003c\/p\u003e","brand":"PROPER","offers":[{"title":"Dinked (Turquoise Vinyl w\/ Alt. 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