The music of Markus Floats might best be described as idiosyncratic aural Abstract Expressionism, where melodic gestures, sequenced pulses, atonal clusters and granulated textures are arranged like shapes and strokes of timbral hue and depth. Using primarily in-the-box midi instruments, along with a handful of samples and field recordings, Third Album is through-composed and atypically but unfailingly expressive – like ruminative action painting in sound. Synthetic notes and chords extrapolate in transitory semi-improvised harmonic and melodic themes, often referencing organ sounds of alternately liturgical and souljazz resonance. The album combines a sort of incantatory, exploratory, desecrated dark lounge with more formal touchstones of electronic composition, where arpeggiators surface and recede amidst shifting drones, distortions and dissonances. The result is a highly original, succinct and lucid set of syntheticelectronic tracks that defies genre: brimming with ideas but not overworked; methodical and discreet but not unassuming or underplayed; deeply integrated in its own ineffable, evocative chronicle of colour, shape and space. Third Album is a wonderfully distinctive work of leftfield electronic composition and the most distilled music Markus Floats has recorded to date.
2. And Forward
6. Forward Always