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Like its two predecessors, Lord of Lords features a 16-piece string orchestra that the leader arranged and conducted, fronted by a trio in which she plays piano, Wurlitzer organ, harp, and timpani accompanied by bassist Charlie Haden and drummer Ben Riley.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe original producer, Ed Michel, later stated that Coltrane worked with the top-rank classically-trained studio musicians of the string section and \"opened them up so they could do absolutely astonishing things. Afterwards, the string players couldn't believe that they had done what they had done.\" According to AllMusic reviewer Thom Jurek, \"The interplay between the three principals is lively and engaging, based on droning blues chords, and her soloing - even amid flurries of notes - comes right back to the root. Haden's bass is a beautiful anchor here, and the strings offer a lovely response to her organ and harp. 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Clark's backing band included producer and guitarist Jesse Edwin Davis, bassist Chris Ethridge of the Flying Burrito Brothers, organist Michael Utley, along with pianist Ben Sidran and drummer Gary Mallaber, both of the Steve Miller Band.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAccording to AllMusic reviewer Thom Jurek, \"Over its nine original tracks, White Light has established itself as one of the greatest singer\/ songwriter albums ever made. The focus on these tracks is intense, they are taut and reflect his growing obsession with country music. Now this is classic rock.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eSIDE A\u003cbr\u003e1. The Virgin (Gene Clark)\u003cbr\u003e2. With Tomorrow (Gene Clark - Jesse Davis)\u003cbr\u003e3. White Light (Gene Clark)\u003cbr\u003e4. Because of You (Gene Clark)\u003cbr\u003e5. One in a Hundred (Gene Clark)\u003cbr\u003e\u003cbr\u003eSIDE B\u003cbr\u003e1. 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Known for its use of many classical and orchestral pieces, it is credited for giving many classical compositions resurgences in popularity. From very early in production, Kubrick decided that he wanted the film to be a primarily nonverbal experience that did not rely on the traditional techniques of narrative cinema, and in which music would play a vital role in evoking particular moods.\u003cbr\u003e\u003cbr\u003eThe film is notable for its innovative use of classical music taken from existing commercial recordings. In the early stages of production, Kubrick had actually commissioned a score for 2001 from Hollywood composer Alex North, but during postproduction, Kubrick chose to abandon North’s music in favour of the now-familiar classical pieces.\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eSide 1\u003cbr\u003e1. “ALSO SPRACH ZARATHUSTRA” 1:37\u003cbr\u003e2. “REQUIEM FOR SOPRANO, MEZZO-SOPRANO, 2 MIXED\u003cbr\u003eCHOIRS AND ORCHESTRA” 4:09\u003cbr\u003e3. “LUX AETERNA” 5:54\u003cbr\u003e4. “THE BLUE DANUBE” 6:55\u003cbr\u003e\u003cbr\u003eSide 2\u003cbr\u003e1. “GAYANEH BALLET SUITE” (Adagio) 5:12\u003cbr\u003e2. “ATMOSPHERES” 8:26\u003cbr\u003e3. “THE BLUE DANUBE” 3:25\u003cbr\u003e4. “ALSO SPRACH ZARATHUSTRA” 1:37\u003c\/p\u003e","brand":"LASGO","offers":[{"title":"LP","offer_id":44737424949565,"sku":"700180","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/products\/0600753963432.jpg?v=1678181585"},{"product_id":"masterpiece","title":"Masterpiece","description":"\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003eLimited edition LP (1,000 copies).\u003cbr\u003eDeluxe 180-gram reissue, including original artwork \u0026amp; credits.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eA1 Hey Girl (I Like Your Style) 4:39\u003cbr\u003eA2 Masterpiece 13:54\u003cbr\u003eB1 Ma 4:46\u003cbr\u003eB2 Law Of The Land 5:08\u003cbr\u003eB3 Plastic Man 6:06\u003cbr\u003eB4 Hurry Tomorrow 8:08\u003c\/p\u003e","brand":"LASGO","offers":[{"title":"LP","offer_id":45136653386045,"sku":"700172","price":25.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/temptations.jpg?v=1683383136"},{"product_id":"the-london-muddy-waters-sessions","title":"The London Muddy Waters Sessions","description":"\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003eReleased in 1972, The London Muddy Waters Sessions was a follow-up to 1971's The London Nowlin' Wolf Sessions, constituting two of the earliest supersession blues albums. Both brought together the cream of the crop of the UK rock scene in order to back a Blues master.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eA1 Blind Man Blues\u003cbr\u003eA2 Key To The Highway\u003cbr\u003eA3 Young Fashioned Ways\u003cbr\u003eA4 I'm Gonna Move To The Outskirts Of Town\u003cbr\u003eA5 Who's Gonna Be Your Sweet Man When I'm Gone\u003cbr\u003eB1 Walkin' Blues\u003cbr\u003eB2 I'm Ready\u003cbr\u003eB3 Sad Sad Day\u003cbr\u003eB4 I Don't Know Why\u003cbr\u003e\u003c\/p\u003e","brand":"LASGO","offers":[{"title":"LP","offer_id":45136670097725,"sku":"700173","price":28.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/muddy_297f6cc1-0bcc-4d56-a43b-c8132e3b1eb6.jpg?v=1683383599"},{"product_id":"surrender-4","title":"Surrender","description":"\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003eOriginally released in 1971.\u003cbr\u003e\u003cbr\u003eComes with a plain white poly-lined inner sleeve. There is a hype sticker on the front of the protective shrink wrap.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eA1 Surrender\u003cbr\u003eA2 I Can't Give Back The Love I Feel For You\u003cbr\u003eA3 Remember Me\u003cbr\u003eA4 And If You See Him\u003cbr\u003eA5 Reach Out, I'll Be There\u003cbr\u003eB1 Didn't You Know You'd Have To Cry Sometime?\u003cbr\u003eB2 A Simple Thing Like Cry\u003cbr\u003eB3 Did You Read The Morning Paper?\u003cbr\u003eB4 I'll Settle For You\u003cbr\u003eB5 I'm A Winner\u003cbr\u003eB6 All The Befores\u003cbr\u003e\u003c\/p\u003e","brand":"LASGO","offers":[{"title":"LP","offer_id":45136699392317,"sku":"700178","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/surrender_ef52a8d6-191d-4a62-a761-043078f61286.jpg?v=1683384153"},{"product_id":"gula-matari","title":"Gula Matari","description":"\u003ch5\u003eMore Info\u003c\/h5\u003e\n\u003cp\u003eA classic soul-funk jazz masterpiece by music giant Quincy Jones, Gula Matari marked his second and final album under the Creed Taylor aegis. It constituted a real step forward for the jazzman, who was moving here into sophisticated new territory.\u003c\/p\u003e\n\u003cp\u003eInstrumentation includes: Milt Jackson, vibes; Hubert Laws, flute; Freddie Hubbard, trumpet; Eric Gale, guitar; Herbie Hancock and Bob James, keyboards; special guests include Toots Thielemans on guitar and soulful vocals by Valerie Simpson. 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It reached #2 on the Billboard 200 in 1972, making it the band's most successful non-collaborative album on the chart. It also became their twelfth album to reach #1 on the Top R\u0026amp;B Albums chart. All Directions features the #1 hit \"Papa Was a Rollin' Stone\", which was a twelve-minute cover of a Whitfield-produced Undisputed Truth single. \"Papa\" won three Grammy Awards in 1973: Best R\u0026amp;B Performance by a Group for The Temptations, Best R\u0026amp;B Instrumental Performance for Whitfield and arranger\/conductor Paul Riser, and Best R\u0026amp;B Song for Whitfield and lyricist Barrett Strong. It is widely regarded as one of The Temptations' signature numbers.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eA1 Funky Music Sho Nuff Turns Me On\u003cbr\u003eA2 Run Charlie Run\u003cbr\u003eA3 Papa Was A Rollin' Stone\u003cbr\u003eB1 Love Woke Me Up This Morning\u003cbr\u003eB2 I Ain't Got Nothin'\u003cbr\u003eB3 The First Time Ever (I Saw Your Face)\u003cbr\u003eB4 Mother Nature\u003cbr\u003eB5 Do Your Thing\u003cbr\u003e\u003c\/p\u003e","brand":"LASGO","offers":[{"title":"LP","offer_id":45136725999933,"sku":"700171","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/all_2d7c027c-979b-4038-a6fa-02ea85f6b618.jpg?v=1683385018"},{"product_id":"chocolate-chip-2023-reissue","title":"Chocolate Chip (2023 Reissue)","description":"\u003cp\u003eThe seventh studio album by American soul mastermind Isaac Hayes, Chocolate Chip was released in 1975 by ABC Records through Hayes’ own imprint, Hot Buttered Soul Records, marking Hayes’ first release after leaving the then-financially troubled Stax label. 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With bassist Reggie Workman, pianist Mike Nock, and drummer James Black, it goes from the eight-minute title track that opens the album to the two-minute, angular modal ballad \"Try Love.\" Reviewer Thom Jurek gave it four out of five stars in AllMusic, stating that \"1984 certainly seems to be shaping up into one weird record.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe title is an experimental, noodling improv with Lateef moaning as if in mourning. But then with 'Soul Sister,' featuring Lateef's deep, bluesy, tenor blowing around a gorgeous lyric figure, and Mike Nock's stunningly beautiful soloing on 'Love Waltz,' the entire album moves in another direction, even if it isn't terribly focused. In all, a complex yet emotionally and musically rewarding effort by a master.”\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eSIDE A\u003cbr\u003e\u003cbr\u003e1. 1984\u003cbr\u003e2. Try Love\u003cbr\u003e3. Soul Sister\u003cbr\u003e4. 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Dalton was discovered by singer\/songwriter Fred Neil, who introduced her to producer Nick Venet (the man who signed The Beach Boys and took The Beatles to America). She cut most of the tracks with one take, and all in one night. A perfectionist, Dalton was hard to convince to record, and producers Venet and Neil were only successful by tricking her into thinking the tape wasn't rolling.\u003c\/p\u003e\n\u003cp\u003e\"Some find Karen Dalton's voice difficult to listen to\", wrote AllMusic critic Richie Unterberger. \"But Dalton's vocals aren't that hard to take, and they are expressive; like Buffy Sainte-Marie, it just does take some getting used to because of their unconventional timbre.\" On this album, Dalton covers a wide range of styles, from lim Hardin, Jelly Roll Morton, and Leadbelly to the traditional folk song \"Ribbon Bow\" and the Eddie Floyd\/Booker T. Jones penned soul tune \"I Love You More Than Words Can Say.\" She also sings a couple of Neil tunes. 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Combining fragile and ethereal melodic acid folk with perfectly rendered electronic effects, Parallelograms consists of what Perhacs herself described as \"visual music.\" The spotlight is placed clearly on Linda's guitar and voice, where echoes of Joni Mitchell, Joan Baez and even Grace Slick (lead singer of Jefferson Airplane) can be traced. As was common in his work, Rosenman's production ends up shaping a soundscape located somewhere between jazz, classical music and the avant-garde. All Music reviewer Richie Unterberger gave it 4 ½ out of 5 stars, stating that \"Perhacs' cult favorite Parallelograms instantly evokes the spare and isolated feel of the songs and the production on Joni Mitchell's first albums.\u003c\/p\u003e\n\u003cp\u003ePerhacs is adept at dropping unusual effects and arrangements into the mix, that on occasion have a mildly disquieting and psychedelic vibe. Not all of the record is unusual, though; much of it's just attractively wistful, moody singer\/songwriter folk, sometimes with an engaging folk-jazz backup, sometimes just with a guitar, sometimes enlivened by creative smudges of organ and electric guitar.\" \u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eSide A\u003cbr\u003e1. Chimacum Rain\u003cbr\u003e2. Paper Mountain Man\u003cbr\u003e3. Dolphin\u003cbr\u003e4. Call of the River\u003cbr\u003e5. Sandy Toes\u003cbr\u003e6. Parallelograms\u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003e1. Hey, Who Really Cares?\u003cbr\u003e2. Moons and Cattails\u003cbr\u003e3. Morning Colors\u003cbr\u003e4. Porcelain Baked Cast Iron Wedding\u003cbr\u003e5. 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All of the songs were composed by Norman Whiffield and Barrett Strong and produced by Whiffield.It almost completely abandoned the \"Motown Sound\" formula, instead delving fully into psychedelia.\u003c\/p\u003e\n\u003cp\u003eAlong with the hit title track (which reached #7 on the US Billboard Hot 100, #4 on Cash Box, and #2 on the US R\u0026amp;B charts), the album also features the group's original version of \"War\", which became a major hit for Edwin Starr later in 1970.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003ePsychedelic Shack\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas one of the last albums completed before the third incarnation of The Temptations (Dennis Edwards, Paul Williams, Eddie Kendricks, Melvin Franklin, and Otis Williams) broke apart.\u003c\/p\u003e\n\u003cp\u003eDuring the recording of the album, Paul Williams, suffering from sickle-cell disease but also from five years of heavy alcoholism, was frequently unable to perform, so the group hired Richard Street, an old friend of Otis Williams and lead singer of minor Motown act The Monitors, as a stand-in. 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Ubiquity inaugurates his music's evolution away from the more jazz of his earlier Atlantic LPs toward the infectious, funk-inspired fusion.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eA1        Pretty Brown Skin\u003cbr\u003eA2        Raindrops Keep Fallin' On My Head\u003cbr\u003eA3        I Can't Help Myself\u003cbr\u003eA4        Love\u003cbr\u003eB1        The Fuzz\u003cbr\u003eB2        Hummin'\u003cbr\u003eB3        Can You Dig It?\u003cbr\u003eB4        Painted Desert\u003cbr\u003e\u003c\/p\u003e","brand":"LASGO","offers":[{"title":"LP","offer_id":49520039362877,"sku":"700215","price":25.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/roy.jpg?v=1729871820"},{"product_id":"music-is-the-healing-force-of-the-universe","title":"Music Is The Healing Force Of The Universe","description":"\u003cp\u003eReleased on the Impulse label in 1969, Albert Ayler's album Music Is the Healing Force of the Universe was entirely written by Ayler's partner, Mary Maria Parks. 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DRUDGERY\u003c\/p\u003e","brand":"Lasgo","offers":[{"title":"LP","offer_id":49842370478397,"sku":"700225","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/musicisthehealingforceoftheuniverse.jpg?v=1737722326"},{"product_id":"the-astrud-gilberto-album-1","title":"The Astrud Gilberto Album","description":"\u003cp\u003eThe debut studio album by singer Astrud Gilberto, featuring Antônio Carlos Jobim on guitar and arrangements by Marty Paich,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eThe Astrud Gilberto Album\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ewas released by Verve Records in 1965. It peaked at number 41 on the Billboard 200 chart and, in 2017, National Public Radio placed it at number 73 on the \"150 Greatest Albums Made by Women\" list.\u003c\/p\u003e\n\u003cp\u003eThe album received a 4 1\/2 stars rating on AllMusic, with reviewer John Bush stating that “her voice was yet more sweet than had been heard previously, and as before, the record featured two strong leaders. As long as intelligent musicians were playing to her strengths (as they do here), the results were splendid.”\u003cbr\u003e\u003cbr\u003eHollywood, California; January 27 \u0026amp; 28, 1965\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eA1. Once I Loved\u003cbr\u003eA2. Água De Bebe\u003cbr\u003eA3. MeditationA4.\u003cbr\u003eA4. And Roses And Roses\u003cbr\u003eA5. O Morro (Não Tem Vez)\u003cbr\u003eA6. How Insensitive\u003c\/p\u003e\n\u003cp\u003eB1. Dindi\u003cbr\u003eB2. Photograph\u003cbr\u003eB3. Dreame\u003cbr\u003eB4. Só Tinha De Ser Com Você\u003cbr\u003eB5. All That's Left Is To Say Goodbye\u003c\/p\u003e","brand":"Lasgo","offers":[{"title":"LP","offer_id":49842371526973,"sku":"700231","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/the-astrud-gilberto-album.jpg?v=1737722476"},{"product_id":"further-conversations-with-myself","title":"Further Conversations With Myself","description":"\u003cp\u003eFurther Conversations with Myself, released on the Verve label in 1967, was Bill Evans’ sequel to his 1963 Grammy Award LP Conversations with Myself.  As on that initial album, here all the pieces are unaccompanied solos with piano overdubs. On Further, however, he plays just two pianos instead of the three he had previously employed.\u003c\/p\u003e\n\u003cp\u003eAccording to AllMusic reviewer Scott Yanow, “The program is brief, but Evans plays quite well throughout. In particular, his versions of Johnny Mandel's ‘Emily’ and ‘Santa Claus Is Coming to Town’ are most memorable. A thoughtful and (despite the overdubbing) spontaneous-sounding set of melodic music.”\u003c\/p\u003e\n\u003cp\u003eRecorded at Webster Hall, New York City, August and September, 1967\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1. Emily (From the MGM Release 'Emily')\u003cbr\u003e2. Yesterdays\u003cbr\u003e3. Santa Claus Is Comin' to Town\u003cbr\u003e4. Funny Man\u003cbr\u003e5. The Shadow of Your Smile (Love Theme from 'The Sandpiper')\u003cbr\u003e6. Little Lulu\u003cbr\u003e7. Quiet Now\u003c\/p\u003e","brand":"Lasgo","offers":[{"title":"LP","offer_id":49842373034301,"sku":"700240","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/further-conversations-with-myself.jpg?v=1737722683"},{"product_id":"symphony-for-improvisers","title":"Symphony For Improvisers","description":"\u003cp\u003eRecorded in 1966 and released by Blue Note Records in August of 1967, Don Cherry's Symphony for Improvisers features Gato Barbieri, Henry Grimes, and Ed Blackwell, all of whom had appeared on Cherry's previous album Complete Communion. Also featured are Karl Berger, Jean-Francois Jenny-Clark, and Pharoah Sanders.\u003c\/p\u003e\n\u003cp\u003eThe album received a rating of 4 1\/2 stars on AllMusic, with reviewer Steve Huey stating that, \"Even though the album is full of passionate fireworks, there's also a great deal of subtlety. Feverish but well-channeled, this larger-group session is probably Cherry's most gratifying for Blue Note.\"\u003c\/p\u003e\n\u003cp\u003eEnglewood Cliffs, New Jersey, September 19, 1966.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eA1. Symphony For Improvisers\u003cbr\u003eA2. Nu Creative Love\u003cbr\u003eA3. What's Not Serious\u003cbr\u003eA4. Infant Happiness\u003c\/p\u003e\n\u003cp\u003eB1. Manhattan Cry\u003cbr\u003eB2. Lunatic\u003cbr\u003eB3. Sparkle Plenty\u003cbr\u003eB4. Om Nu\u003c\/p\u003e","brand":"Lasgo","offers":[{"title":"LP","offer_id":49842373656893,"sku":"700235","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/symphony-for-improvisers.jpg?v=1737722841"},{"product_id":"lee-hazlewoodism-its-cause-and-cure-1","title":"Lee Hazlewoodism - Its Cause And Cure","description":"\u003cp\u003eLee Hazlewood's second album for MGM had something of a split personality, though both sides were an accurate depiction of various sides of his musical mind. Released in 1967, Lee Hazlewoodism: Its Cause and Cure opens with five story-songs, most of which are dramatic narratives in which Hazlewood speaks rather than sings, approaching his recitations with all the seriousness he can muster, while Billy Strange's arrangements provide elaborate but understated accompaniment.\u003c\/p\u003e\n\u003cp\u003eElsewhere, the album's second half finds Hazlewood in broader and more playful form. The album received a 4 stars rating on  AllMusic, with reviewer Mark Deming stating that “The unifying theme of this album is simply Hazlewood being Hazlewood, with a crew of first-call studio pros helping him realize his vision (or sometimes his whims) as the Playboy Philosopher of the L.A. Cowboy Set. This LP reflects his wit and talents better than most.”\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1. The Girls in Paris\u003cbr\u003e2. Jose\u003cbr\u003e3. The Old Man and His Guitar\u003cbr\u003e4. The Nights\u003cbr\u003e5. I Am a Part\u003cbr\u003e6. Home (I'm Home)\u003cbr\u003e7. After Six\u003cbr\u003e8. Suzi Jane Is Back in Town\u003cbr\u003e9. In Our Time\u003cbr\u003e10. Dark in My Heart\u003c\/p\u003e","brand":"Lasgo","offers":[{"title":"LP","offer_id":49842374017341,"sku":"700234","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/leehazlewoodism-itscauseandcure.jpg?v=1737722972"},{"product_id":"united-2","title":"United","description":"\u003cp\u003eThe first of three collaborative albums by Marvin Gaye and Tammi Terrell,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eUnited\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ewas released on August 29, 1967 on the Motown subsidiary label Tamla Records. It was the duo’s as well as Marvin Gaye’s most successful album of the 1960’s, with sales almost reaching one million copies.\u003c\/p\u003e\n\u003cp\u003eIt yielded four Top 100 Billboard chart hits, including the two Top 10 singles, \"Your Precious Love,\" and \"If I Could Build My Whole World Around You.\" United peaked at #69 on the U.S. Billboard 200 album chart and #7 on the U.S. Billboard R\u0026amp;B albums chart upon its release. United received a **** ½ rating on AllMusic, with reviewer Andrew Hamilton stating that it “was the first of their three LPs, and quite possibly the best of the lot.”\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e1. Ain't No Mountain High Enough\u003cbr\u003e2. You've Got What It Takes\u003cbr\u003e3. If I Could Build My Whole World Around You\u003cbr\u003e4. Somethin' Stupid\u003cbr\u003e5. Your Precious Love\u003cbr\u003e6. Hold Me Oh Darling\u003cbr\u003e7. Two Can Have a Party\u003cbr\u003e8. Little Ole Boy, Little Ole Girl\u003cbr\u003e9. If This World Were Mine\u003cbr\u003e10. Sad Wedding\u003cbr\u003e11. Give a Little Love\u003cbr\u003e12. Oh How I'd Miss You\u003c\/p\u003e","brand":"Lasgo","offers":[{"title":"LP","offer_id":49842374639933,"sku":"700241","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/united.jpg?v=1737723083"},{"product_id":"wisdom-through-music","title":"Wisdom Through Music","description":"\u003cp\u003eRecorded in New York City and Los Angeles in 1972 and released the following year by Impulse!, Pharoah Sanders' album Wisdom Through Music features the leader with flutist James Branch, pianist Joe Bonner, bassist Cecil McBee, drummer Norman Connors, and percussionists Badal Roy, James Mtume, and Lawrence Killian.\u003c\/p\u003e\n\u003cp\u003eThe recording was produced by Lee Young, the younger brother of saxophonist Lester Young. According to AllMusic reviewer Thom Jurek, \"most notable is 'High Life,' on which Sanders emulates the West African style of music with roiling, celebratory drumming and singing, and killer flute playing. A compelling whole, revealing a chapter in Sanders recorded history.\"\u003c\/p\u003e\n\u003ch3\u003ePERSONNEL:\u003c\/h3\u003e\n\u003cp\u003ePharoah Sanders - (soprano, tenor \u0026amp; flute)\u003cbr\u003eJames Branch - (flute)\u003cbr\u003eJoseph Bonner - (piano)\u003cbr\u003eCecil McBee - (bass)\u003cbr\u003eLawrence Killian, James Mtume \u0026amp; Babadal Roy - (percussion)\u003cbr\u003eNorman Connors - (drums)\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eA1. High Life\u003cbr\u003eA2. Love Is Everywhere\u003cbr\u003eA3. Wisdom Through Music\u003c\/p\u003e\n\u003cp\u003eB1. The Golden Lamp\u003cbr\u003eBJ. Bonner\u003cbr\u003eB2. Selflessness\u003c\/p\u003e","brand":"Lasgo","offers":[{"title":"LP (Endless Happiness Label)","offer_id":49842674565437,"sku":"HE73002","price":18.99,"currency_code":"GBP","in_stock":false},{"title":"LP (Elemental Music Label)","offer_id":49842375459133,"sku":"700226","price":28.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/wisdomthroughmusic-limitedgatefoldedition.jpg?v=1737723196"},{"product_id":"love-in-us-all","title":"Love In Us All","description":"\u003cp\u003ePharoah Sanders'\u003cem\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eLove in Us All\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas recorded in 1972 but released on the Impulse! label in 1974. It consists of two extended compositions, \"Love Is Everywhere\" (which Sanders also recorded that year in a different version for his album Wisdom Through Music) and an homage to John Coltrane, titled \"To John.\"\u003c\/p\u003e\n\u003cp\u003eBoth serve as an aural representation of the way Sanders' music polarized the jazz world at the time. Ted Davis of Paste Magazine included \"Love Is Everywhere\" in his list of \"The 10 Best Pharoah Sanders Songs,\" stating that it \"captures his sound at its most wonderfully cosmic, esoteric and enlightening—a perfect distillation of all the things that made him such a singular and unforgettable artist.\" According to AllMusic writer Nathan Bush, \"Coltrane himself never created a work as emotionally direct as `Love Is Everywhere'.\"\u003c\/p\u003e\n\u003ch3\u003ePERSONNEL:\u003c\/h3\u003e\n\u003cp\u003ePharoah Sanders - (tenor \u0026amp; soprano sax, flute)\u003cbr\u003eJames Branch - (flute)\u003cbr\u003eJoe Bonner - (piano)\u003cbr\u003eCecil McBee - (bass)\u003cbr\u003eNorman Connors - (drums)\u003cbr\u003eLawrence Killian, James Mtume, Badal Roy - (percussion)\u003cbr\u003e\u003cbr\u003eRecord in Los Angeles, 1972\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSIDE A:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eLove Is Everywhere ........ 20:03\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSIDE B:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eTo John ........ 20:45\u003c\/span\u003e\u003c\/p\u003e","brand":"Lasgo","offers":[{"title":"LP","offer_id":49842375557437,"sku":"700237","price":28.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/love-in-us-all.jpg?v=1737723275"},{"product_id":"village-of-the-pharoahs","title":"Village Of The Pharoahs","description":"\u003cp\u003eThe eighth album by American saxophonist and composer Pharoah Sanders,\u003cem\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eVillage of the Pharoahs\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas released in 1973 on the Impulse! label. Sanders plays both tenor and soprano sax and takes some spirited vocals. One of the highlights is \"Memories of Lee Morgan,\" Sanders' heartfelt homage to trumpeter Lee Morgan, who had died the previous year. According to\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePopMatters\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewriter Sean Murphy, \"The results of this album are impressive. This is the work of a confident explore willing to go anywhere and do anything, a time machine that involves neither physics nor hot tubs, a more than solid outing from Sanders in his prime is nothing to shake a sax at.\"\u003c\/p\u003e\n\u003ch3\u003eFEATURING:\u003c\/h3\u003e\n\u003cp\u003e• PHAROAH SANDERS\u003cbr\u003e• SEDATRIUS BROWN\u003cbr\u003e• ARTHUR WEBB\u003cbr\u003e• JOE BONNER\u003cbr\u003e• CECIL McBEE\u003cbr\u003e• STANLEY CLARK\u003cbr\u003e• CALVIN HILL\u003cbr\u003e• NORMAN CONNORS\u003cbr\u003e• JIMMY HOPPS\u003cbr\u003e• LAWRENCE KILLIAN\u003cbr\u003e• KENNETH NASH\u003cbr\u003e• MARVIN PETERSON\u003cbr\u003e• KYLO KYLO\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eA1. Village of the Pharoahs, Part 1\u003cbr\u003eA2. Village of the Pharoahs, Part 2\u003cbr\u003eA3. Village of the Pharoahs, Part 3\u003cbr\u003eA4. Myth\u003c\/p\u003e\n\u003cp\u003eB1. Mansion Worlds\u003cbr\u003eB2. Memories of Lee Morgan\u003cbr\u003eB3. Went Like It Came\u003c\/p\u003e","brand":"Lasgo","offers":[{"title":"LP (Endless Happiness Label)","offer_id":49842671747389,"sku":"HE73003","price":18.99,"currency_code":"GBP","in_stock":false},{"title":"LP (Elemental Music Label)","offer_id":49842375688509,"sku":"700233","price":28.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/villageofthepharoahs-limitedgatefoldedition.jpg?v=1737723359"},{"product_id":"summum-bukmun-umyun-deaf-dumb-blind","title":"Summum Bukmun Umyun - Deaf Dumb Blind","description":"\u003cp\u003eRecorded at A \u0026amp; R Studios in New York City on July 1, 1970, Pharoah Sanders' album Deaf Dumb Blind (in Arabic \"Summon Bukmun Umyun\"), was released on Impulse! Records that same year. It features the leader along with fellow stars Woody Shaw, Gary Bath and Lonnie Liston Smith. The album received a 4 stars rating on AllMusic, with reviewer Thom Jurek stating that this is \"a stunningly beautiful and contemplative work that showcases how intrinsic melodic phrasing and drones were to Sanders at the time. This album is a joyful noise made in the direction of the divine, and we can feel it through the speakers, down in the place that scares us.\"\u003c\/p\u003e\n\u003ch3\u003ePERSONNEL:\u003c\/h3\u003e\n\u003cp\u003ePHAROAH SANDERS - (soprano sax, wood flute, thumb piano, percussion)\u003cbr\u003eWOODY SHAW - (trumpet, percussion)\u003cbr\u003eGARY BARTZ - (alto saxophone, percussion)\u003cbr\u003eLONNIE LISTON SMITH - (piano, percussion)\u003cbr\u003eCECIL McBEE - (bass)\u003cbr\u003eCLIFFORD JARVIS - (drums)\u003cbr\u003eNATHANIEL BETTIS - (bylophone, yodeling, African percussion)\u003cbr\u003eANTHONY WILES - (conga drum, African percussion.\u003cbr\u003e\u003cbr\u003eRecorded at A\u0026amp;R  Studios, New York City, 1 July, 1970.\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSIDE A:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eSUMMUN, BUKMUN, UMYUN ................ (21:17)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSIDE B:\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLET US GO INTO THE HOUSE OF THE LORD  ................ (18:25)\u003c\/span\u003e\u003c\/p\u003e","brand":"Lasgo","offers":[{"title":"LP","offer_id":49842376671549,"sku":"700236","price":28.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/summun-bukmun-umyun-deaf-dumb-blind.jpg?v=1737723437"},{"product_id":"rip-rig-panic","title":"Rip, Rig \u0026 Panic","description":"\u003cp\u003eRecorded in 1965 at Rudy Van Gelder's studio in New Jersey, Roland Kirk’s album Rip, Rig and Panic  finds him teamed with the most awesome rhythm section he ever recorded with: pianist Jaki Byard, bassist Richard Davis, and drummer Elvin Jones.\u003c\/p\u003e\n\u003cp\u003eIt  received a 5 stars rating on AllMusic, with reviewer Thom Jurek stating that “Rip, Rig, and Panic may be pre-Rahsaan Roland Kirk's greatest outing. Kirk and his quartet moved through a series of musicological changes that defined him as an artist at the time. Five of the seven compositions are his, and reach through each of the phases that Kirk was interested in integrating into his compositional and improvisational voice. Positively smashing.”\u003c\/p\u003e\n\u003ch3\u003ePERSONNEL:\u003c\/h3\u003e\n\u003cp\u003eRoland Kirk - (tenor Saxophone, Manzello, Stritch, Castanets)\u003cbr\u003eElvin Jones - (drums)\u003cbr\u003eJaki Byard - (piano)\u003cbr\u003eRichard Davis - (bass)\u003cbr\u003e\u003cbr\u003eRecorded January 13, 1965, Englewood, New Jersey. \u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eA1. NO TONIC PRES\u003cbr\u003eA2. ONCE IN A WHILE\u003cbr\u003eA3. FROM BECHET, BYAS, AND FATS\u003cbr\u003eA4. MYSTICAL DREAM\u003c\/p\u003e\n\u003cp\u003eB1. RIP, RIG AND PANIC\u003cbr\u003eB2. BLACK DIAMOND\u003cbr\u003eB3. SLIPPERY, HIPPERY, FLIPPERY\u003c\/p\u003e","brand":"Lasgo","offers":[{"title":"LP","offer_id":49842377818429,"sku":"700232","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0096\/1884\/9839\/files\/rip-rig-panic-limitedgatefoldedition.jpg?v=1737723543"},{"product_id":"puzzle-people","title":"Puzzle People","description":"\u003cp\u003eThe eleventh studio album by American soul quintet The Temptations for the Gordy label, Puzzle People was released in 1969. Produced entirely by Norman Whitfield, it expanded on the psychedelic soul sound of Cloud Nine. Although a few soul ballads are present, the album is primarily composed of Sly \u0026amp; the Family Stone\/James Brown-derived proto-funk tracks, such as the number-one Billboard Pop hit \"I Can't Get Next to You.\"\u003cbr\u003e\u003cbr\u003eThe album peaked into the Top 5 on the Billboard Pop Albums chart, and spent fifteen weeks at number one on the R\u0026amp;B Albums chart. According to AllMusic reviewer Mark Deming, this is \"the work of a great vocal group firing on all cylinders and getting inspired support in the studio, one of the group's strongest late-60's efforts.\"\u003c\/p\u003e\n\u003ch3\u003ePERSONNEL:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTHE TEMPTATIONS:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e• Dennis Edwards\u003cbr\u003e• Eddie Kendricks\u003cbr\u003e• Paul Williams\u003cbr\u003e• Melvin Franklin\u003cbr\u003e• Otis Williams\u003c\/p\u003e\n\u003ch5\u003eTracklist\u003c\/h5\u003e\n\u003cp\u003eA1. I Can's Get Next To You\u003cbr\u003eA2. Hey Jude\u003cbr\u003eA3. Don't Let The Joneses Get You Down\u003cbr\u003eA4. Mesagge from A Black Man\u003cbr\u003eA5. It's Your Things\u003c\/p\u003e\n\u003cp\u003eB1. Little Green Apples\u003cbr\u003eB2. You Don't Love Me No More\u003cbr\u003eB3. Since I've Lost You\u003cbr\u003eB4. Running Away (Ain't Gonna Help You)\u003cbr\u003eB5. That's The Way Love Is\u003cbr\u003eB6. 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This is the first official reissue - 180g vinyl in deluxe gatefold packaging.\u003c\/p\u003e\n\u003cp\u003eHer superlative voice is supported by a team of heavyweight studio musicians, among them Jan Hammer, Warren Bernhardt, Tony Levin, Jerry Jemmott, Don Alias and Jeremy Steig. Remastered from the original analogue tapes, this edition includes two exceptional previously unreleased bonus tracks - 'For Emile' (demo version), and 'Hang On To A Dream'.\u003c\/p\u003e\n\u003cp\u003eSmith emerged from the same Orange County, Californian milieu as Tim Buckley and Jackson Browne. Championed by singer- songwriter- guitarist Richie Havens, Kathy recorded two hauntingly beautiful albums, 'Some Songs I've Saved' and 'Kathy Smith 2', for his Stormy Forest label, and then quietly disappeared from the scene. 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